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Arts & Living

(Abrams Books) Greg Marshall, author of "Leg," a memoir about growing up queer, with a disability, and in Utah.

In this Utah native’s memoir, he explores his queer and disabled identity

By Palak Jayswal | June 1, 2023, 1:58 p.m.

(Leah Hogsten | The Salt Lake Tribune) A Ballet West corps artist rehearses for a production of The Nutcracker at the Capitol Theatre. Performing arts is one sector that was still struggling to recover to pre-pandemic levels in 2021.

How are performing arts, advertising and other cultural industries doing in Salt Lake County?

By Megan Banta | May 6, 2023, 7:31 p.m.

(Evan Agostini | Invision/AP file photo) Neve Campbell, seen here at the 2016 Gotham Independent Film Awards, is scheduled to appear at the FanX Salt Lake Comic Convention, Sept. 21-23, 2023, at the Salt Palace Convention Center in downtown Salt Lake City.

FanX books stars from ‘Scream,’ ‘Smallville’ and ‘Halo’ to come to Utah

By Sean P. Means | March 25, 2023, 12:36 a.m.

(Tanner Humanities Center) Science fiction author Kim Stanley Robinson is scheduled to talk about his work, climate change and more at Kingsbury Hall on the University of Utah campus on Thursday, March 16, 2023.

Sci-fi writer is visiting Utah with a message: Forget Mars and get ‘all hands on deck’ for climate change

By Grant Burningham | March 15, 2023, 4:37 p.m.

(Palak Jayswal | The Salt Lake Tribune) William Shatner, Capt. James T. Kirk from the original "Star Trek," talks to an audience at FanX Salt Lake Comic Convention at the Salt Palace Convention Center on Friday, Sept. 23, 2022.

On day 2 of FanX, stars from different generations connect with fans

By Palak Jayswal | September 23, 2022, 10:17 p.m.

(Rick Egan | The Salt Lake Tribune) Alden Barrett's headstone has been vandalized quite a few times over the years, but is now at the Pleasant Grove Cemetery, seen here on Tuesday, Aug. 16, 2022.

Here’s how a teen’s death took a reporter on a tour of a small town’s dark history

By Palak Jayswal | September 21, 2022, 12:00 p.m.

(Evan Agostini | Associated Press file photo) Singer Stevie Nicks, seen here in 2019, is scheduled to perform Thursday, June 16, 2022, at Usana Amphitheater in West Valley City, Utah.

Look Ahead: Local events and things to do this week, June 12-18

By Sean P. Means | June 12, 2022, 1:00 p.m.

(Trent Nelson | The Salt Lake Tribune) Cirque Italia's Water Circus in Salt Lake City on Thursday, June 9, 2022. The troupe is scheduled to perform in Salt Lake City through June 19, 2022, then move the tent and show to Provo Towne Centre, June 23-26, 2022.

Performing group Cirque Italia aims to take Utahns back in time

By Palak Jayswal | June 11, 2022, 1:00 p.m.

(Francisco Kjolseth | The Salt Lake Tribune) Devan Wetenkamp, left, and Jonah Ericson operate puppet flamingoes as Salt Lake City hosts Busker Fest along Main Street and Gallivan Ave., with traveling and local street performers on Saturday, May 27, 2021. This year's version of Busker Fest happens June 24-25, 2022, and organizers are seeking applications from performers.

Busker Fest, Salt Lake City’s downtown street event, is looking for performers

By Palak Jayswal | April 20, 2022, 1:00 p.m.

(Blake Peterson | Park City Song Summit) Ben Anderson, center, founder of Park City Song Summit, chats with Julia Stout, left, the summit's director of event operation), and Julia Rametta, director of business operations.

Stars of rock, country, blues and punk will play and talk at ‘anti-festival’ Park City Song Summit

By Palak Jayswal | April 20, 2022, 4:04 p.m.

(Rick Egan | The Salt Lake Tribune) Ashish Maheshwari enjoys the spring weather at the Holi Festival of Colors in Spanish Fork, on Saturday, March 26, 2022. The festival with continues on Sunday, included music, yoga, food, and hourly color throws for those attending.

Photo gallery: Spanish Fork temple holds annual Holi Festival of Colors

By The Salt Lake Tribune | March 27, 2022, 2:28 a.m.

(Rick Egan | The Salt Lake Tribune) Students from Judge Memorial Catholic High School dance in the Saint Patrick's Parade at the Gateway in Salt Lake City, on Saturday, March 12, 2022.

Photo gallery: St. Patrick’s Day Parade returns to Salt Lake City

By The Salt Lake Tribune | March 13, 2022, 12:45 a.m.

(Utah Museum of Fine Arts) Gretchen Dietrich, center, director of the Utah Museum of Fine Arts, stands with W. James Tozer Jr. and Elizabeth Farrar Tozer, in the UMFA lobby that has now been named after them. The Tozers have given UMFA a $400,000 gift to endow special exhibitions, the museum announced on Feb. 23, 2022.

Utah Museum of Fine Arts receives $400,000 endowment

By Palak Jayswal | February 24, 2022, 2:00 p.m.

(Photo courtesy Lia Chang/National Asian Artists Project) Ali Ewoldtand Jonny Lee Jr. star in the musical “Gold Mountain.”

After 24 years, musical love story ‘Gold Mountain’ will have its world debut in West Valley City

By Scott D. Pierce | November 1, 2021, 4:29 p.m.

"Mystic Mike" Ginsburg sits with his dog, Stella, on bluff overlooking his property near Monroe, Utah, where the Mystic Hot Springs owner plans to build an art installation that could be seen from Interstate 70. It's a project that started thanks to rumors he was bringing Antifa to town to cause problems last Pioneer Day.

Robert Gehrke: Antifa not showing up last Pioneer Day sent ‘Mystic Mike’ on a pioneering quest

By Robert Gehrke | July 25, 2021, 5:54 a.m.

(Hiroyuki Ito | The New York Times) Orchestra musicians perform in New York on Sept. 22, 2010. Rearranging musicians could significantly reduce aerosol buildup on stage, a new study says.

Musical Chairs? Swapping seats could reduce orchestra aerosols.

By Emily Anthes | The New York Times | June 25, 2021, 8:53 p.m.

(Salt Lake County Animal Services) Tattoos provided to patrons at the Tats for Cats event at Fallen Angel Tattoos on June 4 and June 5.

Tattoo studio partners with local animal organization in fundraiser

By Jordan Miller | June 9, 2021, 12:55 a.m.

(Photo courtesy Pioneer Theatre Company) Christopher Massimine, seen here at the Tony Awards in New York, has been managing director of Utah's Pioneer Theatre Company since July 1, 2019.

Claims on Pioneer Theatre managing director’s resumé seem to be bogus

By Sean P. Means | June 5, 2021, 2:05 a.m.

(Rick Egan | The Salt Lake Tribune) The Pride Flag flies over City Hall, on Tuesday, June 1, 2021.

With the parade canceled, here’s how you can still celebrate Pride Week

By Connor Sanders | June 3, 2021, 12:09 a.m.

(Photo courtesy of Joshua Black/Salt Lake Acting Company) The old 19th Ward meetinghouse, which is home to Salt Lake Acting Company, is undergoing renovations.

5 things you’ll see in the remodel of Salt Lake Acting Company’s quirky former LDS meetinghouse

By Scott D. Pierce | May 7, 2021, 6:38 p.m.

"},{"_id":"3OL6WXYDWVF3HE5I72MHYPP7X4","type":"text","additional_properties":{"_id":1683222026537,"comments":[],"inline_comments":[]},"content":"Revenues dried up as venues closed amid emergency orders, and some stayed closed to the public even after restrictions eased."},{"_id":"XNBDAXJ635EBXM3VFQQJQY4CNA","type":"text","additional_properties":{"_id":1683222026538,"comments":[],"inline_comments":[]},"content":"Balderas pointed to smaller museums with tight spaces that made implementing COVID-19 protocols unrealistic."},{"_id":"ITNLP2JIRNHS3GRAUONPVPT4ZI","type":"text","additional_properties":{"_id":1683222026539,"comments":[],"inline_comments":[]},"content":"Castillo recalled a symphony performance where 600 people sat spaced out in a theater that normally can hold 2,800."},{"_id":"6WQI54Z2TFFGZOGATPMYNDL44A","type":"text","additional_properties":{"_id":1683222026540,"comments":[],"inline_comments":[]},"content":"Even venues with enough space weren’t consistently open. A spike in cases in late 2020 led Salt Lake County Arts and Culture to close its venues again and reopen them with limited capacity in early 2021."},{"_id":"67ZAROR6CNGILPVZYHZIDOF5EY","additional_properties":{"fullSizeResizeUrl":"/resizer/WgD9oHc99UYtdu73TKHiJukhLXU=/arc-anglerfish-arc2-prod-sltrib/public/67ZAROR6CNGILPVZYHZIDOF5EY.jpg","galleries":[{"headlines":{"basic":"Eccles Returns"},"_id":"CPEWTM4O7NHBJIHLJ7UUCS3R5M"}],"ingestionMethod":"manual","iptc_job_identifier":"UTSAC","iptc_title":"STAFF","keywords":["dallyn vail bayles","eccles theater","kurt bestor","music","performance","the phantom of the opera"],"mime_type":"image/jpeg","originalName":"Eccles Returns fk 2072.jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/67ZAROR6CNGILPVZYHZIDOF5EY.jpg","owner":"fkjolseth@sltrib.com","proxyUrl":"/resizer/WgD9oHc99UYtdu73TKHiJukhLXU=/arc-anglerfish-arc2-prod-sltrib/public/67ZAROR6CNGILPVZYHZIDOF5EY.jpg","published":true,"resizeUrl":"/resizer/WgD9oHc99UYtdu73TKHiJukhLXU=/arc-anglerfish-arc2-prod-sltrib/public/67ZAROR6CNGILPVZYHZIDOF5EY.jpg","restricted":false,"takenOn":"2021-03-24T17:52:36Z","thumbnailResizeUrl":"/resizer/Vs1u_GalXfQvAM1jshU1EH-fbaE=/300x0/arc-anglerfish-arc2-prod-sltrib/public/67ZAROR6CNGILPVZYHZIDOF5EY.jpg","usage_instructions":"j=\rDeseret News OUT, KSL OUT, KUTV OUT, KTVX OUT\r","version":0,"template_id":335,"_id":"ERL5QIGCXNEELORDC36SPLMQWU","comments":[]},"address":{},"caption":"(Francisco Kjolseth | The Salt Lake Tribune) Emmy Award-winning Utah composer Kurt Bestor talks during a press event on Wednesday, March 24, 2021 as the Eccles Theater announced its first shows since the COVID-19 pandemic began. Performing artists like Bestor were hit extra hard during the pandemic.","copyright":"© Francisco Kjolseth 2021","created_date":"2021-03-24T18:51:32Z","credits":{"affiliation":[],"by":[{"byline":"Francisco Kjolseth","name":"Francisco Kjolseth","type":"author"}]},"height":1902,"image_type":"photograph","last_updated_date":"2021-03-24T18:51:32Z","licensable":false,"owner":{"id":"sltrib"},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/67ZAROR6CNGILPVZYHZIDOF5EY","system":"photo center"},"status":"","subtitle":" ","taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/67ZAROR6CNGILPVZYHZIDOF5EY.jpg","version":"0.10.9","width":2800,"syndication":{"external_distribution":"","search":""}},{"_id":"VPT37L4RVFBKJEFHYL6XT6VN6I","type":"text","additional_properties":{"_id":1683222026542,"comments":[],"inline_comments":[]},"content":"Salt Lake County has seen jobs return, with the amount of available positions in the cultural industry growing 8.9% in 2021, according to the Gardner report."},{"_id":"TTW5E2B2BNBK5CX6DCUVNYWKKI","type":"text","additional_properties":{"_id":1683222026543,"comments":[],"inline_comments":[]},"content":"That growth hasn’t been evenly spread, with a few sectors seeing growth compared to 2019 and others lagging behind."},{"_id":"RZII4PNJANEM5BNVQDRZ6UDP7Q","type":"text","additional_properties":{"_id":1683222026544,"comments":[],"inline_comments":[]},"content":"For example, while motion picture and sound recording jobs in Salt Lake County increased 11.1% between 2019 and 2021, jobs in museums and parks saw a 20.9% drop, publishing saw an 18.3% drop and performing arts jobs decreased by 10.7%."},{"_id":"TBSKYSZH45DYDOSLCW6D6T7TVI","type":"text","additional_properties":{"_id":1683222026545,"comments":[],"inline_comments":[]},"content":"Poetry and performing arts were among the hardest hit statewide as well, Balderas said, and are still recovering."},{"_id":"A3A4E242VNATDILJWW34FUQBOA","type":"text","additional_properties":{"_id":1683222026546,"comments":[],"inline_comments":[]},"content":"The county’s performance venues could operate at full capacity throughout much of 2021, but many organizations that previously rented the space weren’t coming back, Castillo said."},{"_id":"VDHPBLWPGBEZPARYBESV7BUHRM","type":"text","additional_properties":{"_id":1683222026547,"comments":[],"inline_comments":[]},"content":"Organizations and patrons started returning toward the end of 2021 and into 2022, he said."},{"_id":"ZLOESPS7AFFGHAX3VDMW53RC5Y","type":"text","additional_properties":{"_id":1683222026548,"comments":[],"inline_comments":[]},"content":"Last year, he said, audiences started coming back faster than anticipated and most venues were at or close to pre-pandemic levels for bookings and audience size."},{"_id":"WVVWB4BQRZDBXM3ERIXM7ZNURM","type":"text","additional_properties":{"_id":1683227768787,"comments":[],"inline_comments":[]},"content":"Bestor’s annual Christmas show rebounded, he said, and a population boom has resulted in younger audiences going back to concerts. But recovery has been slower than he expected in the “higher arts” like opera and symphony, which typically attract older audiences."},{"_id":"RG6VN2Y2P5GTBB2EJT37VOJPUI","type":"text","additional_properties":{"_id":1683227768789,"comments":[],"inline_comments":[]},"content":"The pandemic disrupted habits like “getting all dolled up and going downtown,” Bestor said, but people have started to get back into some of their old routines."},{"_id":"ONLCY55J55HKBDSUG76M6EHBT4","type":"text","additional_properties":{"_id":1683222026549,"comments":[],"inline_comments":[]},"content":"Though some groups are still struggling, there are “lots of positive signs,” Castillo said. That includes new organizations applying for grants through Zoo, Arts and Parks tax revenues and record numbers of applications, he said."},{"_id":"CF7VJ6LYQVEPRPH5ITSSKB2PIQ","additional_properties":{"fullSizeResizeUrl":"/resizer/-jYjSlROIivcALhmPTxPkwVOmDo=/arc-anglerfish-arc2-prod-sltrib/public/CF7VJ6LYQVEPRPH5ITSSKB2PIQ.JPG","galleries":[{"headlines":{"basic":"Discovery Gateway dinosaur exhibit"},"_id":"EYYSSV226JGOVCY53AM6WYWQ7M"}],"ingestionMethod":"manual","iptc_job_identifier":"UTSAC","keywords":[""],"mime_type":"image/jpeg","originalName":"i dig dinos cs 3078.JPG","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/CF7VJ6LYQVEPRPH5ITSSKB2PIQ.JPG","owner":"csamuels@sltrib.com","proxyUrl":"/resizer/-jYjSlROIivcALhmPTxPkwVOmDo=/arc-anglerfish-arc2-prod-sltrib/public/CF7VJ6LYQVEPRPH5ITSSKB2PIQ.JPG","published":true,"resizeUrl":"/resizer/-jYjSlROIivcALhmPTxPkwVOmDo=/arc-anglerfish-arc2-prod-sltrib/public/CF7VJ6LYQVEPRPH5ITSSKB2PIQ.JPG","restricted":false,"takenOn":"2022-07-12T19:45:08Z","thumbnailResizeUrl":"/resizer/wyFfQG0b-QwLmuH7lNEMUOuqHYQ=/300x0/arc-anglerfish-arc2-prod-sltrib/public/CF7VJ6LYQVEPRPH5ITSSKB2PIQ.JPG","usage_instructions":"** Deseret News OUT, KSL OUT, KSTU OUT, KTVX OUT **","version":0,"template_id":335,"_id":"AT43A4A3DVHH3M326Z4546QECQ","comments":[]},"address":{},"caption":"(Chris Samuels | The Salt Lake Tribune) Children unearth fossils in a replica dig pit at the I Dig Dinos exhibit at Discovery Gateway Children’s Museum in Salt Lake City, Tuesday, July 12, 2022. Museums are among the cultural industry sectors that hadn't recovered to pre-pandemic levels in 2021. ","copyright":"The Salt Lake Tribune","created_date":"2022-07-12T21:37:50Z","credits":{"affiliation":[],"by":[{"byline":"Chris Samuels","name":"Chris Samuels","type":"author"}]},"height":2089,"image_type":"photograph","last_updated_date":"2022-07-12T21:37:50Z","licensable":false,"owner":{"id":"sltrib"},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/CF7VJ6LYQVEPRPH5ITSSKB2PIQ","system":"photo center"},"status":"","taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/CF7VJ6LYQVEPRPH5ITSSKB2PIQ.JPG","version":"0.10.9","width":3000,"syndication":{"external_distribution":"","search":""},"subtitle":""},{"_id":"2AXKT4FQJFGE5BBXFA6624KMSE","type":"text","additional_properties":{"_id":1683222026551,"comments":[],"inline_comments":[]},"content":"Lots of things are bouncing back that don’t show in the data, Balderas said, but there is “a significant need and an urgency to support” sectors of the cultural industry still facing hardship."},{"_id":"ZMRUX2AIQBDXZFUBU5OONGN4CU","type":"text","additional_properties":{"_id":1683222026552,"comments":[],"inline_comments":[]},"content":"Balderas encouraged people to get to know their local cultural businesses and support them."},{"_id":"UQLDNG5HVNFLLCOPSY7AV4GS7Q","type":"text","additional_properties":{"_id":1683222026553,"comments":[],"inline_comments":[]},"content":"“There are so many throughout the state of Utah that people just don’t know about,” he said."},{"_id":"OE34V7NWUVEBZMRSZHLOWJL7VI","type":"text","additional_properties":{"_id":1683222026554,"comments":[],"inline_comments":[]},"content":"The organization maintains a map of cultural assets across the state at <a href=https://www.sltrib.com/"https://www.nowplayingutah.com/cultural-asset-map//" target=\"_blank\">nowplayingutah.com/cultural-asset-map/</a> as a starting point for finding businesses and organizations to support."},{"_id":"CD43BOCRHBDLFN6KI4A6XXV32A","type":"text","additional_properties":{"_id":1683238550654,"comments":[],"inline_comments":[]},"content":"<i>Megan Banta is The Salt Lake Tribune’s data enterprise reporter, </i><a href=https://www.sltrib.com/"https://www.sltrib.com/news/2023/04/02/introducing-our-new-tribune-data//">a philanthropically supported position</i></a><i>. The Tribune retains control over all editorial decisions.</i>"},{"_id":"35ICCB7B25FJVGAG5IKQEN4YOM","type":"raw_html","additional_properties":{"_id":"RNRK62PNYJBZHFDX5ZC6Y2LG4Y","comments":[]},"content":"<iframe class=\"scribd_iframe_embed\" title=\"SLCo Cultural SS Mar2023\" src=https://www.sltrib.com/"https://www.scribd.com/embeds/642558210/content?start_page=1&view_mode=scroll&access_key=key-isDCRhnC2vpoYBbR5Hjj\%22 tabindex=\"0\" data-auto-height=\"true\" data-aspect-ratio=\"0.7729220222793488\" scrolling=\"no\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe><p style=\" margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block;\" ><a title=\"View SLCo Cultural SS Mar2023 on Scribd\" href=https://www.sltrib.com/"https://www.scribd.com/document/642558210/SLCo-Cultural-SS-Mar2023#from_embed\" style=\"text-decoration: underline;\">SLCo Cultural SS Mar2023</a> by <a title=\"View Megan Banta's profile on Scribd\" href=https://www.sltrib.com/"https://www.scribd.com/user/665743703/Megan-Banta#from_embed\" style=\"text-decoration: underline;\">Megan Banta</a></p>"},{"_id":"T4VT6CIWFVAF3KEJWSQMFGHA5E","type":"text","additional_properties":{"_id":"MA2632RHZRGOFPAOTKSHFZUOBY","comments":[],"inline_comments":[]},"content":"<br/>"},{"_id":"NWO4KM2HGJH6NLQHMCDAJNRCHA","type":"text","additional_properties":{"_id":"IYVPVTXOA5BBBHY7YUMRNGZFGA","comments":[],"inline_comments":[]},"content":"<br/>"}],"created_date":"2023-05-02T20:34:55.122Z","revision":{"revision_id":"2M45GNEDABHYTNM42RSCCCCIY4","parent_id":"XDNTU5FTWRDERNG5P5WAPY4NJA","editions":["default"],"branch":"default","user_id":"nweaver@sltrib.com","published":true},"last_updated_date":"2023-05-06T19:31:21.884Z","headlines":{"basic":"How are performing arts, advertising and other cultural industries doing in Salt Lake County?","meta_title":"Jobs in performance, museums, publishing faced slower pandemic recovery","mobile":"","native":"","print":"","tablet":"","web":""},"owner":{"sponsored":false,"id":"sltrib"},"address":{},"workflow":{"note":"","status_code":3},"subheadlines":{"basic":"The cultural industry bounced back “almost completely” in 2021, though some sectors hadn’t recovered to pre-pandemic job levels. 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So don’t panic and get to work."},{"_id":"3QEYUBZYJFAVVM5JW3I7TKHO2I","type":"text","additional_properties":{"_id":1678827566820,"comments":[],"inline_comments":[]},"content":"That’s the climate message from science fiction writer Kim Stanley Robinson, who seems bent on pushing the world beyond despair and into action. As Robinson told The Salt Lake Tribune, “cynicism is fake sophistication. It’s clumsy and stupid and mean. The way to be cool is to be optimistic, maybe angrily optimistic.”"},{"_id":"WMG75MFU7BHIPFWUSEUDKPRLNM","type":"text","additional_properties":{"_id":1678827566825,"comments":[],"inline_comments":[]},"content":"Robinson will speak at the Tanner Humanities Center at the University of Utah for the Tanner Lecture on Human Values on Thursday, 7 p.m., at Kingsbury Hall. Admittance is free with <a href=https://www.sltrib.com/"https://artstickets.utah.edu/uncategorized/tanner-humanities-center-presents-tanner-lecture-on-human-values//">registration."},{"_id":"CHMMDWGPMBGRRHUB645QDU4ITI","type":"text","additional_properties":{"_id":1678827566821,"comments":[],"inline_comments":[]},"content":"Robinson won the Hugo and Nebula awards for best novel, the highest awards in science fiction, for his series on colonizing Mars — a project he now says is “irrelevant to us now.”"},{"_id":"EXN3AAXEXVB3HIZDYWM4COOSOY","type":"text","additional_properties":{"_id":1678827566822,"comments":[],"inline_comments":[]},"content":"His recent fiction has been focused on climate change and adapting. For Robinson, that means both confronting the scale of the problem but not being frozen by the coming tumult."},{"_id":"UYIMDCY76NC4XEOIW4VV4TRO44","type":"text","additional_properties":{"_id":1678827566823,"comments":[],"inline_comments":[]},"content":"The novels “2312,” “New York 2140″ and “The Ministry for the Future” all feature humans coming up with massive engineering and ecological projects to save what they can of our planet as it gets hotter."},{"_id":"NW7GEFIUTNHCRMJWK3HKRYO2GE","type":"text","additional_properties":{"_id":1678827566824,"comments":[],"inline_comments":[]},"content":"He’s spoken about climate change at the U.N. Climate Change Conference. The New Yorker called him <a href=https://www.sltrib.com/"https://www.newyorker.com/books/page-turner/our-greatest-political-novelist/">“one of the most important political writers working in America today.”</a>"},{"_id":"FQYTCCQ2XFBIRHEZDZNQSGANGQ","type":"text","additional_properties":{"_id":1678827566826,"comments":[],"inline_comments":[]},"content":"Ahead of his visit to Utah this week, The Tribune asked Robinson about climate change, Utah and Great Salt Lake. (The interview has been edited for length.)"},{"_id":"MNHJHS5LARG7TETI54YTAWYQQQ","type":"text","additional_properties":{"_id":1678827566827,"comments":[],"inline_comments":[]},"content":"<i><b>Several of your books try to show the impacts of a changing climate and how humanity could blunt its effects. I wonder if you worry that dreaming of big engineering solutions to climate problems can go too far.</b></i>"},{"_id":"WXCBTXG6DJGJDH6BJW5BG62VY4","type":"text","additional_properties":{"_id":1678827566828,"comments":[],"inline_comments":[]},"content":"I’m not sure what “going too far” means in this context. Also “big engineering projects.” For the latter, consider these: humanity has occupied and radically transformed the surface of the Earth and altered the oceans too, removing wetlands, whales, most wildlife (now down to 3% of the meat on the planet, the rest being humans and our domestic beasts), changing the pH of the ocean (very hard to do!) and adding to the CO2 in the atmosphere faster than any event in geological history."},{"_id":"K34B3EGVOBDXVOMBF65RFW2QUQ","type":"text","additional_properties":{"_id":1678827566829,"comments":[],"inline_comments":[]},"content":"These were big projects that were engineered — just engineered to do other things. Now, if some people talk about trying various relatively teeny engineering projects to try to tweak the effects of our big uncoordinated engineering projects, I’m not really sure how worried I am, or why. Since we have begun a mass extinction event that will hammer civilization to the point of potential collapse, what’s “going too far?”"},{"_id":"63FPOI4P4RBUPJKL5RIY4UEDAI","type":"text","additional_properties":{"_id":1678827566830,"comments":[],"inline_comments":[]},"content":"<i><b>In Utah, our Legislature has spent time debating a pipeline to Great Salt Lake from the Pacific, an expensive project that would probably take years if not decades. There was another proposal to mine deep saltwater aquifers in Utah and desalinate the water using thorium reactors. These solutions are being presented at a time when scientists are telling us the fastest, cheapest way to keep the lake from becoming a catastrophe is to use less water as soon as possible.</b></i>"},{"_id":"HYR755LOIZFDND6XIIOMQK52N4","type":"text","additional_properties":{"_id":1678827566831,"comments":[],"inline_comments":[]},"content":"It’s another all-hands-on-deck situation. The Aral Sea is mostly gone, the Caspian Sea is in big trouble. Big inland seas can disappear under human impacts, we know that. So, keeping the Great Salt Lake around is a good idea and indeed very important. Dry lakebeds are quite poisonous, and the poisons carry on the wind — we’ve seen that in eastern California, where Owens Lake was drained dry and then the downwind air became the most poisonous in the USA. Mitigations (turning the lakebed to mud to fix the dust) are expensive and ugly. Much better to keep the lake a lake. I presume agreement on that is general. Lessons from the Mono Lake Committee, still alive but only by way of political and legislative action, would no doubt be useful here."},{"_id":"MG6ARVRD3RHAJLM4SDNFA2X6MU","type":"text","additional_properties":{"_id":1678827566832,"comments":[],"inline_comments":[]},"content":"And what the scientists say matters a lot. Water conservation should be legislated, mandatory, encouraged, financialized: all to create less use. I don’t know the situation in the Great Salt Lake’s watershed, but if there is agriculture there using water for water-intensive crops, that should be stopped, either by making the water appropriately expensive, or by simply cutting off the water by regulation. For sure water conservation is crucial."},{"_id":"HEHJDPKZSNFLJI4CWTEDZPVURA","type":"text","additional_properties":{"_id":1678827566833,"comments":[],"inline_comments":[]},"content":"Scientists are the ones studying the situation to find statements that anyone looking at the evidence would have to agree with — that’s what science is. People disagreeing with science have to ignore the evidence to be able to disagree, and also, they run to a scientist the moment they feel sick, and beg for help. So I call bull---- on them, as hypocrites."},{"_id":"Q5TW2B6TXBF7ZFD5SAMWIP2DL4","type":"text","additional_properties":{"_id":1678827566834,"comments":[],"inline_comments":[]},"content":"Then, after conservation, these projects proposed to bring in more water to the Great Salt Lake, from the Pacific or from deep underground: yes, study them, for sure! Why not? We are moving into climate change such that the American West may experience megadroughts, and yet we will still want to live here, so some big engineering projects may be in order."},{"_id":"DPLMRVKSZRFKFI4X2ZOU6UWDOA","type":"text","additional_properties":{"_id":1678827566835,"comments":[],"inline_comments":[]},"content":"Piping seawater to the Great Salt Lake seems like a good idea to me. It might even be the start of something more extensive, you never know. Sea level will be rising fast. Anything that lowers it would be appreciated. There are a lot of dry lake basins in this world (the <a href=https://www.sltrib.com/"https://www.britannica.com/place/Tarim-Basin/">Tarim, <a href=https://www.sltrib.com/"https://people.uwec.edu/jolhm/past_classes/1998/491class/nov7/history.htm/">Lahontan, etc.) Who knows?"},{"_id":"WUO3CTCLMJA6LNJFUNL7DIJN3A","type":"text","additional_properties":{"_id":1678827566836,"comments":[],"inline_comments":[]},"content":"I know these ideas are huge and half-baked, such that some are impossible, others very expensive, etc. But: welcome to the Anthropocene! We’ll be doing many experimental things to try to dodge the mass extinction event we’ve already begun. Some of them might be crucially helpful. The 21st and 22nd centuries are not going to resemble any of the previous centuries of human history, because we’re going to be trying to come into a healthy balance with the biosphere. After having damaged it quite badly."},{"_id":"S3YSDHS37BELRCXYDG3V752INM","type":"text","additional_properties":{"_id":1678827566837,"comments":[],"inline_comments":[]},"content":"<i><b>Is there a dark side to dreaming up a future where we can cope with global warming with big projects?</b></i>"},{"_id":"DLAVYTV3XFHT5NHCE6PVXMZXUE","type":"text","additional_properties":{"_id":1678827566838,"comments":[],"inline_comments":[]},"content":"This is sometimes called “the moral hazard” — that if you think there will be a “big fix” later on, you can ignore all the little fixes you should start on right now. That was a real hazard in 1990, maybe, but now we’re in that “all hands on deck” moment I described."},{"_id":"EA35HB2ILBFJVH6QQXIGREVTJY","type":"text","additional_properties":{"comments":[],"inline_comments":[]},"content":"So, the first thing to say is, we can’t fully cope with or dispense with global warming, no matter what we do. We’ve already started a catastrophe. Now the project is to minimize that catastrophe by every means we can think up, and also do, in the real world."},{"_id":"PWZIUKDITFDXXEJLHA2ZCKGSEE","type":"text","additional_properties":{"_id":1678827566840,"comments":[],"inline_comments":[]},"content":"The immediate danger here is pushing the biosphere over tipping points into a runaway greenhouse effect, which would run away to a “Hothouse Earth” in which there is no ice on the planet. There’s nothing we could do to claw back from that runaway if it gets going strongly. And we are very, very close to that point."},{"_id":"SIN5TZEMQFEPJF46H2CTMIU534","type":"text","additional_properties":{"_id":1678827566841,"comments":[],"inline_comments":[]},"content":"Look up the paper on <a href=https://www.sltrib.com/"https://pdxscholar.library.pdx.edu/cgi/viewcontent.cgi?article=1063&context=iss_pub\%22>%e2%80%9cPlanetary Boundaries” (Rockstrom and Steffen, Nature magazine 2009)</a> to see the parameters, or planetary boundaries, that we are breaking now. It is an eye-opener."},{"_id":"ZBXYUI63M5E3VJNXRNL7TBN3HA","type":"text","additional_properties":{"_id":1678827566842,"comments":[],"inline_comments":[]},"content":"<i><b>I read a quote from you recently where you said “</b></i><a href=https://www.sltrib.com/"https://farsight.cifs.dk/interview-kim-stanley-robinson//" target=\"_blank\"><i><b>Mars is irrelevant to us now</b></i></a><i><b>,” which seems like a substantial statement from the author of books on settling Mars. Is humanity’s space dream dead?</b></i>"},{"_id":"25JML73Q75AJZPXEFU5H22VKZE","type":"text","additional_properties":{"_id":1678827566843,"comments":[],"inline_comments":[]},"content":"Yes, as one of the great living Martians, I can say with full (fake) authority that Mars is irrelevant to us now. We have to get humanity into a good balance with Earth’s biosphere. That is so important it should take all our attention and efforts."},{"_id":"YGL6R7IN3VHP7JKHD2YG2SSK5I","type":"text","additional_properties":{"_id":1678827566844,"comments":[],"inline_comments":[]},"content":"The idea that Mars is somehow a bolt-hole for rich people to escape to, or a second basket to keep some eggs in just in case we kill ourselves here — these are bad science fiction stories, in that they are fantasies in disguise."},{"_id":"NLK7NAW7LBEVLD55N75X5SRDFE","type":"text","additional_properties":{"_id":1678827566845,"comments":[],"inline_comments":[]},"content":"If we create a civilization in good balance with Earth’s biosphere, with a roughly steady population, all living well, then thinking about Mars will become appropriate. It will be a kind of reward or prize for us doing well. As such, we could consider terraforming Mars as a great project for the 23rd century, undertaken by a healthy civilization here on Earth. That would be cool. But in 2023: irrelevant!"},{"_id":"5EMOFLNV7ZDURLE7X7DLNAN2E4","type":"raw_html","additional_properties":{"_id":"F4MEBD77MFETVJC4T7TRCLFR6I","comments":[]},"content":"<link\n rel=\"stylesheet\"\n href=\"https://local.sltrib.com/css/newsletter-form.css\"\n/>\n<section class=\"news-letter\" id=\"news-letter\">\n <div class=\"news-box\">\n   <div class=\"container\">\n     <img src=https://www.sltrib.com/"https://local.sltrib.com/css/tribunet.png/" width=\"153px\" height=\"153px\"/>\n     <h3 class=\"news-heading\" style=\"margin: 10px 0 0\">\n       Subscribe To <em>Open Lands</em> Newsletter<br />\n     </h3>\n     <p class=\"des how-de\" style=\"color: #312940; margin: 10px\">\n       Get the latest news by subscribing to our\n       <strong><em>Open Lands</em></strong> newsletter. 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If you or people you know are at risk of self-harm, </i><a href=https://www.sltrib.com/"https://suicidepreventionlifeline.org//">the National Suicide Prevention Lifeline</i></a><i> provides 24-hour support at 1-800-273-8255.</i>"},{"_id":"7QXDAKZZRFGL3NJFYCECZG3I2A","type":"text","additional_properties":{"_id":1663713676302,"comments":[],"inline_comments":[]},"content":"Telling <a href=https://www.sltrib.com/"https://www.sltrib.com/artsliving/2022/09/18/how-utah-teens-death-inspired//" target=\"_blank\">the story of Alden Barrett</a>, who died by suicide in 1971 at age 16 in Pleasant Grove, started as an assignment to cover an upcoming rock opera."},{"_id":"U6AGT2VIKFAE3I56ED3ZTCRTV4","type":"text","additional_properties":{"_id":1663713676303,"comments":[],"inline_comments":[]},"content":"When I learned about the “Pleasant Grove Rock Opera” in the last week of July, I knew vaguely what I was getting myself into, but was keen on seeing what this performance would be like."},{"_id":"BMWRT7UPVZBHPOALHEOQP2O63A","type":"text","additional_properties":{"_id":1663713676304,"comments":[],"inline_comments":[]},"content":"I was about 100 pages into Rick Emerson’s “Unmask Alice,” touching my toes in the shallow end of what would become a two-month deep dive of reporting."},{"_id":"IODPUPZ4SVFWTFDX2HWRALYASM","type":"text","additional_properties":{"_id":1663713676305,"comments":[],"inline_comments":[]},"content":"The beginning of the book, along with advice from my editor to read up on “Satanic panic” and a brief, summarized introduction to Beatrice Sparks, the woman who wrote the purported diaries “Go Ask Alice” and “Jay’s Journal”: This is what I had in my back pocket when I went to the West Valley Performing Arts Center."},{"_id":"E32DIMOMORAFPIRXHU3ZYZQDBA","type":"text","additional_properties":{"_id":1663713676306,"comments":[],"inline_comments":[]},"content":"When it came to Alden Barrett, my knowledge was small. 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The vocals and lyrics were the seatbelts for the show’s emotional rollercoaster."},{"_id":"ONMQUUZLEFE6TBSL4CKCHHSPFA","type":"text","additional_properties":{"_id":1663713676307,"comments":[],"inline_comments":[]},"content":"The assignment to cover a rock opera was slowly becoming something more."},{"_id":"IW3FQQ6UA5HQHK6W2NAHG33CRA","additional_properties":{"fullSizeResizeUrl":"/resizer/sWvhgrmpXakYvzsHGktjpbMYCPU=/arc-anglerfish-arc2-prod-sltrib/public/IW3FQQ6UA5HQHK6W2NAHG33CRA.jpg","galleries":[],"ingestionMethod":"manual","keywords":[""],"mime_type":"image/jpeg","originalName":"62b4b59250e7ef3f63c6b512_Alden.jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/IW3FQQ6UA5HQHK6W2NAHG33CRA.jpg","owner":"spmeans@sltrib.com","proxyUrl":"/resizer/sWvhgrmpXakYvzsHGktjpbMYCPU=/arc-anglerfish-arc2-prod-sltrib/public/IW3FQQ6UA5HQHK6W2NAHG33CRA.jpg","published":true,"resizeUrl":"/resizer/sWvhgrmpXakYvzsHGktjpbMYCPU=/arc-anglerfish-arc2-prod-sltrib/public/IW3FQQ6UA5HQHK6W2NAHG33CRA.jpg","restricted":false,"thumbnailResizeUrl":"/resizer/2uZ9EyZCCzWps1zaAVMz8sETMnE=/300x0/arc-anglerfish-arc2-prod-sltrib/public/IW3FQQ6UA5HQHK6W2NAHG33CRA.jpg","version":0,"template_id":335,"_id":"JWHF5GACG5DPHH3DQL52WLGLLE","comments":[]},"address":{},"caption":"(Pleasant Grove Rock Opera) Alden Barrett, who was 16 when he died by suicide in 1971.","created_date":"2022-09-14T20:39:06Z","credits":{"affiliation":[]},"height":360,"image_type":"photograph","last_updated_date":"2022-09-14T20:39:06Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/IW3FQQ6UA5HQHK6W2NAHG33CRA","system":"photo center"},"status":"","taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/IW3FQQ6UA5HQHK6W2NAHG33CRA.jpg","version":"0.10.3","width":250,"syndication":{"external_distribution":false,"search":false}},{"_id":"RQUAWWZ7XZFAREB44LRFUSX3MQ","type":"header","level":2,"additional_properties":{"_id":1663713676309,"comments":[],"inline_comments":[]},"content":"Two books and a band"},{"_id":"J3OZY3DAF5EINLBZKGDNPU7HZ4","type":"text","additional_properties":{"_id":1663713676310,"comments":[],"inline_comments":[]},"content":"I finished Emerson’s book, then checked out “Jay’s Journal,” and read that before interviewing Bay of Pigs, who told me their backstory: A group of kids who felt seen, because of Alden, all from a small, conservative Utah County town."},{"_id":"2CGF3UVJMZBBXPHMHQRFCCW6A4","type":"text","additional_properties":{"_id":1663713676311,"comments":[],"inline_comments":[]},"content":"The bassist, Jack Donaldson, said they were all rebels, intrigued by rock music and wanting nothing more than to get outside the tight mold their town had envisioned for them."},{"_id":"I5AW6OJKRZESTJ4OJXAODBFJM4","type":"text","additional_properties":{"_id":1663713676312,"comments":[],"inline_comments":[]},"content":"When Bryan Hall, the guitarist, told me that he rented a room from Marcella Barrett, Alden’s mother, who shared Alden’s real journal with the band, the story came full circle — connecting all the way around after the opera had been in the works for 25 years."},{"_id":"BE4CRYKEGNDVFDWRSQ6IKAY3OE","type":"text","additional_properties":{"_id":1663713676313,"comments":[],"inline_comments":[]},"content":"They were firm about their roles with the opera: Bay of Pigs, a real band, wrote this story."},{"_id":"U4ZG5XTORFDFLPRCFPCEL2EF6I","type":"raw_html","additional_properties":{"_id":"AAGZ3FEJMBGHNICIVALX2WBMOA","comments":[]},"content":"<div style=\"position:relative; overflow:hidden; padding-bottom:56.25%\"><iframe src=https://www.sltrib.com/"https://cdn.jwplayer.com/players/IAZIhSzB-i9ArRJAZ.html/" width=\"100%\" height=\"100%\" frameborder=\"0\" scrolling=\"auto\" title=\"Alden Barrett’s death in 1971 helped feed ‘Satanic panic’ fears, and now a Utah rock band is telling his story.\" style=\"position:absolute;\" allowfullscreen></iframe></div>\n"},{"_id":"HA6CP7G3GNF6HISTF6XG7QSKDQ","type":"text","additional_properties":{"_id":1663713676315,"comments":[],"inline_comments":[]},"content":"Finishing both “Unmask Alice” and “Jay’s Journal,” I was even more curious because what I was learning could only be described as folklore."},{"_id":"7ENN3NR4V5A6TAWFNVF4WZEP4E","type":"text","additional_properties":{"_id":1663713676316,"comments":[],"inline_comments":[]},"content":"The more I learned about Alden — the true and untrue versions of his story that have circulated, in Pleasant Grove and across the country — the less it felt real. I found myself feeling much as the band did, motivated to uncover what happened to the Barrett family after “Jay’s Journal” was published — and maybe provide some redemption."},{"_id":"I6PHII6LNRCMLHANDTXP5RG4KM","type":"text","additional_properties":{"_id":1663713676317,"comments":[],"inline_comments":[]},"content":"I felt for Alden. For all the Aldens, past and present. It’s something I couldn’t shake."},{"_id":"GRUIBHXNTJDCRETPBAE6Z5Z3A4","type":"text","additional_properties":{"_id":1663713676318,"comments":[],"inline_comments":[]},"content":"From Emerson’s book, I learned how the Barrett family had to take Alden’s gravestone out of Pleasant Grove City Cemetery. Talking to Hall, I learned the Barretts had an ongoing chore rotation, to decide who would go to the cemetery every weekend and clear away the witchcraft paraphernalia — the melted wax, the pentagrams burned into the ground, the corpses of small animals, and the damage done to Alden’s portrait on the headstone."},{"_id":"S7GDMIAGFFERJBV2VUL4OXZ2XQ","type":"text","additional_properties":{"_id":1663713676319,"comments":[],"inline_comments":[]},"content":"My heart broke. 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Tuesday, Aug. 16, 2022.\r","copyright":"Copyright 2022 The Salt Lake Tribune. All rights reserved.","created_date":"2022-09-02T17:14:36Z","credits":{"affiliation":[{"name":"Rick Egan","type":"author"}],"by":[{"byline":"Rick Egan","name":"Rick Egan","type":"author"}]},"height":4948,"image_type":"photograph","last_updated_date":"2022-09-02T17:14:36Z","licensable":false,"owner":{"id":"sltrib"},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/ISCXBLUS5ZCJVIJV3BWMGGR42Y","system":"photo center"},"status":"","taxonomy":{},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/ISCXBLUS5ZCJVIJV3BWMGGR42Y.JPG","version":"0.10.3","width":7797,"syndication":{"external_distribution":"","search":""}},{"_id":"UYEH4YK4RFFQBLNJXI2NO6AILU","type":"header","level":2,"additional_properties":{"_id":1663713676321,"comments":[],"inline_comments":[]},"content":"Touring Pleasant Grove"},{"_id":"BZCVQVFGY5A7JD3APKLXSGUN7I","type":"text","additional_properties":{"_id":1663713676322,"comments":[],"inline_comments":[{"comment":"The resemblance to Alden was striking, but it was his performance — his ability to tap into a range of emotions — that was remarkable, the actor’s personality mirroring the delicate, empathetic portrayal of Alden.","pos":179}]},"content":"Hall offered to give me a tour of the town where both he and Alden lived. We met at the Purple Turtle, and he brought along Ian Webb, the actor who played Alden in the rock opera."},{"_id":"DUHPR52DVZASPOVEYCLIXYC65E","type":"text","additional_properties":{"_id":1663713676323,"comments":[],"inline_comments":[]},"content":"We ate at the classic haunt, chatting between bites. Then, Hall pointed out the window over my shoulder, at a street corner. It was the same intersection where one of Alden’s friends was killed, Hall said. That’s when the tour started."},{"_id":"FJCHIFVICNASLKHAV6A7G6UCLY","type":"text","additional_properties":{"_id":1663713676324,"comments":[],"inline_comments":[]},"content":"Piled into Hall’s Honda, we drove through Pleasant Grove, passing landmarks of Alden Barrett’s life: The office where his father practiced medicine, the pharmacy a couple of doors down where Alden bought his journal. A few turns away, the cemetery, where father and son are buried in adjacent plots."},{"_id":"5WLQO7FGWFALPMB4KTONCDL6WI","type":"text","additional_properties":{"_id":1663713676325,"comments":[],"inline_comments":[]},"content":"We spent most of our time at the grave, standing silently, making the occasional quiet remark. Even with the bright green grass, and the sprinklers furiously chugging away in the next lot over, it felt surreal. We spotted a chipped piece of blue stone on the corner of Alden’s grave, and we took turns trying to figure out if it was another forgotten fragment from his portrait. (We decided it was too blue to match.)"},{"_id":"63PEOZTFOBGZLDTNRYC4BWWIZE","type":"text","additional_properties":{"_id":1663713676326,"comments":[],"inline_comments":[]},"content":"Hall then drove us past two houses where Alden lived, past his high school, passed the now-defunct Army recruitment center — now fenced off, but still as menacing as it must have been in the ‘70s."},{"_id":"HOTM4V7QNBFNTGLOR7BGPDW3XI","type":"text","additional_properties":{"_id":1663713676327,"comments":[],"inline_comments":[]},"content":"The last stop on the tour was a long shot. There were rumors — some of the many rumors involving the Barretts in this eerily quiet small town — that there were tunnels under the high school where there was graffiti mentioning “Jay’s Journal.”"},{"_id":"6N5V5CBN4BDHHORLBE23CARIWM","type":"text","additional_properties":{"_id":1663713676328,"comments":[],"inline_comments":[]},"content":"We were led around by some sophomores who said they had “found” the tunnels earlier that day, but couldn’t find them now. The students had never heard of Alden Barrett or his infamous, fabricated journal."},{"_id":"HPYH2MFHKRG5ND47KNKN5SOEQA","type":"text","additional_properties":{"_id":1663713676329,"comments":[],"inline_comments":[]},"content":"In another hallway, I stopped short at a door with a gold plaque above that read “social worker.” On the door was an orange poster, showing a stick figure vomiting “words.” The caption: “Therapy: Weird, but good.”"},{"_id":"ODF73ISMOJD35JQ2Y4HRUPOYDA","type":"text","additional_properties":{"_id":1663713676330,"comments":[],"inline_comments":[]},"content":"More than 50 years after Alden Barrett attended this school, I thought, there was a social worker there to help students. There weren’t many mental health resources available back then; would this have helped him?"},{"_id":"LWDD7IWJUJGVDOIEJ7JYDA5MJM","type":"text","additional_properties":{"_id":1663713676331,"comments":[],"inline_comments":[]},"content":"I thought of several “what if?” questions while reporting this story. What if there had been more resources to help a troubled teen? What if Sparks had never gotten her hands on Alden’s original journal? What if inflated concerns like “the war on drugs” and “Satanic panic” weren’t spreading like wildfire when “Jay’s Journal” was published?"},{"_id":"ZKC4KYZOIZCKNPANDKWPRIUIX4","type":"text","additional_properties":{"_id":1663713676332,"comments":[],"inline_comments":[]},"content":"We couldn’t find the tunnels, or gain access to them if they existed. 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All rights reserved.","created_date":"2022-09-02T16:57:50Z","credits":{"affiliation":[{"name":"Rick Egan","type":"author"}],"by":[{"byline":"Rick Egan","name":"Rick Egan","type":"author"}]},"height":1941,"image_type":"photograph","last_updated_date":"2022-09-02T16:57:50Z","licensable":false,"owner":{"id":"sltrib"},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/BJL4UGNSPVBCZJAXNFTEMWEAZU","system":"photo center"},"status":"","taxonomy":{},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/BJL4UGNSPVBCZJAXNFTEMWEAZU.JPG","version":"0.10.3","width":2500,"syndication":{"external_distribution":"","search":""},"subtitle":""},{"_id":"HV225HCP2NCRLJUKTOUFWFTEIY","type":"header","level":2,"additional_properties":{"_id":1663713676334,"comments":[],"inline_comments":[]},"content":"‘The burden of being myself’"},{"_id":"3I7ZGR523BEKHEUOW6D5ZQJ6VA","type":"text","additional_properties":{"_id":1663713676335,"comments":[],"inline_comments":[]},"content":"Days later, my curiosity would take me to Brigham Young University, where Sparks’ papers are kept. What I found were folders full of clippings, a meticulously crafted history of her deceit."},{"_id":"QZ3L4GXAPBBZNBINDW4HUVOGKU","type":"text","additional_properties":{"_id":1663713676336,"comments":[],"inline_comments":[]},"content":"Over email, Emerson, the author of “Unmask Alice,” mentioned a story in the alternative student newspaper Seventh East Press that posthumously outed Alden, and a series from Provo’s Daily Herald that contributed to the fear of “Satanic panic” in Utah."},{"_id":"U5UX6CRWPNFYNFKU5RZPAN45P4","type":"text","additional_properties":{"_id":1663713676337,"comments":[],"inline_comments":[]},"content":"As I started writing the story — trying to encompass Alden’s journey, the rock opera that introduced me to this saga, two books and two trips to Utah County — what stuck in my mind were the few original bits of Alden’s journal that, according to Emerson’s book, made it into “Jay’s Journal.”"},{"_id":"3PUUYF3KKJCXBMWFC66MVTJJ74","type":"text","additional_properties":{"_id":1663713676338,"comments":[],"inline_comments":[]},"content":"One phrase Alden wrote was particularly devastating: “I am very, very lonely. I’ve got myself and that’s all, besides the burden I’m carrying … the burden of change. The burden of being myself …”"},{"_id":"PPYDDG54GFDGZPPQZXLS2QIICE","type":"text","additional_properties":{"_id":1663713676339,"comments":[],"inline_comments":[]},"content":"The memory of the real Alden is slipping away from Pleasant Grove and it seems the memory of the legend, created by a falsified journal, is too. With the renewed interest, through Emerson’s book and Bay of Pigs’ rock opera, maybe Alden Barrett can be himself, not the kid from “Jay’s Journal” — someone who wanted to be heard and understood in his conventional small town."},{"_id":"QSZ655OBZVDS3CFIDZUBAU7EQE","type":"text","additional_properties":{"_id":1663713676340,"comments":[],"inline_comments":[]},"content":"It’s Emerson’s words, now, that ring the clearest, after the story has been published: “By turning the story into something demonic, Sparks did more than defile Alden’s memory — she squandered the chance to make a real difference.”"},{"_id":"4LUHGV7N55CYFLTVK6H4FALPWM","type":"text","additional_properties":{"_id":"TK5HDFOU75B5ZOEHZAQPNOMCA4","comments":[],"inline_comments":[]},"content":"<b>Editor’s note •</b> <i>This story is available to Salt Lake Tribune subscribers only. 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Though Anderson says he loves festivals like Coachella, Lollapalooza, or Bonnaroo, he says it’s just not “who we are.”","pos":0}]},"content":""},{"_id":"KZSJWLENNNBAXJVA6JL4DMR4AA","type":"text","additional_properties":{"_id":1650395607049,"comments":[],"inline_comments":[{"comment":"“We are truly a summit of song and ideas and a place for people to come and be inspired, and to inspire.”","pos":0}]},"content":""},{"_id":"P3UNFYIAOBA33KP7X4A2YA7PFU","type":"text","additional_properties":{"_id":1650395607050,"comments":[],"inline_comments":[{"comment":"He was inspired to start the festival because of three combined things: his wife, mentioning that there wasn’t a singer-songwriter festival in Park City on a visit here (prior to the family moving here in 2015), being introduced to Aaron Benward in a studio (he did a project called Nashville Unplugged in Las Vegas) and meeting with a number of artists who said Park City would be “a perfect place to have something that has a focus on mental health, addiction and sobriety.”","pos":0}]},"content":""},{"_id":"2CDV4O553RCDLA2HBOOX67GWFI","type":"text","additional_properties":{"_id":1650395607051,"comments":[],"inline_comments":[{"comment":"Anderson is a recovering addict himself, and he wanted to create a festival where musicians who suffer from similar circumstances can have a safe environment. 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A young Chinese man, Lit, who works as a “fuse runner” — he lights the explosives and runs away before they explode — falls for a young Chinese woman, Mei, who has been forced into prostitution to support her family.","type":"text"},{"_id":"GIEFQMGL3JCAXIY3DURIAOYPPE","additional_properties":{"_id":1635296309975,"comments":[],"inline_comments":[]},"content":"It’s heartfelt, emotional, funny, dramatic and highly entertaining. Almost the entire cast is Asian American — and so is the backstage crew. The creative team — set designers, clothes designers — is made up entirely of women. And “Gold Mountain” is, arguably, more relevant today than it was when it was written.","type":"text"},{"_id":"M57QJKV2GFF5FEIVA7OEFTUMOI","additional_properties":{"_id":1635296310001,"comments":[],"inline_comments":[]},"content":"“It’s so important,” director Alan Muraoka said, “especially at this time, to tell an Asian American story, given some of the things that have happened in the last two years — anti-Asian American violence and racism.”","type":"text"},{"_id":"PY54VK66S5FELNNEMGQ5KMU2LI","additional_properties":{"_id":1635354176583,"comments":[],"inline_comments":[]},"content":"But when Ma, who wrote the book, music and lyrics, tried to interest producers in “Gold Mountain” back in 1997, he met with “extremely negative” reactions.","type":"text"},{"_id":"6LXFXDMS3NC5LE3XED4XGEREPA","additional_properties":{"_id":1635296309976,"comments":[],"inline_comments":[]},"content":"“We think of the theater as being so open and liberal in its viewpoints,” Ma said. “But I got rejection letters that said, ‘Why would you write something like this?’ Or ‘Don’t you think it would be better if you just concentrated on making Chinese opera more palatable instead of trying to write a big Broadway musical?’ ‘That doesn’t sound like something that you would write.’”","type":"text"},{"_id":"C23ZLTT35VBUXKHWT7K5UM2SSY","additional_properties":{"_id":1635296309977,"comments":[],"inline_comments":[]},"content":"He “didn’t have any sort of context” for the rejection then. “But in the present, we would know exactly what that meant — ‘You do not belong here as a person of color to write in our genre.’ Nobody would ever say those things to me now. But back then, it was perfectly acceptable.”","type":"text"},{"_id":"VK7FUP3NJVDXBDSBYEP32E3OVM","additional_properties":{"_id":1635296309978,"comments":[],"inline_comments":[]},"content":"So Ma, a native Californian then working in New York, tried to forget about the show he’d written. “I put it in a box and I put it under my bed and I let it go for a few years,” he said. He gave up writing and performing for a while. Went to grad school. But then he heard Ali Ewoldt sing when they were both invited to perform at a concert.","type":"text"},{"_id":"LUHGE56NT5FKZBI6PI6EQZHIVY","additional_properties":{"_id":1635296309979,"comments":[],"inline_comments":[]},"content":"“I remember thinking, ‘Oh my gosh, this is the perfect actor to play Mei in ‘Gold Mountain!’” Ma said. And that prompted him to start “pushing for the piece again.”","type":"text"},{"_id":"NAVVNA7Q7ZF4DA4VUSOWYGMXDY","additional_properties":{"_id":1635296309980,"comments":[],"inline_comments":[]},"content":"It came out from under his bed and — with Ewoldt, who’s now a Broadway star, on board — was staged as a concert performance in a few cities,<a href=https://www.sltrib.com/"https://www.sltrib.com/artsliving/2019/04/28/chinese-take-center-stage//" target=\"_blank\"> including both Salt Lake City and Ogden</a> during the Spike 150 celebration in 2019 that commemorated the 150th anniversary of the transcontinental railroad. Following those performances, the leaders of the Utah Shakespeare Festival were convinced to produce “Gold Mountain” as a fully staged musical. Plans were well underway when the COVID-19 pandemic hit.","type":"text"},{"_id":"SPYMWQGRDJAMTLZJOJD6L4UXMA","additional_properties":{"_id":1635296309981,"comments":[],"inline_comments":[]},"content":"Once again, Ma “kind of let go” of the project in his mind, unsure whether the Shakespeare Festival would remain interested. “But they picked it right back up,” he said. “It was amazing. I couldn’t believe my good fortune, actually.","type":"text"},{"_id":"ZQRTRWMOAJDTHJD7NJL67LDHCQ","additional_properties":{"_id":1635296309982,"comments":[],"inline_comments":[]},"content":"“I mean, I had given up hope,” Ma said with a laugh. And he didn’t really believe the production would happen this time “until we walked into the (rehearsal) room and started working. I’ve been so used to not having it be a full production that it’s been kind of mind blowing.”","type":"text"},{"_id":"ZJD5XX3FEFBTHPUIPAU763Y7PA","additional_properties":{"_id":1635296309983,"comments":[],"inline_comments":[]},"content":"A first for the Utah Shakespeare Festival","level":2,"type":"header"},{"_id":"VSKMUAFATJBXVGKR7BS73LJS4U","additional_properties":{"_id":1635296309984,"comments":[],"inline_comments":[]},"content":"Ma was invited to meet with Utah Shakespeare Festival leaders in Cedar City in 2019, and he arrived feeling “intimidated.” But festival founder Fred Adams, Ma said, “happened to be in the lobby when I arrived. And he was so warm and so welcoming.”","type":"text"},{"_id":"DEURD4AJGZDGZF5W4LFZ4AAAPI","additional_properties":{"_id":1635296309985,"comments":[],"inline_comments":[]},"content":"Ma said he was wondering, “What am I doing here with my Chinese railroad worker musical at the Utah Shakespeare Festival?” But Adams, who passed away a few months later, “immediately put me at ease. We talked about what it would take to put on a show of this size — something that they’re quite used to doing.”","type":"text"},{"_id":"T43WTSDOP5CQRDLX4JE6S6U35Q","additional_properties":{"_id":1635296309986,"comments":[],"inline_comments":[]},"content":"The first full production of “Gold Mountain” will be the first nontouring show the Utah Shakespeare Festival has produced outside Cedar City. “Much of our audience here at the festival is from the Wasatch Front, and this is a great chance for them to see a Festival production in their own neighborhood,” said festival executive producer Frank Mack.","type":"text"},{"_id":"4G7IT57DLRCT5ML2TF5MN7GKNU","additional_properties":{"_id":1635296309987,"comments":[],"inline_comments":[]},"content":"And festival executive director Brian Vaughn promised it will be “one of many future collaborations with the West Valley City Performing Arts Center.” (The 42,000-square-foot, city-owned theater at 3333 S. Decker Lake Drive is the former home of Hale Centre Theater.)","type":"text"},{"_id":"6R3AGBT6Y5GWHGTCPVI5GCJBSI","additional_properties":{"_id":"C2FSVL6LSZAUFH6IT5J6EZRZH4","comments":[],"fullSizeResizeUrl":"/resizer/koGTX1aTJFfbY5oK5o_IRtr0rhU=/arc-anglerfish-arc2-prod-sltrib/public/6R3AGBT6Y5GWHGTCPVI5GCJBSI.jpg","galleries":[{"_id":"TYMLPMRUVZBPFOYNRIJHTRFXJY","headlines":{"basic":"Spike 150 Theater"}}],"ingestionMethod":"manual","iptc_job_identifier":"fHOdzSrraYbb_b3ruUe5","keywords":[""],"mime_type":"image/jpeg","originalName":"Gold Mountain 3.jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/6R3AGBT6Y5GWHGTCPVI5GCJBSI.jpg","owner":"spierce@sltrib.com","proxyUrl":"/resizer/koGTX1aTJFfbY5oK5o_IRtr0rhU=/arc-anglerfish-arc2-prod-sltrib/public/6R3AGBT6Y5GWHGTCPVI5GCJBSI.jpg","published":true,"resizeUrl":"/resizer/koGTX1aTJFfbY5oK5o_IRtr0rhU=/arc-anglerfish-arc2-prod-sltrib/public/6R3AGBT6Y5GWHGTCPVI5GCJBSI.jpg","restricted":false,"thumbnailResizeUrl":"/resizer/xb7rka8wUoP6fecC9rGmy6dYs_M=/300x0/arc-anglerfish-arc2-prod-sltrib/public/6R3AGBT6Y5GWHGTCPVI5GCJBSI.jpg","usage_instructions":"FBMD01000a9c0d00007f2a0000a84d0000b65300006a58000021690000f39500002d9c000045a4000095ab000070f70000","version":0},"address":{},"caption":"(Photo courtesy National Asian Artists Project) A rehearsal of the musical “Gold Mountain.”","created_date":"2019-04-25T16:40:51Z","credits":{"affiliation":[]},"height":540,"image_type":"photograph","last_updated_date":"2019-04-25T16:40:51Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/6R3AGBT6Y5GWHGTCPVI5GCJBSI","system":"Anglerfish"},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/6R3AGBT6Y5GWHGTCPVI5GCJBSI.jpg","version":"0.10.3","width":960},{"_id":"ENQWRJPGEZAVNPGC4MDUGNUEOU","additional_properties":{"_id":1635296309989,"comments":[],"inline_comments":[]},"content":"A first for theater","level":2,"type":"header"},{"_id":"CSYY5BGY5RCS5ACKF5Y4BF7Y5M","additional_properties":{"_id":1635296309990,"comments":[],"inline_comments":[]},"content":"Ewoldt, who has starred on Broadway in “Phantom of the Opera,” “Les Misérables” and “The King and I,” stars in “Gold Mountain” as Mei. Jonny Lee Jr. stars as Lit.","type":"text"},{"_id":"FSAIE7GAAFEEBCZEQNBEBFB4UQ","additional_properties":{"_id":1635296309991,"comments":[],"inline_comments":[]},"content":"“The fact that we have 11 Asian American men on stage together at once,” Muraoka said, “is so rare …”","type":"text"},{"_id":"6V4FTEUO45CQXP5OLOZDTCWORE","additional_properties":{"_id":1635320098617,"comments":[],"inline_comments":[]},"content":"“Rare?” Ma interjected with a laugh. ”Let’s call it out,” Muraoka said. “It doesn’t happen.” Until now.","type":"text"},{"_id":"Q4AQAIYFL5DULG4RN5AII4YIBE","additional_properties":{"_id":1635296309995,"comments":[],"inline_comments":[]},"content":"Most of the cast members have been involved with “Gold Mountain” for years, singing and acting in the concert performances. “We got to sort of handpick the people that we wanted from around the country who we thought would be right for this show,” Muraoka said. “And not only cast, but we also got to pick our choreographers and our musical team. We are comprised of an all Asian American team. I don’t think that’s ever happened before at a regional theater anywhere.”","type":"text"},{"_id":"4IVYAWUQVJDETLG73H5FFUWNS4","additional_properties":{"_id":"5TEJGAB5ZNFCHMYK7AAYDL67LU","comments":[],"fullSizeResizeUrl":"/resizer/24zck3fWuwKkXbRqyH2kLHdzm0Y=/arc-anglerfish-arc2-prod-sltrib/public/4IVYAWUQVJDETLG73H5FFUWNS4.jpg","galleries":[{"_id":"TYMLPMRUVZBPFOYNRIJHTRFXJY","headlines":{"basic":"Spike 150 Theater"}}],"ingestionMethod":"manual","iptc_job_identifier":"qvx5-xsp7JfTMg_dgeux","keywords":[""],"mime_type":"image/jpeg","originalName":"Gold Mountain 2.jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/4IVYAWUQVJDETLG73H5FFUWNS4.jpg","owner":"spierce@sltrib.com","proxyUrl":"/resizer/24zck3fWuwKkXbRqyH2kLHdzm0Y=/arc-anglerfish-arc2-prod-sltrib/public/4IVYAWUQVJDETLG73H5FFUWNS4.jpg","published":true,"resizeUrl":"/resizer/24zck3fWuwKkXbRqyH2kLHdzm0Y=/arc-anglerfish-arc2-prod-sltrib/public/4IVYAWUQVJDETLG73H5FFUWNS4.jpg","restricted":false,"thumbnailResizeUrl":"/resizer/bZXPP8wuYsrrfOydtr0JO5vfsG8=/300x0/arc-anglerfish-arc2-prod-sltrib/public/4IVYAWUQVJDETLG73H5FFUWNS4.jpg","usage_instructions":"FBMD01000ade030000bc1f0000bc3b00002c410000e1480000405a0000f9810000388900001c910000709a0000d6e30000","version":0},"address":{},"caption":"(Photo courtesy National Asian Artists Project) A rehearsal of the musical “Gold Mountain.”","copyright":"Lia Chang","created_date":"2019-04-25T16:40:30Z","credits":{"affiliation":[],"by":[{"byline":"Lia Chang","name":"Lia Chang","type":"author"}]},"height":2250,"image_type":"photograph","last_updated_date":"2019-04-25T16:40:30Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/4IVYAWUQVJDETLG73H5FFUWNS4","system":"Anglerfish"},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/4IVYAWUQVJDETLG73H5FFUWNS4.jpg","version":"0.10.3","width":3562},{"_id":"ZKZS5F5BERFARI5CZ4Q63R7564","additional_properties":{"_id":1635296309997,"comments":[],"inline_comments":[]},"content":"Has the show evolved?","level":2,"type":"header"},{"_id":"SIQYZB25TJBLXIPPBPRLVH2SDI","additional_properties":{"_id":1635296309998,"comments":[],"inline_comments":[]},"content":"Since Ma finished writing “Gold Mountain” in 1997, the show hasn’t changed much.","type":"text"},{"_id":"R6AN5EOKLFCIFNOETDFAVUEJ7A","additional_properties":{"_id":1635296309999,"comments":[],"inline_comments":[]},"content":"“We have the same number of characters. They all do the same thing. The plot has not changed,” he said. There are some new lyrics and new lines of dialogue, “but our characters have retained most of their sort of essential selves. ... But as our world has changed, they have all sort of started to take in this experience of being in a foreign country, building this railroad and being mistreated. Or treated as less than.”","type":"text"},{"_id":"UWKMJM4MSRAUROKLAQH2WOCI3E","additional_properties":{"_id":1635296310002,"comments":[],"inline_comments":[]},"content":"It’s the kind or representation that Asian Americans have never seen on stage. And the first full production of “Gold Mountain” includes staging that its creator didn’t expect.","type":"text"},{"_id":"PFCDK3U67JCVBOMEOV7NZDFIUE","additional_properties":{"_id":1635296310003,"comments":[],"inline_comments":[]},"content":"“I think we have even surprised Jason with some of the stuff that we have created,” Muraoka said. “In the best way possible,” said Ma, who was Muraoka’s college roommate. “There is so much magic going on in that room. I mean, part of it is also that we’ve all known each other for a long time. Many of us have worked together for decades.”","type":"text"},{"_id":"FKASN7NRGZFZLIFATBICKWUNKU","additional_properties":{"_id":1635296310004,"comments":[],"inline_comments":[]},"content":"That’s entertainment","level":2,"type":"header"},{"_id":"GAHCJMUA6ZDE3P6FLBPXXRLTGI","additional_properties":{"_id":1635296310005,"comments":[],"inline_comments":[]},"content":"“Gold Mountain” tells a story of the Chinese workers who comprised 90% of the Central Pacific Railroad’s workforce. “And even in history, there was this idea of trying to — sort of for lack of a better word — whitewash the event,” Muraoka said. “The important part of this story is that we’re showing that the Chinese were actually a really integral part of the fabric of American history.”","type":"text"},{"_id":"4YERFQ2DNVDG5KRIVLA7CRKFLU","additional_properties":{"_id":1635296310006,"comments":[],"inline_comments":[]},"content":"It’s a part of <a href=https://www.sltrib.com/"https://www.sltrib.com/artsliving/2019/02/03/centennial//" target=\"_blank\">history that’s been largely forgotten.</a> Even Ma, who is the son of Chinese immigrants, didn’t know “until well after I graduated college. In my high school ... it wasn’t taught at all,” he said.","type":"text"},{"_id":"NLGOCYVLPRGYJC7MCNAGEFZRME","additional_properties":{"_id":1635296310007,"comments":[],"inline_comments":[]},"content":"And, while it’s set in the Sierras, “Gold Mountain” certainly has resonance in Utah, where the railroad was completed. Before rehearsals began in Cedar City, Ma and Muraoka visited Promontory Summit, where the last spike was driven to complete the transcontinental railroad.","type":"text"},{"_id":"EZ5I4JBHLJCUZCCC6ZEIHV56SA","additional_properties":{"_id":1635296310008,"comments":[],"inline_comments":[]},"content":"“It was so cold that Jason and I lasted maybe five minutes before we had to run back into the gift shop and get warm,” Muraoka said. “And so for me, that was in a moment of — ‘Oh my God! These people worked in these conditions and survived in these conditions.’”","type":"text"},{"_id":"47OAKII4VJHA3OWUKRLFREBMQ4","additional_properties":{"_id":1635296310009,"comments":[],"inline_comments":[]},"content":"But “Gold Mountain” is not a grim story. It’s filled with quirky characters who are often very funny, with laugh-out-loud moments. Audience members don’t feel like they’re sitting in a lecture.","type":"text"},{"_id":"MEHUE5NAKVAZ5ABJTBRHJI6AAQ","additional_properties":{"_id":1635296310010,"comments":[],"inline_comments":[]},"content":"The goal is to entertain audiences. And if they learn a few things along the way, so much the better.","type":"text"},{"_id":"5BCUMKMIYNBXRCWAO5XLWKVXSI","additional_properties":{"_id":"MRMVTL4J6ZBOZL36SUWG4XSNWI","comments":[],"fullSizeResizeUrl":"/resizer/4UOh81X_cyG5jJ9gj26FvS7Gr74=/arc-anglerfish-arc2-prod-sltrib/public/5BCUMKMIYNBXRCWAO5XLWKVXSI.jpg","galleries":[],"ingestionMethod":"manual","iptc_job_identifier":"JSAEbjmFA2B2FwVD19OD","keywords":[""],"mime_type":"image/jpeg","originalName":"30624446_10155630380853250_914491647914409984_n.jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/5BCUMKMIYNBXRCWAO5XLWKVXSI.jpg","owner":"spierce@sltrib.com","proxyUrl":"/resizer/4UOh81X_cyG5jJ9gj26FvS7Gr74=/arc-anglerfish-arc2-prod-sltrib/public/5BCUMKMIYNBXRCWAO5XLWKVXSI.jpg","published":true,"resizeUrl":"/resizer/4UOh81X_cyG5jJ9gj26FvS7Gr74=/arc-anglerfish-arc2-prod-sltrib/public/5BCUMKMIYNBXRCWAO5XLWKVXSI.jpg","restricted":false,"template_id":335,"thumbnailResizeUrl":"/resizer/sKupW3zlG-iopwJ8XXZwdhUg1Uo=/300x0/arc-anglerfish-arc2-prod-sltrib/public/5BCUMKMIYNBXRCWAO5XLWKVXSI.jpg","usage_instructions":"FBMD01000a9c0d00000a4c00004ba70000ecb40000e3c7000072fa0000f26e0100bc7b0100068f010055a5010095810200","version":0},"address":{},"caption":"(HBO) Alan Muraoko, who directs \"Gold Mountain,\" at his day job on the set of \"Sesame Street.\"","created_date":"2021-10-26T20:44:16Z","credits":{"affiliation":[]},"height":737,"image_type":"photograph","last_updated_date":"2021-10-26T20:44:16Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/5BCUMKMIYNBXRCWAO5XLWKVXSI","system":"photo center"},"status":"","syndication":{"external_distribution":false,"search":false},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/5BCUMKMIYNBXRCWAO5XLWKVXSI.jpg","version":"0.10.3","width":1190},{"_id":"NJHXHQWCGBF4JLEKXFHNGBEHQE","additional_properties":{"_id":1635296310012,"comments":[],"inline_comments":[]},"content":"“It’s kind of like my day job on ‘Sesame Street,’” said Muraoka — a theater actor/director who has played the role of the owner of Hooper’s Store on the children’s educational series since 1998. “You educate while you entertain. You sneak all those little educational things in there. ... One of the aims of this show is just to have people walk out and go, ‘OK, I didn’t know that.’”","type":"text"},{"_id":"R5VGOLM5YRBDZDQIA2AITGSWQM","additional_properties":{"_id":1635296310013,"comments":[],"inline_comments":[]},"content":"Even so, “Gold Mountain” is not intended to make audiences think, but to make them feel.","type":"text"},{"_id":"W3RUHT65XNH73K7YNWAXUQGXNQ","additional_properties":{"_id":1635296310014,"comments":[],"inline_comments":[]},"content":"“This is actually something that’s to be experienced with your heart,” Ma said. “This is a love story. We’re just storytelling here, like any play or musical.”","type":"text"},{"_id":"KFKH76EOVRFSXBZKHIYLGCT3SU","additional_properties":{"_id":1635296310015,"comments":[],"inline_comments":[]},"content":"Onward and upward?","level":2,"type":"header"},{"_id":"S6WGDIXV5NCZ7FS4XONIMFKTKY","additional_properties":{"_id":1635296310016,"comments":[],"inline_comments":[]},"content":"Is the premiere of “Gold Mountain” the first step on the road to bigger and better things for the musical? Well, Ma and Muraoka have their fingers crossed.","type":"text"},{"_id":"Y2D6SS4RHRAA5BI5474BLPJJ3Y","additional_properties":{"_id":1635296310017,"comments":[],"inline_comments":[]},"content":"“Sometimes the biggest obstacle for productions is actually getting to that world premiere,” Ma said. “And we’ve been given that. 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When a trumpeter blows into the mouthpiece, tiny respiratory droplets, known as aerosols, travel out of the musician’s mouth, whiz through the brass tubing and spray into the air.","type":"text"},{"_id":"NUEBLBELYRGGDPURADC7Z5ZKQA","additional_properties":{"_id":1624654332847,"comments":[],"inline_comments":[]},"content":"During a deadly pandemic, when a musician might unwittingly be exhaling an infectious virus, that poses a potential problem for orchestras. 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The Utah Symphony, like most modern orchestras, positioned its musicians in a standard pattern, with the string instruments at the front of the stage, followed by several rows of woodwinds and brass instruments — the flutes and oboes, then the bassoons and clarinets, and then the trumpets and French horns. The trombones and the percussion section were positioned at the very back of the stage.","type":"text"},{"_id":"ESOEZERMYVB5VGYSZSSTKL4LJU","additional_properties":{"_id":1624654332854,"comments":[],"inline_comments":[]},"content":"To model the spread of aerosols during a concert, they incorporated recent research led by Jiarong Hong, a mechanical engineer at the University of Minnesota. Working with the Minnesota Orchestra, Hong and his colleagues had measured the concentration and size of aerosol particles emitted by a variety of different wind instruments. 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But two distinct vortices, at the front and the back of the stage, also formed, they found. “You see these large regions that are recirculating like a big tornado,” Saad said.","type":"text"},{"_id":"VGPLWNAQ6NDKJMCC3ON55ZAXBM","additional_properties":{"_id":1624654332857,"comments":[],"inline_comments":[]},"content":"Aerosols can get caught in these vortices, swirling around and around the stage and building up over time.","type":"text"},{"_id":"HSJ6OB4YIREF7AEUSCJCS4RZWU","additional_properties":{"_id":1624654332858,"comments":[],"inline_comments":[]},"content":"The trumpets, which emitted large, concentrated aerosol clouds, posed a particular problem. As the instruments’ aerosol plumes traveled toward the air vents at the back of the stage, they passed directly through the percussionists’ breathing zone.","type":"text"},{"_id":"HFRSS4HOB5DXFCMA634FS4T6ZQ","additional_properties":{"_id":1624654332859,"comments":[],"inline_comments":[]},"content":"“We saw this and said, ‘OK, this is a big problem, we’ve got to solve this,’” Sutherland said. “And given the insight we had into how the flow was moving, we said, ‘Well, let’s move some of these instruments around.’”","type":"text"},{"_id":"3D7N3ZS27FB2ZP7LCZ7CU2XEX4","additional_properties":{"_id":1624654332860,"comments":[],"inline_comments":[]},"content":"They knew the idea might be controversial; orchestras have generally been arranged the same way for decades, for reasons that include both acoustics and tradition. “We asked them when we started the project, ‘What constraints do we have to work with? 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Then they shifted the other wind instruments from the middle of the stage, moving them either closer to the back air vents or to the stage doors, which they suggested opening.","type":"text"},{"_id":"JSTOZ6SGWRAUXHI6DGQ5GZAN6Y","additional_properties":{"_id":1624654332862,"comments":[],"inline_comments":[]},"content":"These moves, the team hoped, would allow the aerosols to flow directly out of the concert hall, without passing through the breathing zones of other musicians or getting caught in an onstage vortex. “You want the smoker to sit close to the window,” Saad said. “That’s exactly what we did here.”","type":"text"},{"_id":"ZWM77I5Q7VH3RL3EMRE3MSSVFY","additional_properties":{"_id":1624654332863,"comments":[],"inline_comments":[]},"content":"Finally, they moved the instruments that do not generate aerosols at all — the piano and the percussion section — to the center of the stage. Together, these tweaks reduced the average aerosol concentration in the musicians’ breathing zones a hundredfold, the researchers calculated.","type":"text"},{"_id":"GNAIPX5P3BDYDNDTAE47OHOJFE","additional_properties":{"_id":1624654332864,"comments":[],"inline_comments":[]},"content":"Although the precise air flow patterns will be different in every venue, the general principles should hold everywhere, the team said. Orchestras can reduce the risk of aerosol spread by positioning the highest risk instruments near open doors and air return vents. (Orchestras that cannot do their own computer modeling could put a fog machine onstage and track how the fog flows, the researchers suggested.)","type":"text"},{"_id":"5VA22XHYRVEWXC6CNVAO562OSI","additional_properties":{"_id":1624654332865,"comments":[],"inline_comments":[]},"content":"Hong, who was not involved in the Utah study, praised the modeling work. “Simulating the flow inside an orchestra hall is not easy,” he said. “They did beautiful work in terms of characterizing flow.”","type":"text"},{"_id":"FSIDNVIQFZBHNLAAGZDEJP2N6A","additional_properties":{"_id":1624654332866,"comments":[],"inline_comments":[]},"content":"But he questioned whether moving musicians was really a practical solution. “We work with musicians closely, and they don’t like to be rearranged,” he said. 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And when it took the stage last fall, it did so with the stage doors open and the wind instruments at the rear.","type":"text"},{"_id":"Y3ZNJ6CHBZGUZGX7YRUA7IXCYQ","additional_properties":{"_id":1624654332869,"comments":[],"inline_comments":[]},"content":"“That was a huge challenge for the musicians,” said Steven Brosvik, the president and chief executive of the Utah Symphony and Utah Opera. “But they all dove into it, and said, ‘Let’s go, let’s give it a try.’”","type":"text"},{"_id":"DLER7EYZUBFFRE7J6E4S7P6MCI","additional_properties":{"_id":1624654332870,"comments":[],"inline_comments":[]},"content":"It took a few weeks for the musicians to get comfortable with the new arrangement, and they plan to return to their traditional seating configuration this fall, Brosvik said. But the simulations gave the musicians peace of mind and allowed them to get back onstage, he said: “For us, it was life changing.”","type":"text"},{"_id":"FUIMUVHHRZA7HJMAIAYBUWFGOQ","additional_properties":{"_id":1624654332871,"comments":[],"inline_comments":[]},"content":"The researchers were pleased with how willing the musicians were to embrace an unusual solution, although their findings may have hit some instrumentalists harder than others. 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Karen Azenberg as “a creative business leader” with production credits on two Tony-winning Broadway productions under his belt.","type":"text"},{"_id":"MURI4EWJXFDGTHCS6MURU32STI","additional_properties":{"_id":1622767763561,"comments":[],"inline_comments":[]},"content":"A deeper dive into Massimine’s credentials, though, finds some of that creativity might have been expended on his resumé.","type":"text"},{"_id":"AHZQDRL445CU3KPDZWPERDOTEA","additional_properties":{"_id":1622786794691,"comments":[],"inline_comments":[]},"content":"The discrepancies first came to light in <a href=https://www.sltrib.com/"https://www.fox13now.com/news/fox-13-investigates/fox-13-investigates-high-paid-university-of-utah-executive-lied-on-resume-published-fake-articles/" target=\"_blank\">FOX 13 story that aired Thursday night</a>.","type":"text"},{"_id":"VMFN6R5D45GC3KN74DQDAIES6M","additional_properties":{"_id":1622767763562,"comments":[],"inline_comments":[]},"content":"On Oct. 22, 2019, the University of Utah’s College of Fine Arts — which oversees Pioneer Theatre, whose home stage is on the U.’s campus — issued <a href=https://www.sltrib.com/"https://finearts.utah.edu/news/the-finer-points-blog/item/616-pioneer-theatre-company-s-christopher-massimine-receives-2019-humanitarian-of-the-year-award/" target=\"_blank\">a news release</a> congratulating Massimine for winning the “humanitarian of the year” award from a group called the National Performing Arts Action Association. Other versions of the release online remove the word “Action” from the group’s name.","type":"text"},{"_id":"J42QYQUSLFHG3C3NDUV3LTHUUI","additional_properties":{"_id":1622767763563,"comments":[],"inline_comments":[]},"content":"The problem is that there doesn’t seem to be such an organization, with the extra word in its name or not.","type":"text"},{"_id":"XLDLUKVTQFDQLE72EPY4KCIFLI","additional_properties":{"_id":1622767763564,"comments":[],"inline_comments":[]},"content":"A Google search for the National Performing Arts Association finds <a href=https://www.sltrib.com/"http://www.npaa.us//" target=\"_blank\">an under-construction website</a>, <a href=https://www.sltrib.com/"https://twitter.com/NPAA_US/" target=\"_blank\">a Twitter account</a> and <a href=https://www.sltrib.com/"https://www.facebook.com/NationalPerformingArts/" target=\"_blank\">a Facebook page</a>. Both social media accounts were created last November, a year after the award was supposedly given out, and refer back to the under-construction website. Neither account has any posts attached to them.","type":"text"},{"_id":"SJTC4DKJVBCYFMDKRVRZMG6M5U","additional_properties":{"_id":1622767763565,"comments":[],"inline_comments":[]},"content":"Dozens of sites are generated by a search for the National Performing Arts Action Association but all of them refer to Massimine’s award, in language similar to the College of Fine Arts’ release.","type":"text"},{"_id":"XF4G4XQU55HC7ENTIQZW5VWLNU","additional_properties":{"_id":1622767763566,"comments":[],"inline_comments":[]},"content":"There is nothing online indicating anyone else has ever won this humanitarian award, before or since.","type":"text"},{"_id":"OZSDN6SLPRGFXA2744UWEIM6BA","additional_properties":{"_id":1622785746985,"comments":[],"inline_comments":[]},"content":"Christopher Nelson, a spokesman for the university, said Thursday evening that Massimine was on “approved personal leave.”","type":"text"},{"_id":"RI5GU66HYFHCHOGYEGJLN7XCRA","additional_properties":{"_id":1622767763567,"comments":[],"inline_comments":[]},"content":"A spokeswoman for Pioneer Theatre Company said Thursday that Massimine was unavailable for interviews. She directed other inquiries to the College of Fine Arts, which in turn directed questions to the university’s administration.","type":"text"},{"_id":"CSF4HQ4IRNALTJGPRITVHDUWJI","additional_properties":{"_id":1622785746987,"comments":[],"inline_comments":[]},"content":"Nelson said that all applicants for university jobs “attest during the application process that the information they’re submitting about their background is accurate” — including information on their resumé or curriculum vitae (CV). If information is found to be inaccurate, Nelson said, the university will give the employee a chance to make corrections and explain why it was wrong.","type":"text"},{"_id":"JEST2L7MTNBW7AYDBOBYTYJXVQ","additional_properties":{"_id":1622785746988,"comments":[],"inline_comments":[]},"content":"Employees caught lying can be disciplined, Nelson said, which “can range from corrective disciplinary action up to termination of employment.”","type":"text"},{"_id":"BFGT4ZT5NNBH7CR5S6P6WLIEYQ","additional_properties":{"_id":1622785746989,"comments":[],"inline_comments":[]},"content":"When the university hires an outside recruiting firm, as happened with the Pioneer Theatre job, it’s expected that “finalists sent to the university for review have been properly screened and the information about their backgrounds confirmed.”","type":"text"},{"_id":"D4G76QBOOJAILMDRDY742XB6FQ","additional_properties":{"_id":1622767763568,"comments":[],"inline_comments":[]},"content":"As managing director, Massimine is responsible for the business side of Pioneer Theatre, from ticket sales and attracting donors to keeping the lights on. He <a href=https://www.sltrib.com/"https://www.sltrib.com/artsliving/2019/02/25/tony-nominated-producer//" target=\"_blank\">was named in February 2019</a> to succeed Chris Lino, who ran the company’s operations for 28 years, and started in the job on July 1, 2019.","type":"text"},{"_id":"O7BHKR7FSFBLDF3GZOXMDMGQYM","additional_properties":{"_id":1622767763569,"comments":[],"inline_comments":[]},"content":"Because Pioneer Theatre is an entity of the University of Utah, Massimine is a state employee — and his salary is posted on <a href=https://www.sltrib.com/"https://transparent.utah.gov//" target=\"_blank\">the state’s transparency website</a>. According to that site, Massimine draws an annual salary of $167,500, plus another $48,108 in benefits, for a total compensation of $215,608.","type":"text"},{"_id":"RV6O4EYBSBBK7EEVEOJWVOIUJA","additional_properties":{"_id":1622767763570,"comments":[],"inline_comments":[]},"content":"The company has not staged a performance since March 2020, because of the COVID-19 pandemic. The 2021-22 season is scheduled to start Sept. 10, with a two-week run of the musical “Ain’t Misbehavin’.”","type":"text"},{"_id":"ND7Q5BG2DNF3TJ54Z3JRZGYM2E","additional_properties":{"_id":1622767763571,"comments":[],"inline_comments":[]},"content":"In <a href=https://www.sltrib.com/"https://imaginetomorrowllc.com//" target=\"_blank\">Massimine’s bio</a> on the website of <a href=https://www.sltrib.com/"https://imaginetomorrowllc.com//" target=\"_blank\">Imagine Tomorrow LLC</a>, a creative consulting company he founded, he boasts not only of the NPAA humanitarian award, but of receiving “an honorary key to the city” from the city of Washington, D.C. No independent news source mentions this award; a Google search finds the last person to receive a key to the city in Washington was comedian Dave Chappelle in 2017.","type":"text"},{"_id":"56Y7XZ7FMBBOHEPBYAKLHJEPPE","additional_properties":{"_id":1622767763572,"comments":[],"inline_comments":[]},"content":"A spokesperson for <a href=https://www.sltrib.com/"https://mayor.dc.gov//" target=\"_blank\">the office of Washington Mayor Muriel Bowser</a> did not answer a request for comment Thursday afternoon.","type":"text"},{"_id":"XBS7EGMS3ZC7HBMA6WOZDWNAIQ","additional_properties":{"_id":1622767763573,"comments":[],"inline_comments":[]},"content":"The Internet Movie Database — a favorite website of movie fans, who click through its lists of people who have worked on tens of thousands of titles in all filmed media — <a href=https://www.sltrib.com/"https://www.imdb.com/name/nm11556631/?ref_=nv_sr_srsg_0\%22 target=\"_blank\">credits Massimine</a> with work on nearly 100 movies, TV shows and video games. A spot check of three Oscar-winning movies revealed that, despite what the IMDb said, Massimine’s name was missing from the credits of all three: the climbing documentary “Free Solo” (where the IMDb listed him as a co-producer), the animated “Spider-Man: Into the Spider-Verse” (listed by IMDb as a script consultant) and DC Comics’ “Suicide Squad” (where, the IMDb said, he got a “special thanks” credit).","type":"text"},{"_id":"AHZQDRL445CU3KPDZWPERDOTEA","additional_properties":{"_id":1622786794691,"comments":[],"inline_comments":[]},"content":"FOX 13 noted that Massimine’s IMDb page also lists producing credits for major video games, including Capcom’s “Resident Evil Village” and Square Enix’s “Final Fantasy VII Remake.” Representatives for those companies told FOX 13 that Massimine had never been a producer on either game.","type":"text"},{"_id":"HFYW2NRBOBCDDCLUJ3HB4BBECU","additional_properties":{"_id":1622786794692,"comments":[],"inline_comments":[]},"content":"Massimine also has claimed credit, the FOX 13 report said, for familiar ad campaigns, including spots for Old Spice grooming products and Dos Equis beer’s “Most Interesting Man in the World” commercials. The ad agencies responsible for those campaigns told FOX 13 they had never heard of Massimine.","type":"text"},{"_id":"IROXNSHVOFBX5PVIAQCQZKSPT4","additional_properties":{"_id":1622767763574,"comments":[],"inline_comments":[]},"content":"Then there are those Tony-winning plays. Massimine said in 2019 that he was among the producers nominated for Broadway’s most prestigious award for two productions: the 2010 musical “American Idiot” and the 2017 play <a href=https://www.sltrib.com/"https://indecent-broadway.com//" target=\"_blank\">“Indecent.”</a> Massimine’s claims of credit are somewhat exaggerated: He was an associate producer on both plays, a lower-rung position — and his name was not included in the Tony nominations for either of them, according to <a href=https://www.sltrib.com/"https://www.tonyawards.com//" target=\"_blank\">the awards’ website</a>.","type":"text"},{"_id":"H55ZKMYFJFFLTBUWF7E54RSKZ4","additional_properties":{"_id":1622767763575,"comments":[],"inline_comments":[]},"content":"Some of Massimine’s CV does hold up. There is ample evidence in news reports of Massimine’s years as CEO of <a href=https://www.sltrib.com/"https://nytf.org//" target=\"_blank\">National Yiddish Theatre Folksbiene</a>, which produced an acclaimed production of “Fiddler on the Roof,” translated into Yiddish, during his tenure. And Massimine’s claims of being a playwright are valid; <a href=https://www.sltrib.com/"https://www.broadwayworld.com/off-broadway/article/Will-Taylor-Stars-In-LOVERS-On-Theatre-Row-Opens-715-20100715/" target=\"_blank\">the website Broadway World</a> reported that a production of the musical “Lovers,” which he wrote, was produced off-Broadway in 2010.","type":"text"},{"_id":"BLSRY4NUS5BYFONL5PU6XBQR6A","additional_properties":{"_id":1622786794695,"comments":[],"inline_comments":[]},"content":"<i><b>Editor’s note:</b></i><i> FOX 13 and The Salt Lake Tribune are partners in a content-sharing agreement.</i>","type":"text"}],"created_date":"2021-06-03T23:59:51.421Z","credits":{"by":[{"_id":"spmeans","additional_properties":{"original":{"_id":"spmeans","awards":[],"bio":"Sean P. Means has been reporting and editing for The Salt Lake Tribune since 1991 — including 25 years as movie critic. 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A landmark in the Marmalade District since it was completed in 1892, it’s believed to be the only Latter-day Saint meetinghouse with an onion dome.","type":"text"},{"_id":"PWZD5RCKWBBFFIFAZ4BRFWVEUA","additional_properties":{"_id":1619814270487,"comments":[],"inline_comments":[]},"content":"After decades as a house of worship, the building at 168 W. 500 North has been home to Salt Lake Acting Company since 1982, housing two theaters, rehearsal space, dressing rooms, a box office and more. And now, a remodel is adding more perhaps unexpected features — like animal-print carpeting and over-the-top restrooms.","type":"text"},{"_id":"QH4BFIBI2FD7RL4METE3DVPCBQ","additional_properties":{"_id":1620397706731,"comments":[],"inline_comments":[]},"content":"When the meetinghouse and the old Relief Society Hall next door reopen, which is scheduled for late summer, patrons will notice a lot of changes. Including:","type":"text"},{"_id":"KQSUOCMKEVCH5M5PHR5HPXXJXQ","additional_properties":{"_id":"HCI7ADSFNREY7CYIXQVJHDD634","comments":[],"fullSizeResizeUrl":"/resizer/9fnvShOI1NHJWSpYF_6nkEM_Tu8=/arc-anglerfish-arc2-prod-sltrib/public/KQSUOCMKEVCH5M5PHR5HPXXJXQ.jpg","galleries":[],"ingestionMethod":"manual","keywords":[""],"mime_type":"image/jpeg","originalName":"SLAC leopard carpet.jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/KQSUOCMKEVCH5M5PHR5HPXXJXQ.jpg","owner":"spierce@sltrib.com","proxyUrl":"/resizer/9fnvShOI1NHJWSpYF_6nkEM_Tu8=/arc-anglerfish-arc2-prod-sltrib/public/KQSUOCMKEVCH5M5PHR5HPXXJXQ.jpg","published":true,"resizeUrl":"/resizer/9fnvShOI1NHJWSpYF_6nkEM_Tu8=/arc-anglerfish-arc2-prod-sltrib/public/KQSUOCMKEVCH5M5PHR5HPXXJXQ.jpg","restricted":false,"template_id":335,"thumbnailResizeUrl":"/resizer/lP26oPX5unr9INQR_PjP_6ynFrw=/300x0/arc-anglerfish-arc2-prod-sltrib/public/KQSUOCMKEVCH5M5PHR5HPXXJXQ.jpg","version":0},"address":{},"caption":"(Courtesy of cityhomeCollective/Salt Lake Acting Company) This rendering shows the leopard-print carpeting that's planned for the stairs and the green room.","created_date":"2021-04-29T19:59:45Z","credits":{"affiliation":[]},"height":712,"image_type":"photograph","last_updated_date":"2021-04-29T19:59:45Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/KQSUOCMKEVCH5M5PHR5HPXXJXQ","system":"photo center"},"status":"","syndication":{"external_distribution":false,"search":false},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/KQSUOCMKEVCH5M5PHR5HPXXJXQ.jpg","version":"0.10.3","width":1593},{"_id":"6E7KPUNZHVBLZIFRIRO4AM4FPQ","additional_properties":{"_id":1619727195866,"comments":[],"inline_comments":[]},"content":"<b>1.) Leopard-print carpeting on the stairs and in the green room • </b>Well, it’s something you wouldn’t have seen when the building was a church. “We really, really want it to be fun,” and a little bit “naughty … and playful,” said Lauren Bald, design director at cityhomeCollective.","type":"text"},{"_id":"A5RMWHUAXJD7PMD2CKSCFIKPZU","additional_properties":{"_id":1619727195867,"comments":[],"inline_comments":[]},"content":"<b>2.) A roof that won’t cave in and a floor that doesn’t bounce • </b>In the main building, multiple support beams have been added because parts of the roof were “being supported by we’re not quite sure what,” said architect Jason Wheeler. “We feel like this building is going to be much more secure in the future, particularly with earthquakes.”","type":"text"},{"_id":"KJR5ZD3V65EI5FLTU5LJDAXS2A","additional_properties":{"_id":"B24B5TYMCRAH7OGUSCEF7TDEC4","comments":[],"fullSizeResizeUrl":"/resizer/EV7kw90chCsD5DH-sdDE8PfhL2Y=/arc-anglerfish-arc2-prod-sltrib/public/KJR5ZD3V65EI5FLTU5LJDAXS2A.JPG","galleries":[],"ingestionMethod":"manual","mime_type":"image/jpeg","originalName":"SLAC Relief Society.JPG","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/KJR5ZD3V65EI5FLTU5LJDAXS2A.JPG","owner":"spierce@sltrib.com","proxyUrl":"/resizer/EV7kw90chCsD5DH-sdDE8PfhL2Y=/arc-anglerfish-arc2-prod-sltrib/public/KJR5ZD3V65EI5FLTU5LJDAXS2A.JPG","published":true,"resizeUrl":"/resizer/EV7kw90chCsD5DH-sdDE8PfhL2Y=/arc-anglerfish-arc2-prod-sltrib/public/KJR5ZD3V65EI5FLTU5LJDAXS2A.JPG","restricted":false,"template_id":335,"thumbnailResizeUrl":"/resizer/8rBQCGgF4ixRZFhbt8u1GHUITT0=/300x0/arc-anglerfish-arc2-prod-sltrib/public/KJR5ZD3V65EI5FLTU5LJDAXS2A.JPG","version":0},"address":{},"caption":"(Photo courtesy of Salt Lake Acting Company) Part of the floor in the old Relief Society structure wasn't resting on the foundation.","created_date":"2021-04-29T20:01:34Z","credits":{"affiliation":[]},"height":3024,"image_type":"photograph","last_updated_date":"2021-04-29T20:01:34Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/KJR5ZD3V65EI5FLTU5LJDAXS2A","system":"photo center"},"status":"","syndication":{"external_distribution":false,"search":false},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/KJR5ZD3V65EI5FLTU5LJDAXS2A.JPG","version":"0.10.3","width":4032},{"_id":"7UKUADMRZZDYBNB76WVOGBISXE","additional_properties":{"_id":1619727195869,"comments":[],"inline_comments":[]},"content":"In the Relief Society Hall, which houses dressing rooms, the floor in the southwest corner used to bounce. Because, as it turns out, floor joists were resting on … nothing. “It’s a miracle the floor hadn’t collapsed,” said architect Jason Wheeler.","type":"text"},{"_id":"RX5QQZUM2NE6VFSUOBFPP5CT6U","additional_properties":{"_id":1619727195870,"comments":[],"inline_comments":[]},"content":"A new beam runs the length of the building, and it rests on new footings and posts.","type":"text"},{"_id":"6GHAHYIXY5BQDMX6R6OUYTMYMA","additional_properties":{"_id":"OJJJRWMWA5GJVDXH2F777LWH3I","comments":[]},"content":"<div id=\"mc3aj2vg2xx5w0\"><a href=https://www.sltrib.com/"https://app.moonclerk.com/pay/3aj2vg2xx5w0/">Are you connecting with this story?</a></div><script type=\"text/javascript\">var mc3aj2vg2xx5w0;(function(d,t) {var s=d.createElement(t),opts={\"checkoutToken\":\"3aj2vg2xx5w0\",\"width\":\"100%\"};s.src='https://d2l7e0y6ygya2s.cloudfront.net/assets/embed.js';s.onload=s.onreadystatechange = function() {var rs=this.readyState;if(rs) if(rs!='complete') if(rs!='loaded') return;try {mc3aj2vg2xx5w0=new MoonclerkEmbed(opts);mc3aj2vg2xx5w0.display();} catch(e){}};var scr=d.getElementsByTagName(t)[0];scr.parentNode.insertBefore(s,scr);})(document,'script');</script>\n","type":"raw_html"},{"_id":"RHLDGEGWFFFLZJLLFXMRMU72TQ","additional_properties":{"_id":1619814270495,"comments":[],"inline_comments":[]},"content":"(The small Relief Society Hall, 14 feet by 26 feet, was actually built two blocks away in 1908 and later moved to its present site.)","type":"text"},{"_id":"HKYOWUNFLZB5HJGOTUC64Q27JU","additional_properties":{"_id":1619727195871,"comments":[],"inline_comments":[]},"content":"<b>3.) Theatrical restrooms •</b> The two lower level restrooms will be “almost like a theater set,” Bald said.","type":"text"},{"_id":"VQMQJRFX4BFBLOOZ5H3PBLXQSQ","additional_properties":{"_id":1619814270497,"comments":[],"inline_comments":[]},"content":"One will feature a green tile pattern, the other will be filled with mauve. And both will be “playful and fun.”","type":"text"},{"_id":"Q74NBUEZ6NCT7D3F7OTDRC5AAI","additional_properties":{"_id":"ZVQEAU23Y5EAXBJG7OBIO3QSHU","comments":[],"fullSizeResizeUrl":"/resizer/rMNF8tOuTrWrcReF8T3aKIAZvh8=/arc-anglerfish-arc2-prod-sltrib/public/Q74NBUEZ6NCT7D3F7OTDRC5AAI.jpg","galleries":[],"ingestionMethod":"manual","keywords":[""],"mime_type":"image/jpeg","originalName":"SLAC restroom.jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/Q74NBUEZ6NCT7D3F7OTDRC5AAI.jpg","owner":"spierce@sltrib.com","proxyUrl":"/resizer/rMNF8tOuTrWrcReF8T3aKIAZvh8=/arc-anglerfish-arc2-prod-sltrib/public/Q74NBUEZ6NCT7D3F7OTDRC5AAI.jpg","published":true,"resizeUrl":"/resizer/rMNF8tOuTrWrcReF8T3aKIAZvh8=/arc-anglerfish-arc2-prod-sltrib/public/Q74NBUEZ6NCT7D3F7OTDRC5AAI.jpg","restricted":false,"template_id":335,"thumbnailResizeUrl":"/resizer/bD_gWOcUUKL1dbs-W2fGVb4ZdgU=/300x0/arc-anglerfish-arc2-prod-sltrib/public/Q74NBUEZ6NCT7D3F7OTDRC5AAI.jpg","version":0},"address":{},"caption":"(Courtesy of cityhomeCollective/Salt Lake Acting Company) This rendering offers a glimpse of what the men's room will look like when the renovations are completed.","created_date":"2021-04-29T20:02:56Z","credits":{"affiliation":[]},"height":699,"image_type":"photograph","last_updated_date":"2021-04-29T20:02:56Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/Q74NBUEZ6NCT7D3F7OTDRC5AAI","system":"photo center"},"status":"","syndication":{"external_distribution":false,"search":false},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/Q74NBUEZ6NCT7D3F7OTDRC5AAI.jpg","version":"0.10.3","width":1264},{"_id":"HKYOWUNFLZB5HJGOTUC64Q27JU","additional_properties":{"_id":1619727195874,"comments":[],"inline_comments":[]},"content":"<b>4. Named toilets •</b> Donors can become part of the “lasting legacy” of the remodel by paying to have their names attached to all sorts of things. “We’ve got wall tiles, we’ve got a fireplace in the green room, we’ve got some urinals in the bathroom — lots of possibilities,” said SLAC’s director of development, Erika Ahlin.","type":"text"},{"_id":"5L4DXFNY4FFT3MNPWTXKZPNV2A","additional_properties":{"_id":1619727195875,"comments":[],"inline_comments":[]},"content":"Including those urinals in the men’s room and stalls in both the men’s and women’s rooms — which you can sponsor for $5,000 each.","type":"text"},{"_id":"DE5XMO6F6VH2JO7DXRKMFU34BM","additional_properties":{"_id":1619727195876,"comments":[],"inline_comments":[]},"content":"The available sponsorships range from $500 for an indoor wall tile to $100,000 for the lobby. A donor has already coughed up $500,000 for the main event in the remodel — the elevator.","type":"text"},{"_id":"YPNZAKTG2BEVZMPPVEDKVIQ7XM","additional_properties":{"_id":"2C5XU6NX3NHJHHZPXUAPQUZXXQ","comments":[],"fullSizeResizeUrl":"/resizer/7nylri9OkePCLGTXwFiDC6VQfoc=/arc-anglerfish-arc2-prod-sltrib/public/YPNZAKTG2BEVZMPPVEDKVIQ7XM.jpg","galleries":[],"ingestionMethod":"manual","mime_type":"image/jpeg","originalName":"SLAC Box Office Construction (Image_ John Downing)(1).jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/YPNZAKTG2BEVZMPPVEDKVIQ7XM.jpg","owner":"spierce@sltrib.com","proxyUrl":"/resizer/7nylri9OkePCLGTXwFiDC6VQfoc=/arc-anglerfish-arc2-prod-sltrib/public/YPNZAKTG2BEVZMPPVEDKVIQ7XM.jpg","published":true,"resizeUrl":"/resizer/7nylri9OkePCLGTXwFiDC6VQfoc=/arc-anglerfish-arc2-prod-sltrib/public/YPNZAKTG2BEVZMPPVEDKVIQ7XM.jpg","restricted":false,"template_id":335,"thumbnailResizeUrl":"/resizer/j251h2JnyNzhNT70RlZruVvxhC4=/300x0/arc-anglerfish-arc2-prod-sltrib/public/YPNZAKTG2BEVZMPPVEDKVIQ7XM.jpg","version":0},"address":{},"caption":"(Photo courtesy of Salt Lake Acting Company) The lobby is and box office are currently undergoing renovations. The new elevator will be installed where a men's room used to be — the opening behind the orange pylon on the left side of the photo.","created_date":"2021-04-29T20:05:51Z","credits":{"affiliation":[]},"height":2592,"image_type":"photograph","last_updated_date":"2021-04-29T20:05:51Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/YPNZAKTG2BEVZMPPVEDKVIQ7XM","system":"photo center"},"status":"","syndication":{"external_distribution":false,"search":false},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/YPNZAKTG2BEVZMPPVEDKVIQ7XM.jpg","version":"0.10.3","width":4608},{"_id":"AJAGPSIKVZAITF35PYPSNMIDPU","additional_properties":{"_id":1619727195878,"comments":[],"inline_comments":[]},"content":"<b>5. The elevator •</b> The old 19th Ward building has always been problematic for patrons and performers with mobility issues — you have to climb or descend stairs to get to the theater, the restrooms, the concessions, pretty much everything. There was a chair lift on a track on one side of the main staircase, but it was slow and slippery. (It’s been removed.) 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Means","firstName":"Sean P.","lastName":"Means","email":"spmeans@sltrib.com","twitter":"SeanPMeans","slug":"sean-p-means","bio_page":"/people/sean-p-means","facebook":"https://www.facebook.com/SeanPMeansCricket","role":"boss","image":"https://s3.amazonaws.com/arc-authors/sltrib/812ed2c8-76c2-42e1-b690-3a87ab025bce.png","tumblr":"Arts & Living","soundcloud":"#87418C","longBio":"Sean P. Means has been reporting and editing for The Salt Lake Tribune since 1991 — including 25 years as movie critic. Since 2018, he has reported on arts and culture reporter, and breaking news — and was part of The Tribune’s COVID-19 reporting team. He reviews movies for MovieCricket.net and X96’s “Radio From Hell” program.","pinterest":"Culture editor","bio":"Sean P. Means has been reporting and editing for The Salt Lake Tribune since 1991 — including 25 years as movie critic. Since 2018, he has reported on arts and culture reporter, and breaking news — and was part of The Tribune’s COVID-19 reporting team. 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So don’t panic and get to work."},{"_id":"3QEYUBZYJFAVVM5JW3I7TKHO2I","type":"text","additional_properties":{"_id":1678827566820,"comments":[],"inline_comments":[]},"content":"That’s the climate message from science fiction writer Kim Stanley Robinson, who seems bent on pushing the world beyond despair and into action. As Robinson told The Salt Lake Tribune, “cynicism is fake sophistication. It’s clumsy and stupid and mean. The way to be cool is to be optimistic, maybe angrily optimistic.”"},{"_id":"WMG75MFU7BHIPFWUSEUDKPRLNM","type":"text","additional_properties":{"_id":1678827566825,"comments":[],"inline_comments":[]},"content":"Robinson will speak at the Tanner Humanities Center at the University of Utah for the Tanner Lecture on Human Values on Thursday, 7 p.m., at Kingsbury Hall. Admittance is free with <a href=https://www.sltrib.com/"https://artstickets.utah.edu/uncategorized/tanner-humanities-center-presents-tanner-lecture-on-human-values//">registration."},{"_id":"CHMMDWGPMBGRRHUB645QDU4ITI","type":"text","additional_properties":{"_id":1678827566821,"comments":[],"inline_comments":[]},"content":"Robinson won the Hugo and Nebula awards for best novel, the highest awards in science fiction, for his series on colonizing Mars — a project he now says is “irrelevant to us now.”"},{"_id":"EXN3AAXEXVB3HIZDYWM4COOSOY","type":"text","additional_properties":{"_id":1678827566822,"comments":[],"inline_comments":[]},"content":"His recent fiction has been focused on climate change and adapting. For Robinson, that means both confronting the scale of the problem but not being frozen by the coming tumult."},{"_id":"UYIMDCY76NC4XEOIW4VV4TRO44","type":"text","additional_properties":{"_id":1678827566823,"comments":[],"inline_comments":[]},"content":"The novels “2312,” “New York 2140″ and “The Ministry for the Future” all feature humans coming up with massive engineering and ecological projects to save what they can of our planet as it gets hotter."},{"_id":"NW7GEFIUTNHCRMJWK3HKRYO2GE","type":"text","additional_properties":{"_id":1678827566824,"comments":[],"inline_comments":[]},"content":"He’s spoken about climate change at the U.N. Climate Change Conference. The New Yorker called him <a href=https://www.sltrib.com/"https://www.newyorker.com/books/page-turner/our-greatest-political-novelist/">“one of the most important political writers working in America today.”</a>"},{"_id":"FQYTCCQ2XFBIRHEZDZNQSGANGQ","type":"text","additional_properties":{"_id":1678827566826,"comments":[],"inline_comments":[]},"content":"Ahead of his visit to Utah this week, The Tribune asked Robinson about climate change, Utah and Great Salt Lake. (The interview has been edited for length.)"},{"_id":"MNHJHS5LARG7TETI54YTAWYQQQ","type":"text","additional_properties":{"_id":1678827566827,"comments":[],"inline_comments":[]},"content":"<i><b>Several of your books try to show the impacts of a changing climate and how humanity could blunt its effects. I wonder if you worry that dreaming of big engineering solutions to climate problems can go too far.</b></i>"},{"_id":"WXCBTXG6DJGJDH6BJW5BG62VY4","type":"text","additional_properties":{"_id":1678827566828,"comments":[],"inline_comments":[]},"content":"I’m not sure what “going too far” means in this context. Also “big engineering projects.” For the latter, consider these: humanity has occupied and radically transformed the surface of the Earth and altered the oceans too, removing wetlands, whales, most wildlife (now down to 3% of the meat on the planet, the rest being humans and our domestic beasts), changing the pH of the ocean (very hard to do!) and adding to the CO2 in the atmosphere faster than any event in geological history."},{"_id":"K34B3EGVOBDXVOMBF65RFW2QUQ","type":"text","additional_properties":{"_id":1678827566829,"comments":[],"inline_comments":[]},"content":"These were big projects that were engineered — just engineered to do other things. Now, if some people talk about trying various relatively teeny engineering projects to try to tweak the effects of our big uncoordinated engineering projects, I’m not really sure how worried I am, or why. Since we have begun a mass extinction event that will hammer civilization to the point of potential collapse, what’s “going too far?”"},{"_id":"63FPOI4P4RBUPJKL5RIY4UEDAI","type":"text","additional_properties":{"_id":1678827566830,"comments":[],"inline_comments":[]},"content":"<i><b>In Utah, our Legislature has spent time debating a pipeline to Great Salt Lake from the Pacific, an expensive project that would probably take years if not decades. There was another proposal to mine deep saltwater aquifers in Utah and desalinate the water using thorium reactors. These solutions are being presented at a time when scientists are telling us the fastest, cheapest way to keep the lake from becoming a catastrophe is to use less water as soon as possible.</b></i>"},{"_id":"HYR755LOIZFDND6XIIOMQK52N4","type":"text","additional_properties":{"_id":1678827566831,"comments":[],"inline_comments":[]},"content":"It’s another all-hands-on-deck situation. The Aral Sea is mostly gone, the Caspian Sea is in big trouble. Big inland seas can disappear under human impacts, we know that. So, keeping the Great Salt Lake around is a good idea and indeed very important. Dry lakebeds are quite poisonous, and the poisons carry on the wind — we’ve seen that in eastern California, where Owens Lake was drained dry and then the downwind air became the most poisonous in the USA. Mitigations (turning the lakebed to mud to fix the dust) are expensive and ugly. Much better to keep the lake a lake. I presume agreement on that is general. Lessons from the Mono Lake Committee, still alive but only by way of political and legislative action, would no doubt be useful here."},{"_id":"MG6ARVRD3RHAJLM4SDNFA2X6MU","type":"text","additional_properties":{"_id":1678827566832,"comments":[],"inline_comments":[]},"content":"And what the scientists say matters a lot. Water conservation should be legislated, mandatory, encouraged, financialized: all to create less use. I don’t know the situation in the Great Salt Lake’s watershed, but if there is agriculture there using water for water-intensive crops, that should be stopped, either by making the water appropriately expensive, or by simply cutting off the water by regulation. For sure water conservation is crucial."},{"_id":"HEHJDPKZSNFLJI4CWTEDZPVURA","type":"text","additional_properties":{"_id":1678827566833,"comments":[],"inline_comments":[]},"content":"Scientists are the ones studying the situation to find statements that anyone looking at the evidence would have to agree with — that’s what science is. People disagreeing with science have to ignore the evidence to be able to disagree, and also, they run to a scientist the moment they feel sick, and beg for help. So I call bull---- on them, as hypocrites."},{"_id":"Q5TW2B6TXBF7ZFD5SAMWIP2DL4","type":"text","additional_properties":{"_id":1678827566834,"comments":[],"inline_comments":[]},"content":"Then, after conservation, these projects proposed to bring in more water to the Great Salt Lake, from the Pacific or from deep underground: yes, study them, for sure! Why not? We are moving into climate change such that the American West may experience megadroughts, and yet we will still want to live here, so some big engineering projects may be in order."},{"_id":"DPLMRVKSZRFKFI4X2ZOU6UWDOA","type":"text","additional_properties":{"_id":1678827566835,"comments":[],"inline_comments":[]},"content":"Piping seawater to the Great Salt Lake seems like a good idea to me. It might even be the start of something more extensive, you never know. Sea level will be rising fast. Anything that lowers it would be appreciated. There are a lot of dry lake basins in this world (the <a href=https://www.sltrib.com/"https://www.britannica.com/place/Tarim-Basin/">Tarim, <a href=https://www.sltrib.com/"https://people.uwec.edu/jolhm/past_classes/1998/491class/nov7/history.htm/">Lahontan, etc.) Who knows?"},{"_id":"WUO3CTCLMJA6LNJFUNL7DIJN3A","type":"text","additional_properties":{"_id":1678827566836,"comments":[],"inline_comments":[]},"content":"I know these ideas are huge and half-baked, such that some are impossible, others very expensive, etc. But: welcome to the Anthropocene! We’ll be doing many experimental things to try to dodge the mass extinction event we’ve already begun. Some of them might be crucially helpful. The 21st and 22nd centuries are not going to resemble any of the previous centuries of human history, because we’re going to be trying to come into a healthy balance with the biosphere. After having damaged it quite badly."},{"_id":"S3YSDHS37BELRCXYDG3V752INM","type":"text","additional_properties":{"_id":1678827566837,"comments":[],"inline_comments":[]},"content":"<i><b>Is there a dark side to dreaming up a future where we can cope with global warming with big projects?</b></i>"},{"_id":"DLAVYTV3XFHT5NHCE6PVXMZXUE","type":"text","additional_properties":{"_id":1678827566838,"comments":[],"inline_comments":[]},"content":"This is sometimes called “the moral hazard” — that if you think there will be a “big fix” later on, you can ignore all the little fixes you should start on right now. That was a real hazard in 1990, maybe, but now we’re in that “all hands on deck” moment I described."},{"_id":"EA35HB2ILBFJVH6QQXIGREVTJY","type":"text","additional_properties":{"comments":[],"inline_comments":[]},"content":"So, the first thing to say is, we can’t fully cope with or dispense with global warming, no matter what we do. We’ve already started a catastrophe. Now the project is to minimize that catastrophe by every means we can think up, and also do, in the real world."},{"_id":"PWZIUKDITFDXXEJLHA2ZCKGSEE","type":"text","additional_properties":{"_id":1678827566840,"comments":[],"inline_comments":[]},"content":"The immediate danger here is pushing the biosphere over tipping points into a runaway greenhouse effect, which would run away to a “Hothouse Earth” in which there is no ice on the planet. There’s nothing we could do to claw back from that runaway if it gets going strongly. And we are very, very close to that point."},{"_id":"SIN5TZEMQFEPJF46H2CTMIU534","type":"text","additional_properties":{"_id":1678827566841,"comments":[],"inline_comments":[]},"content":"Look up the paper on <a href=https://www.sltrib.com/"https://pdxscholar.library.pdx.edu/cgi/viewcontent.cgi?article=1063&context=iss_pub\%22>%e2%80%9cPlanetary Boundaries” (Rockstrom and Steffen, Nature magazine 2009)</a> to see the parameters, or planetary boundaries, that we are breaking now. It is an eye-opener."},{"_id":"ZBXYUI63M5E3VJNXRNL7TBN3HA","type":"text","additional_properties":{"_id":1678827566842,"comments":[],"inline_comments":[]},"content":"<i><b>I read a quote from you recently where you said “</b></i><a href=https://www.sltrib.com/"https://farsight.cifs.dk/interview-kim-stanley-robinson//" target=\"_blank\"><i><b>Mars is irrelevant to us now</b></i></a><i><b>,” which seems like a substantial statement from the author of books on settling Mars. Is humanity’s space dream dead?</b></i>"},{"_id":"25JML73Q75AJZPXEFU5H22VKZE","type":"text","additional_properties":{"_id":1678827566843,"comments":[],"inline_comments":[]},"content":"Yes, as one of the great living Martians, I can say with full (fake) authority that Mars is irrelevant to us now. We have to get humanity into a good balance with Earth’s biosphere. That is so important it should take all our attention and efforts."},{"_id":"YGL6R7IN3VHP7JKHD2YG2SSK5I","type":"text","additional_properties":{"_id":1678827566844,"comments":[],"inline_comments":[]},"content":"The idea that Mars is somehow a bolt-hole for rich people to escape to, or a second basket to keep some eggs in just in case we kill ourselves here — these are bad science fiction stories, in that they are fantasies in disguise."},{"_id":"NLK7NAW7LBEVLD55N75X5SRDFE","type":"text","additional_properties":{"_id":1678827566845,"comments":[],"inline_comments":[]},"content":"If we create a civilization in good balance with Earth’s biosphere, with a roughly steady population, all living well, then thinking about Mars will become appropriate. It will be a kind of reward or prize for us doing well. As such, we could consider terraforming Mars as a great project for the 23rd century, undertaken by a healthy civilization here on Earth. That would be cool. But in 2023: irrelevant!"},{"_id":"5EMOFLNV7ZDURLE7X7DLNAN2E4","type":"raw_html","additional_properties":{"_id":"F4MEBD77MFETVJC4T7TRCLFR6I","comments":[]},"content":"<link\n rel=\"stylesheet\"\n href=\"https://local.sltrib.com/css/newsletter-form.css\"\n/>\n<section class=\"news-letter\" id=\"news-letter\">\n <div class=\"news-box\">\n   <div class=\"container\">\n     <img src=https://www.sltrib.com/"https://local.sltrib.com/css/tribunet.png/" width=\"153px\" height=\"153px\"/>\n     <h3 class=\"news-heading\" style=\"margin: 10px 0 0\">\n       Subscribe To <em>Open Lands</em> Newsletter<br />\n     </h3>\n     <p class=\"des how-de\" style=\"color: #312940; margin: 10px\">\n       Get the latest news by subscribing to our\n       <strong><em>Open Lands</em></strong> newsletter. 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Why not?”"},"description":{"basic":"Kim Stanley Robinson's recent fiction has been focused on climate change and adapting. He will be speaking Thursday, March 16, at Kingsbury Hall on the University of Utah campus."},"language":"en","label":{},"source":{"name":"sltrib","source_type":"staff","system":"composer"},"taxonomy":{"primary_section":{"_id":"/artsliving/arts","_website":"sltrib","type":"section","version":"0.6.0","name":"Arts","description":"Salt Lake Tribune arts coverage for Salt Lake City and the surrounding area.","path":"/artsliving/arts","parent_id":"/artsliving","parent":{"default":"/artsliving"},"additional_properties":{"original":{"_id":"/artsliving/arts","site":{"site_url":"https://www.sltrib.com/artsliving/arts/","site_title":"Arts","site_tagline":null,"site_about":null,"site_description":"Salt Lake Tribune arts coverage for Salt Lake City and the surrounding 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We met at the Purple Turtle, and he brought along Ian Webb, the actor who played Alden in the rock opera."},{"_id":"DUHPR52DVZASPOVEYCLIXYC65E","type":"text","additional_properties":{"_id":1663713676323,"comments":[],"inline_comments":[]},"content":"We ate at the classic haunt, chatting between bites. Then, Hall pointed out the window over my shoulder, at a street corner. It was the same intersection where one of Alden’s friends was killed, Hall said. That’s when the tour started."},{"_id":"FJCHIFVICNASLKHAV6A7G6UCLY","type":"text","additional_properties":{"_id":1663713676324,"comments":[],"inline_comments":[]},"content":"Piled into Hall’s Honda, we drove through Pleasant Grove, passing landmarks of Alden Barrett’s life: The office where his father practiced medicine, the pharmacy a couple of doors down where Alden bought his journal. A few turns away, the cemetery, where father and son are buried in adjacent plots."},{"_id":"5WLQO7FGWFALPMB4KTONCDL6WI","type":"text","additional_properties":{"_id":1663713676325,"comments":[],"inline_comments":[]},"content":"We spent most of our time at the grave, standing silently, making the occasional quiet remark. Even with the bright green grass, and the sprinklers furiously chugging away in the next lot over, it felt surreal. We spotted a chipped piece of blue stone on the corner of Alden’s grave, and we took turns trying to figure out if it was another forgotten fragment from his portrait. (We decided it was too blue to match.)"},{"_id":"63PEOZTFOBGZLDTNRYC4BWWIZE","type":"text","additional_properties":{"_id":1663713676326,"comments":[],"inline_comments":[]},"content":"Hall then drove us past two houses where Alden lived, past his high school, passed the now-defunct Army recruitment center — now fenced off, but still as menacing as it must have been in the ‘70s."},{"_id":"HOTM4V7QNBFNTGLOR7BGPDW3XI","type":"text","additional_properties":{"_id":1663713676327,"comments":[],"inline_comments":[]},"content":"The last stop on the tour was a long shot. There were rumors — some of the many rumors involving the Barretts in this eerily quiet small town — that there were tunnels under the high school where there was graffiti mentioning “Jay’s Journal.”"},{"_id":"6N5V5CBN4BDHHORLBE23CARIWM","type":"text","additional_properties":{"_id":1663713676328,"comments":[],"inline_comments":[]},"content":"We were led around by some sophomores who said they had “found” the tunnels earlier that day, but couldn’t find them now. The students had never heard of Alden Barrett or his infamous, fabricated journal."},{"_id":"HPYH2MFHKRG5ND47KNKN5SOEQA","type":"text","additional_properties":{"_id":1663713676329,"comments":[],"inline_comments":[]},"content":"In another hallway, I stopped short at a door with a gold plaque above that read “social worker.” On the door was an orange poster, showing a stick figure vomiting “words.” The caption: “Therapy: Weird, but good.”"},{"_id":"ODF73ISMOJD35JQ2Y4HRUPOYDA","type":"text","additional_properties":{"_id":1663713676330,"comments":[],"inline_comments":[]},"content":"More than 50 years after Alden Barrett attended this school, I thought, there was a social worker there to help students. 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A young Chinese man, Lit, who works as a “fuse runner” — he lights the explosives and runs away before they explode — falls for a young Chinese woman, Mei, who has been forced into prostitution to support her family.","type":"text"},{"_id":"GIEFQMGL3JCAXIY3DURIAOYPPE","additional_properties":{"_id":1635296309975,"comments":[],"inline_comments":[]},"content":"It’s heartfelt, emotional, funny, dramatic and highly entertaining. Almost the entire cast is Asian American — and so is the backstage crew. The creative team — set designers, clothes designers — is made up entirely of women. And “Gold Mountain” is, arguably, more relevant today than it was when it was written.","type":"text"},{"_id":"M57QJKV2GFF5FEIVA7OEFTUMOI","additional_properties":{"_id":1635296310001,"comments":[],"inline_comments":[]},"content":"“It’s so important,” director Alan Muraoka said, “especially at this time, to tell an Asian American story, given some of the things that have happened in the last two years — anti-Asian American violence and racism.”","type":"text"},{"_id":"PY54VK66S5FELNNEMGQ5KMU2LI","additional_properties":{"_id":1635354176583,"comments":[],"inline_comments":[]},"content":"But when Ma, who wrote the book, music and lyrics, tried to interest producers in “Gold Mountain” back in 1997, he met with “extremely negative” reactions.","type":"text"},{"_id":"6LXFXDMS3NC5LE3XED4XGEREPA","additional_properties":{"_id":1635296309976,"comments":[],"inline_comments":[]},"content":"“We think of the theater as being so open and liberal in its viewpoints,” Ma said. “But I got rejection letters that said, ‘Why would you write something like this?’ Or ‘Don’t you think it would be better if you just concentrated on making Chinese opera more palatable instead of trying to write a big Broadway musical?’ ‘That doesn’t sound like something that you would write.’”","type":"text"},{"_id":"C23ZLTT35VBUXKHWT7K5UM2SSY","additional_properties":{"_id":1635296309977,"comments":[],"inline_comments":[]},"content":"He “didn’t have any sort of context” for the rejection then. “But in the present, we would know exactly what that meant — ‘You do not belong here as a person of color to write in our genre.’ Nobody would ever say those things to me now. But back then, it was perfectly acceptable.”","type":"text"},{"_id":"VK7FUP3NJVDXBDSBYEP32E3OVM","additional_properties":{"_id":1635296309978,"comments":[],"inline_comments":[]},"content":"So Ma, a native Californian then working in New York, tried to forget about the show he’d written. “I put it in a box and I put it under my bed and I let it go for a few years,” he said. He gave up writing and performing for a while. Went to grad school. But then he heard Ali Ewoldt sing when they were both invited to perform at a concert.","type":"text"},{"_id":"LUHGE56NT5FKZBI6PI6EQZHIVY","additional_properties":{"_id":1635296309979,"comments":[],"inline_comments":[]},"content":"“I remember thinking, ‘Oh my gosh, this is the perfect actor to play Mei in ‘Gold Mountain!’” Ma said. And that prompted him to start “pushing for the piece again.”","type":"text"},{"_id":"NAVVNA7Q7ZF4DA4VUSOWYGMXDY","additional_properties":{"_id":1635296309980,"comments":[],"inline_comments":[]},"content":"It came out from under his bed and — with Ewoldt, who’s now a Broadway star, on board — was staged as a concert performance in a few cities,<a href=https://www.sltrib.com/"https://www.sltrib.com/artsliving/2019/04/28/chinese-take-center-stage//" target=\"_blank\"> including both Salt Lake City and Ogden</a> during the Spike 150 celebration in 2019 that commemorated the 150th anniversary of the transcontinental railroad. Following those performances, the leaders of the Utah Shakespeare Festival were convinced to produce “Gold Mountain” as a fully staged musical. Plans were well underway when the COVID-19 pandemic hit.","type":"text"},{"_id":"SPYMWQGRDJAMTLZJOJD6L4UXMA","additional_properties":{"_id":1635296309981,"comments":[],"inline_comments":[]},"content":"Once again, Ma “kind of let go” of the project in his mind, unsure whether the Shakespeare Festival would remain interested. “But they picked it right back up,” he said. “It was amazing. I couldn’t believe my good fortune, actually.","type":"text"},{"_id":"ZQRTRWMOAJDTHJD7NJL67LDHCQ","additional_properties":{"_id":1635296309982,"comments":[],"inline_comments":[]},"content":"“I mean, I had given up hope,” Ma said with a laugh. And he didn’t really believe the production would happen this time “until we walked into the (rehearsal) room and started working. I’ve been so used to not having it be a full production that it’s been kind of mind blowing.”","type":"text"},{"_id":"ZJD5XX3FEFBTHPUIPAU763Y7PA","additional_properties":{"_id":1635296309983,"comments":[],"inline_comments":[]},"content":"A first for the Utah Shakespeare Festival","level":2,"type":"header"},{"_id":"VSKMUAFATJBXVGKR7BS73LJS4U","additional_properties":{"_id":1635296309984,"comments":[],"inline_comments":[]},"content":"Ma was invited to meet with Utah Shakespeare Festival leaders in Cedar City in 2019, and he arrived feeling “intimidated.” But festival founder Fred Adams, Ma said, “happened to be in the lobby when I arrived. And he was so warm and so welcoming.”","type":"text"},{"_id":"DEURD4AJGZDGZF5W4LFZ4AAAPI","additional_properties":{"_id":1635296309985,"comments":[],"inline_comments":[]},"content":"Ma said he was wondering, “What am I doing here with my Chinese railroad worker musical at the Utah Shakespeare Festival?” But Adams, who passed away a few months later, “immediately put me at ease. We talked about what it would take to put on a show of this size — something that they’re quite used to doing.”","type":"text"},{"_id":"T43WTSDOP5CQRDLX4JE6S6U35Q","additional_properties":{"_id":1635296309986,"comments":[],"inline_comments":[]},"content":"The first full production of “Gold Mountain” will be the first nontouring show the Utah Shakespeare Festival has produced outside Cedar City. “Much of our audience here at the festival is from the Wasatch Front, and this is a great chance for them to see a Festival production in their own neighborhood,” said festival executive producer Frank Mack.","type":"text"},{"_id":"4G7IT57DLRCT5ML2TF5MN7GKNU","additional_properties":{"_id":1635296309987,"comments":[],"inline_comments":[]},"content":"And festival executive director Brian Vaughn promised it will be “one of many future collaborations with the West Valley City Performing Arts Center.” (The 42,000-square-foot, city-owned theater at 3333 S. Decker Lake Drive is the former home of Hale Centre Theater.)","type":"text"},{"_id":"6R3AGBT6Y5GWHGTCPVI5GCJBSI","additional_properties":{"_id":"C2FSVL6LSZAUFH6IT5J6EZRZH4","comments":[],"fullSizeResizeUrl":"/resizer/koGTX1aTJFfbY5oK5o_IRtr0rhU=/arc-anglerfish-arc2-prod-sltrib/public/6R3AGBT6Y5GWHGTCPVI5GCJBSI.jpg","galleries":[{"_id":"TYMLPMRUVZBPFOYNRIJHTRFXJY","headlines":{"basic":"Spike 150 Theater"}}],"ingestionMethod":"manual","iptc_job_identifier":"fHOdzSrraYbb_b3ruUe5","keywords":[""],"mime_type":"image/jpeg","originalName":"Gold Mountain 3.jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/6R3AGBT6Y5GWHGTCPVI5GCJBSI.jpg","owner":"spierce@sltrib.com","proxyUrl":"/resizer/koGTX1aTJFfbY5oK5o_IRtr0rhU=/arc-anglerfish-arc2-prod-sltrib/public/6R3AGBT6Y5GWHGTCPVI5GCJBSI.jpg","published":true,"resizeUrl":"/resizer/koGTX1aTJFfbY5oK5o_IRtr0rhU=/arc-anglerfish-arc2-prod-sltrib/public/6R3AGBT6Y5GWHGTCPVI5GCJBSI.jpg","restricted":false,"thumbnailResizeUrl":"/resizer/xb7rka8wUoP6fecC9rGmy6dYs_M=/300x0/arc-anglerfish-arc2-prod-sltrib/public/6R3AGBT6Y5GWHGTCPVI5GCJBSI.jpg","usage_instructions":"FBMD01000a9c0d00007f2a0000a84d0000b65300006a58000021690000f39500002d9c000045a4000095ab000070f70000","version":0},"address":{},"caption":"(Photo courtesy National Asian Artists Project) A rehearsal of the musical “Gold Mountain.”","created_date":"2019-04-25T16:40:51Z","credits":{"affiliation":[]},"height":540,"image_type":"photograph","last_updated_date":"2019-04-25T16:40:51Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/6R3AGBT6Y5GWHGTCPVI5GCJBSI","system":"Anglerfish"},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/6R3AGBT6Y5GWHGTCPVI5GCJBSI.jpg","version":"0.10.3","width":960},{"_id":"ENQWRJPGEZAVNPGC4MDUGNUEOU","additional_properties":{"_id":1635296309989,"comments":[],"inline_comments":[]},"content":"A first for theater","level":2,"type":"header"},{"_id":"CSYY5BGY5RCS5ACKF5Y4BF7Y5M","additional_properties":{"_id":1635296309990,"comments":[],"inline_comments":[]},"content":"Ewoldt, who has starred on Broadway in “Phantom of the Opera,” “Les Misérables” and “The King and I,” stars in “Gold Mountain” as Mei. Jonny Lee Jr. stars as Lit.","type":"text"},{"_id":"FSAIE7GAAFEEBCZEQNBEBFB4UQ","additional_properties":{"_id":1635296309991,"comments":[],"inline_comments":[]},"content":"“The fact that we have 11 Asian American men on stage together at once,” Muraoka said, “is so rare …”","type":"text"},{"_id":"6V4FTEUO45CQXP5OLOZDTCWORE","additional_properties":{"_id":1635320098617,"comments":[],"inline_comments":[]},"content":"“Rare?” Ma interjected with a laugh. ”Let’s call it out,” Muraoka said. “It doesn’t happen.” Until now.","type":"text"},{"_id":"Q4AQAIYFL5DULG4RN5AII4YIBE","additional_properties":{"_id":1635296309995,"comments":[],"inline_comments":[]},"content":"Most of the cast members have been involved with “Gold Mountain” for years, singing and acting in the concert performances. “We got to sort of handpick the people that we wanted from around the country who we thought would be right for this show,” Muraoka said. “And not only cast, but we also got to pick our choreographers and our musical team. We are comprised of an all Asian American team. I don’t think that’s ever happened before at a regional theater anywhere.”","type":"text"},{"_id":"4IVYAWUQVJDETLG73H5FFUWNS4","additional_properties":{"_id":"5TEJGAB5ZNFCHMYK7AAYDL67LU","comments":[],"fullSizeResizeUrl":"/resizer/24zck3fWuwKkXbRqyH2kLHdzm0Y=/arc-anglerfish-arc2-prod-sltrib/public/4IVYAWUQVJDETLG73H5FFUWNS4.jpg","galleries":[{"_id":"TYMLPMRUVZBPFOYNRIJHTRFXJY","headlines":{"basic":"Spike 150 Theater"}}],"ingestionMethod":"manual","iptc_job_identifier":"qvx5-xsp7JfTMg_dgeux","keywords":[""],"mime_type":"image/jpeg","originalName":"Gold Mountain 2.jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/4IVYAWUQVJDETLG73H5FFUWNS4.jpg","owner":"spierce@sltrib.com","proxyUrl":"/resizer/24zck3fWuwKkXbRqyH2kLHdzm0Y=/arc-anglerfish-arc2-prod-sltrib/public/4IVYAWUQVJDETLG73H5FFUWNS4.jpg","published":true,"resizeUrl":"/resizer/24zck3fWuwKkXbRqyH2kLHdzm0Y=/arc-anglerfish-arc2-prod-sltrib/public/4IVYAWUQVJDETLG73H5FFUWNS4.jpg","restricted":false,"thumbnailResizeUrl":"/resizer/bZXPP8wuYsrrfOydtr0JO5vfsG8=/300x0/arc-anglerfish-arc2-prod-sltrib/public/4IVYAWUQVJDETLG73H5FFUWNS4.jpg","usage_instructions":"FBMD01000ade030000bc1f0000bc3b00002c410000e1480000405a0000f9810000388900001c910000709a0000d6e30000","version":0},"address":{},"caption":"(Photo courtesy National Asian Artists Project) A rehearsal of the musical “Gold Mountain.”","copyright":"Lia Chang","created_date":"2019-04-25T16:40:30Z","credits":{"affiliation":[],"by":[{"byline":"Lia Chang","name":"Lia Chang","type":"author"}]},"height":2250,"image_type":"photograph","last_updated_date":"2019-04-25T16:40:30Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/4IVYAWUQVJDETLG73H5FFUWNS4","system":"Anglerfish"},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/4IVYAWUQVJDETLG73H5FFUWNS4.jpg","version":"0.10.3","width":3562},{"_id":"ZKZS5F5BERFARI5CZ4Q63R7564","additional_properties":{"_id":1635296309997,"comments":[],"inline_comments":[]},"content":"Has the show evolved?","level":2,"type":"header"},{"_id":"SIQYZB25TJBLXIPPBPRLVH2SDI","additional_properties":{"_id":1635296309998,"comments":[],"inline_comments":[]},"content":"Since Ma finished writing “Gold Mountain” in 1997, the show hasn’t changed much.","type":"text"},{"_id":"R6AN5EOKLFCIFNOETDFAVUEJ7A","additional_properties":{"_id":1635296309999,"comments":[],"inline_comments":[]},"content":"“We have the same number of characters. They all do the same thing. The plot has not changed,” he said. There are some new lyrics and new lines of dialogue, “but our characters have retained most of their sort of essential selves. ... But as our world has changed, they have all sort of started to take in this experience of being in a foreign country, building this railroad and being mistreated. Or treated as less than.”","type":"text"},{"_id":"UWKMJM4MSRAUROKLAQH2WOCI3E","additional_properties":{"_id":1635296310002,"comments":[],"inline_comments":[]},"content":"It’s the kind or representation that Asian Americans have never seen on stage. And the first full production of “Gold Mountain” includes staging that its creator didn’t expect.","type":"text"},{"_id":"PFCDK3U67JCVBOMEOV7NZDFIUE","additional_properties":{"_id":1635296310003,"comments":[],"inline_comments":[]},"content":"“I think we have even surprised Jason with some of the stuff that we have created,” Muraoka said. “In the best way possible,” said Ma, who was Muraoka’s college roommate. “There is so much magic going on in that room. I mean, part of it is also that we’ve all known each other for a long time. Many of us have worked together for decades.”","type":"text"},{"_id":"FKASN7NRGZFZLIFATBICKWUNKU","additional_properties":{"_id":1635296310004,"comments":[],"inline_comments":[]},"content":"That’s entertainment","level":2,"type":"header"},{"_id":"GAHCJMUA6ZDE3P6FLBPXXRLTGI","additional_properties":{"_id":1635296310005,"comments":[],"inline_comments":[]},"content":"“Gold Mountain” tells a story of the Chinese workers who comprised 90% of the Central Pacific Railroad’s workforce. “And even in history, there was this idea of trying to — sort of for lack of a better word — whitewash the event,” Muraoka said. “The important part of this story is that we’re showing that the Chinese were actually a really integral part of the fabric of American history.”","type":"text"},{"_id":"4YERFQ2DNVDG5KRIVLA7CRKFLU","additional_properties":{"_id":1635296310006,"comments":[],"inline_comments":[]},"content":"It’s a part of <a href=https://www.sltrib.com/"https://www.sltrib.com/artsliving/2019/02/03/centennial//" target=\"_blank\">history that’s been largely forgotten.</a> Even Ma, who is the son of Chinese immigrants, didn’t know “until well after I graduated college. In my high school ... it wasn’t taught at all,” he said.","type":"text"},{"_id":"NLGOCYVLPRGYJC7MCNAGEFZRME","additional_properties":{"_id":1635296310007,"comments":[],"inline_comments":[]},"content":"And, while it’s set in the Sierras, “Gold Mountain” certainly has resonance in Utah, where the railroad was completed. Before rehearsals began in Cedar City, Ma and Muraoka visited Promontory Summit, where the last spike was driven to complete the transcontinental railroad.","type":"text"},{"_id":"EZ5I4JBHLJCUZCCC6ZEIHV56SA","additional_properties":{"_id":1635296310008,"comments":[],"inline_comments":[]},"content":"“It was so cold that Jason and I lasted maybe five minutes before we had to run back into the gift shop and get warm,” Muraoka said. “And so for me, that was in a moment of — ‘Oh my God! These people worked in these conditions and survived in these conditions.’”","type":"text"},{"_id":"47OAKII4VJHA3OWUKRLFREBMQ4","additional_properties":{"_id":1635296310009,"comments":[],"inline_comments":[]},"content":"But “Gold Mountain” is not a grim story. It’s filled with quirky characters who are often very funny, with laugh-out-loud moments. Audience members don’t feel like they’re sitting in a lecture.","type":"text"},{"_id":"MEHUE5NAKVAZ5ABJTBRHJI6AAQ","additional_properties":{"_id":1635296310010,"comments":[],"inline_comments":[]},"content":"The goal is to entertain audiences. And if they learn a few things along the way, so much the better.","type":"text"},{"_id":"5BCUMKMIYNBXRCWAO5XLWKVXSI","additional_properties":{"_id":"MRMVTL4J6ZBOZL36SUWG4XSNWI","comments":[],"fullSizeResizeUrl":"/resizer/4UOh81X_cyG5jJ9gj26FvS7Gr74=/arc-anglerfish-arc2-prod-sltrib/public/5BCUMKMIYNBXRCWAO5XLWKVXSI.jpg","galleries":[],"ingestionMethod":"manual","iptc_job_identifier":"JSAEbjmFA2B2FwVD19OD","keywords":[""],"mime_type":"image/jpeg","originalName":"30624446_10155630380853250_914491647914409984_n.jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/5BCUMKMIYNBXRCWAO5XLWKVXSI.jpg","owner":"spierce@sltrib.com","proxyUrl":"/resizer/4UOh81X_cyG5jJ9gj26FvS7Gr74=/arc-anglerfish-arc2-prod-sltrib/public/5BCUMKMIYNBXRCWAO5XLWKVXSI.jpg","published":true,"resizeUrl":"/resizer/4UOh81X_cyG5jJ9gj26FvS7Gr74=/arc-anglerfish-arc2-prod-sltrib/public/5BCUMKMIYNBXRCWAO5XLWKVXSI.jpg","restricted":false,"template_id":335,"thumbnailResizeUrl":"/resizer/sKupW3zlG-iopwJ8XXZwdhUg1Uo=/300x0/arc-anglerfish-arc2-prod-sltrib/public/5BCUMKMIYNBXRCWAO5XLWKVXSI.jpg","usage_instructions":"FBMD01000a9c0d00000a4c00004ba70000ecb40000e3c7000072fa0000f26e0100bc7b0100068f010055a5010095810200","version":0},"address":{},"caption":"(HBO) Alan Muraoko, who directs \"Gold Mountain,\" at his day job on the set of \"Sesame Street.\"","created_date":"2021-10-26T20:44:16Z","credits":{"affiliation":[]},"height":737,"image_type":"photograph","last_updated_date":"2021-10-26T20:44:16Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/5BCUMKMIYNBXRCWAO5XLWKVXSI","system":"photo center"},"status":"","syndication":{"external_distribution":false,"search":false},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/5BCUMKMIYNBXRCWAO5XLWKVXSI.jpg","version":"0.10.3","width":1190},{"_id":"NJHXHQWCGBF4JLEKXFHNGBEHQE","additional_properties":{"_id":1635296310012,"comments":[],"inline_comments":[]},"content":"“It’s kind of like my day job on ‘Sesame Street,’” said Muraoka — a theater actor/director who has played the role of the owner of Hooper’s Store on the children’s educational series since 1998. “You educate while you entertain. You sneak all those little educational things in there. ... One of the aims of this show is just to have people walk out and go, ‘OK, I didn’t know that.’”","type":"text"},{"_id":"R5VGOLM5YRBDZDQIA2AITGSWQM","additional_properties":{"_id":1635296310013,"comments":[],"inline_comments":[]},"content":"Even so, “Gold Mountain” is not intended to make audiences think, but to make them feel.","type":"text"},{"_id":"W3RUHT65XNH73K7YNWAXUQGXNQ","additional_properties":{"_id":1635296310014,"comments":[],"inline_comments":[]},"content":"“This is actually something that’s to be experienced with your heart,” Ma said. “This is a love story. We’re just storytelling here, like any play or musical.”","type":"text"},{"_id":"KFKH76EOVRFSXBZKHIYLGCT3SU","additional_properties":{"_id":1635296310015,"comments":[],"inline_comments":[]},"content":"Onward and upward?","level":2,"type":"header"},{"_id":"S6WGDIXV5NCZ7FS4XONIMFKTKY","additional_properties":{"_id":1635296310016,"comments":[],"inline_comments":[]},"content":"Is the premiere of “Gold Mountain” the first step on the road to bigger and better things for the musical? Well, Ma and Muraoka have their fingers crossed.","type":"text"},{"_id":"Y2D6SS4RHRAA5BI5474BLPJJ3Y","additional_properties":{"_id":1635296310017,"comments":[],"inline_comments":[]},"content":"“Sometimes the biggest obstacle for productions is actually getting to that world premiere,” Ma said. “And we’ve been given that. 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When a trumpeter blows into the mouthpiece, tiny respiratory droplets, known as aerosols, travel out of the musician’s mouth, whiz through the brass tubing and spray into the air.","type":"text"},{"_id":"NUEBLBELYRGGDPURADC7Z5ZKQA","additional_properties":{"_id":1624654332847,"comments":[],"inline_comments":[]},"content":"During a deadly pandemic, when a musician might unwittingly be exhaling an infectious virus, that poses a potential problem for orchestras. 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The Utah Symphony, like most modern orchestras, positioned its musicians in a standard pattern, with the string instruments at the front of the stage, followed by several rows of woodwinds and brass instruments — the flutes and oboes, then the bassoons and clarinets, and then the trumpets and French horns. The trombones and the percussion section were positioned at the very back of the stage.","type":"text"},{"_id":"ESOEZERMYVB5VGYSZSSTKL4LJU","additional_properties":{"_id":1624654332854,"comments":[],"inline_comments":[]},"content":"To model the spread of aerosols during a concert, they incorporated recent research led by Jiarong Hong, a mechanical engineer at the University of Minnesota. Working with the Minnesota Orchestra, Hong and his colleagues had measured the concentration and size of aerosol particles emitted by a variety of different wind instruments. 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But two distinct vortices, at the front and the back of the stage, also formed, they found. “You see these large regions that are recirculating like a big tornado,” Saad said.","type":"text"},{"_id":"VGPLWNAQ6NDKJMCC3ON55ZAXBM","additional_properties":{"_id":1624654332857,"comments":[],"inline_comments":[]},"content":"Aerosols can get caught in these vortices, swirling around and around the stage and building up over time.","type":"text"},{"_id":"HSJ6OB4YIREF7AEUSCJCS4RZWU","additional_properties":{"_id":1624654332858,"comments":[],"inline_comments":[]},"content":"The trumpets, which emitted large, concentrated aerosol clouds, posed a particular problem. As the instruments’ aerosol plumes traveled toward the air vents at the back of the stage, they passed directly through the percussionists’ breathing zone.","type":"text"},{"_id":"HFRSS4HOB5DXFCMA634FS4T6ZQ","additional_properties":{"_id":1624654332859,"comments":[],"inline_comments":[]},"content":"“We saw this and said, ‘OK, this is a big problem, we’ve got to solve this,’” Sutherland said. “And given the insight we had into how the flow was moving, we said, ‘Well, let’s move some of these instruments around.’”","type":"text"},{"_id":"3D7N3ZS27FB2ZP7LCZ7CU2XEX4","additional_properties":{"_id":1624654332860,"comments":[],"inline_comments":[]},"content":"They knew the idea might be controversial; orchestras have generally been arranged the same way for decades, for reasons that include both acoustics and tradition. “We asked them when we started the project, ‘What constraints do we have to work with? 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Then they shifted the other wind instruments from the middle of the stage, moving them either closer to the back air vents or to the stage doors, which they suggested opening.","type":"text"},{"_id":"JSTOZ6SGWRAUXHI6DGQ5GZAN6Y","additional_properties":{"_id":1624654332862,"comments":[],"inline_comments":[]},"content":"These moves, the team hoped, would allow the aerosols to flow directly out of the concert hall, without passing through the breathing zones of other musicians or getting caught in an onstage vortex. “You want the smoker to sit close to the window,” Saad said. “That’s exactly what we did here.”","type":"text"},{"_id":"ZWM77I5Q7VH3RL3EMRE3MSSVFY","additional_properties":{"_id":1624654332863,"comments":[],"inline_comments":[]},"content":"Finally, they moved the instruments that do not generate aerosols at all — the piano and the percussion section — to the center of the stage. Together, these tweaks reduced the average aerosol concentration in the musicians’ breathing zones a hundredfold, the researchers calculated.","type":"text"},{"_id":"GNAIPX5P3BDYDNDTAE47OHOJFE","additional_properties":{"_id":1624654332864,"comments":[],"inline_comments":[]},"content":"Although the precise air flow patterns will be different in every venue, the general principles should hold everywhere, the team said. Orchestras can reduce the risk of aerosol spread by positioning the highest risk instruments near open doors and air return vents. (Orchestras that cannot do their own computer modeling could put a fog machine onstage and track how the fog flows, the researchers suggested.)","type":"text"},{"_id":"5VA22XHYRVEWXC6CNVAO562OSI","additional_properties":{"_id":1624654332865,"comments":[],"inline_comments":[]},"content":"Hong, who was not involved in the Utah study, praised the modeling work. “Simulating the flow inside an orchestra hall is not easy,” he said. “They did beautiful work in terms of characterizing flow.”","type":"text"},{"_id":"FSIDNVIQFZBHNLAAGZDEJP2N6A","additional_properties":{"_id":1624654332866,"comments":[],"inline_comments":[]},"content":"But he questioned whether moving musicians was really a practical solution. “We work with musicians closely, and they don’t like to be rearranged,” he said. 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And when it took the stage last fall, it did so with the stage doors open and the wind instruments at the rear.","type":"text"},{"_id":"Y3ZNJ6CHBZGUZGX7YRUA7IXCYQ","additional_properties":{"_id":1624654332869,"comments":[],"inline_comments":[]},"content":"“That was a huge challenge for the musicians,” said Steven Brosvik, the president and chief executive of the Utah Symphony and Utah Opera. “But they all dove into it, and said, ‘Let’s go, let’s give it a try.’”","type":"text"},{"_id":"DLER7EYZUBFFRE7J6E4S7P6MCI","additional_properties":{"_id":1624654332870,"comments":[],"inline_comments":[]},"content":"It took a few weeks for the musicians to get comfortable with the new arrangement, and they plan to return to their traditional seating configuration this fall, Brosvik said. But the simulations gave the musicians peace of mind and allowed them to get back onstage, he said: “For us, it was life changing.”","type":"text"},{"_id":"FUIMUVHHRZA7HJMAIAYBUWFGOQ","additional_properties":{"_id":1624654332871,"comments":[],"inline_comments":[]},"content":"The researchers were pleased with how willing the musicians were to embrace an unusual solution, although their findings may have hit some instrumentalists harder than others. 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Karen Azenberg as “a creative business leader” with production credits on two Tony-winning Broadway productions under his belt.","type":"text"},{"_id":"MURI4EWJXFDGTHCS6MURU32STI","additional_properties":{"_id":1622767763561,"comments":[],"inline_comments":[]},"content":"A deeper dive into Massimine’s credentials, though, finds some of that creativity might have been expended on his resumé.","type":"text"},{"_id":"AHZQDRL445CU3KPDZWPERDOTEA","additional_properties":{"_id":1622786794691,"comments":[],"inline_comments":[]},"content":"The discrepancies first came to light in <a href=https://www.sltrib.com/"https://www.fox13now.com/news/fox-13-investigates/fox-13-investigates-high-paid-university-of-utah-executive-lied-on-resume-published-fake-articles/" target=\"_blank\">FOX 13 story that aired Thursday night</a>.","type":"text"},{"_id":"VMFN6R5D45GC3KN74DQDAIES6M","additional_properties":{"_id":1622767763562,"comments":[],"inline_comments":[]},"content":"On Oct. 22, 2019, the University of Utah’s College of Fine Arts — which oversees Pioneer Theatre, whose home stage is on the U.’s campus — issued <a href=https://www.sltrib.com/"https://finearts.utah.edu/news/the-finer-points-blog/item/616-pioneer-theatre-company-s-christopher-massimine-receives-2019-humanitarian-of-the-year-award/" target=\"_blank\">a news release</a> congratulating Massimine for winning the “humanitarian of the year” award from a group called the National Performing Arts Action Association. Other versions of the release online remove the word “Action” from the group’s name.","type":"text"},{"_id":"J42QYQUSLFHG3C3NDUV3LTHUUI","additional_properties":{"_id":1622767763563,"comments":[],"inline_comments":[]},"content":"The problem is that there doesn’t seem to be such an organization, with the extra word in its name or not.","type":"text"},{"_id":"XLDLUKVTQFDQLE72EPY4KCIFLI","additional_properties":{"_id":1622767763564,"comments":[],"inline_comments":[]},"content":"A Google search for the National Performing Arts Association finds <a href=https://www.sltrib.com/"http://www.npaa.us//" target=\"_blank\">an under-construction website</a>, <a href=https://www.sltrib.com/"https://twitter.com/NPAA_US/" target=\"_blank\">a Twitter account</a> and <a href=https://www.sltrib.com/"https://www.facebook.com/NationalPerformingArts/" target=\"_blank\">a Facebook page</a>. Both social media accounts were created last November, a year after the award was supposedly given out, and refer back to the under-construction website. Neither account has any posts attached to them.","type":"text"},{"_id":"SJTC4DKJVBCYFMDKRVRZMG6M5U","additional_properties":{"_id":1622767763565,"comments":[],"inline_comments":[]},"content":"Dozens of sites are generated by a search for the National Performing Arts Action Association but all of them refer to Massimine’s award, in language similar to the College of Fine Arts’ release.","type":"text"},{"_id":"XF4G4XQU55HC7ENTIQZW5VWLNU","additional_properties":{"_id":1622767763566,"comments":[],"inline_comments":[]},"content":"There is nothing online indicating anyone else has ever won this humanitarian award, before or since.","type":"text"},{"_id":"OZSDN6SLPRGFXA2744UWEIM6BA","additional_properties":{"_id":1622785746985,"comments":[],"inline_comments":[]},"content":"Christopher Nelson, a spokesman for the university, said Thursday evening that Massimine was on “approved personal leave.”","type":"text"},{"_id":"RI5GU66HYFHCHOGYEGJLN7XCRA","additional_properties":{"_id":1622767763567,"comments":[],"inline_comments":[]},"content":"A spokeswoman for Pioneer Theatre Company said Thursday that Massimine was unavailable for interviews. She directed other inquiries to the College of Fine Arts, which in turn directed questions to the university’s administration.","type":"text"},{"_id":"CSF4HQ4IRNALTJGPRITVHDUWJI","additional_properties":{"_id":1622785746987,"comments":[],"inline_comments":[]},"content":"Nelson said that all applicants for university jobs “attest during the application process that the information they’re submitting about their background is accurate” — including information on their resumé or curriculum vitae (CV). If information is found to be inaccurate, Nelson said, the university will give the employee a chance to make corrections and explain why it was wrong.","type":"text"},{"_id":"JEST2L7MTNBW7AYDBOBYTYJXVQ","additional_properties":{"_id":1622785746988,"comments":[],"inline_comments":[]},"content":"Employees caught lying can be disciplined, Nelson said, which “can range from corrective disciplinary action up to termination of employment.”","type":"text"},{"_id":"BFGT4ZT5NNBH7CR5S6P6WLIEYQ","additional_properties":{"_id":1622785746989,"comments":[],"inline_comments":[]},"content":"When the university hires an outside recruiting firm, as happened with the Pioneer Theatre job, it’s expected that “finalists sent to the university for review have been properly screened and the information about their backgrounds confirmed.”","type":"text"},{"_id":"D4G76QBOOJAILMDRDY742XB6FQ","additional_properties":{"_id":1622767763568,"comments":[],"inline_comments":[]},"content":"As managing director, Massimine is responsible for the business side of Pioneer Theatre, from ticket sales and attracting donors to keeping the lights on. He <a href=https://www.sltrib.com/"https://www.sltrib.com/artsliving/2019/02/25/tony-nominated-producer//" target=\"_blank\">was named in February 2019</a> to succeed Chris Lino, who ran the company’s operations for 28 years, and started in the job on July 1, 2019.","type":"text"},{"_id":"O7BHKR7FSFBLDF3GZOXMDMGQYM","additional_properties":{"_id":1622767763569,"comments":[],"inline_comments":[]},"content":"Because Pioneer Theatre is an entity of the University of Utah, Massimine is a state employee — and his salary is posted on <a href=https://www.sltrib.com/"https://transparent.utah.gov//" target=\"_blank\">the state’s transparency website</a>. According to that site, Massimine draws an annual salary of $167,500, plus another $48,108 in benefits, for a total compensation of $215,608.","type":"text"},{"_id":"RV6O4EYBSBBK7EEVEOJWVOIUJA","additional_properties":{"_id":1622767763570,"comments":[],"inline_comments":[]},"content":"The company has not staged a performance since March 2020, because of the COVID-19 pandemic. The 2021-22 season is scheduled to start Sept. 10, with a two-week run of the musical “Ain’t Misbehavin’.”","type":"text"},{"_id":"ND7Q5BG2DNF3TJ54Z3JRZGYM2E","additional_properties":{"_id":1622767763571,"comments":[],"inline_comments":[]},"content":"In <a href=https://www.sltrib.com/"https://imaginetomorrowllc.com//" target=\"_blank\">Massimine’s bio</a> on the website of <a href=https://www.sltrib.com/"https://imaginetomorrowllc.com//" target=\"_blank\">Imagine Tomorrow LLC</a>, a creative consulting company he founded, he boasts not only of the NPAA humanitarian award, but of receiving “an honorary key to the city” from the city of Washington, D.C. No independent news source mentions this award; a Google search finds the last person to receive a key to the city in Washington was comedian Dave Chappelle in 2017.","type":"text"},{"_id":"56Y7XZ7FMBBOHEPBYAKLHJEPPE","additional_properties":{"_id":1622767763572,"comments":[],"inline_comments":[]},"content":"A spokesperson for <a href=https://www.sltrib.com/"https://mayor.dc.gov//" target=\"_blank\">the office of Washington Mayor Muriel Bowser</a> did not answer a request for comment Thursday afternoon.","type":"text"},{"_id":"XBS7EGMS3ZC7HBMA6WOZDWNAIQ","additional_properties":{"_id":1622767763573,"comments":[],"inline_comments":[]},"content":"The Internet Movie Database — a favorite website of movie fans, who click through its lists of people who have worked on tens of thousands of titles in all filmed media — <a href=https://www.sltrib.com/"https://www.imdb.com/name/nm11556631/?ref_=nv_sr_srsg_0\%22 target=\"_blank\">credits Massimine</a> with work on nearly 100 movies, TV shows and video games. A spot check of three Oscar-winning movies revealed that, despite what the IMDb said, Massimine’s name was missing from the credits of all three: the climbing documentary “Free Solo” (where the IMDb listed him as a co-producer), the animated “Spider-Man: Into the Spider-Verse” (listed by IMDb as a script consultant) and DC Comics’ “Suicide Squad” (where, the IMDb said, he got a “special thanks” credit).","type":"text"},{"_id":"AHZQDRL445CU3KPDZWPERDOTEA","additional_properties":{"_id":1622786794691,"comments":[],"inline_comments":[]},"content":"FOX 13 noted that Massimine’s IMDb page also lists producing credits for major video games, including Capcom’s “Resident Evil Village” and Square Enix’s “Final Fantasy VII Remake.” Representatives for those companies told FOX 13 that Massimine had never been a producer on either game.","type":"text"},{"_id":"HFYW2NRBOBCDDCLUJ3HB4BBECU","additional_properties":{"_id":1622786794692,"comments":[],"inline_comments":[]},"content":"Massimine also has claimed credit, the FOX 13 report said, for familiar ad campaigns, including spots for Old Spice grooming products and Dos Equis beer’s “Most Interesting Man in the World” commercials. The ad agencies responsible for those campaigns told FOX 13 they had never heard of Massimine.","type":"text"},{"_id":"IROXNSHVOFBX5PVIAQCQZKSPT4","additional_properties":{"_id":1622767763574,"comments":[],"inline_comments":[]},"content":"Then there are those Tony-winning plays. Massimine said in 2019 that he was among the producers nominated for Broadway’s most prestigious award for two productions: the 2010 musical “American Idiot” and the 2017 play <a href=https://www.sltrib.com/"https://indecent-broadway.com//" target=\"_blank\">“Indecent.”</a> Massimine’s claims of credit are somewhat exaggerated: He was an associate producer on both plays, a lower-rung position — and his name was not included in the Tony nominations for either of them, according to <a href=https://www.sltrib.com/"https://www.tonyawards.com//" target=\"_blank\">the awards’ website</a>.","type":"text"},{"_id":"H55ZKMYFJFFLTBUWF7E54RSKZ4","additional_properties":{"_id":1622767763575,"comments":[],"inline_comments":[]},"content":"Some of Massimine’s CV does hold up. There is ample evidence in news reports of Massimine’s years as CEO of <a href=https://www.sltrib.com/"https://nytf.org//" target=\"_blank\">National Yiddish Theatre Folksbiene</a>, which produced an acclaimed production of “Fiddler on the Roof,” translated into Yiddish, during his tenure. And Massimine’s claims of being a playwright are valid; <a href=https://www.sltrib.com/"https://www.broadwayworld.com/off-broadway/article/Will-Taylor-Stars-In-LOVERS-On-Theatre-Row-Opens-715-20100715/" target=\"_blank\">the website Broadway World</a> reported that a production of the musical “Lovers,” which he wrote, was produced off-Broadway in 2010.","type":"text"},{"_id":"BLSRY4NUS5BYFONL5PU6XBQR6A","additional_properties":{"_id":1622786794695,"comments":[],"inline_comments":[]},"content":"<i><b>Editor’s note:</b></i><i> FOX 13 and The Salt Lake Tribune are partners in a content-sharing agreement.</i>","type":"text"}],"created_date":"2021-06-03T23:59:51.421Z","credits":{"by":[{"_id":"spmeans","additional_properties":{"original":{"_id":"spmeans","awards":[],"bio":"Sean P. Means has been reporting and editing for The Salt Lake Tribune since 1991 — including 25 years as movie critic. 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A landmark in the Marmalade District since it was completed in 1892, it’s believed to be the only Latter-day Saint meetinghouse with an onion dome.","type":"text"},{"_id":"PWZD5RCKWBBFFIFAZ4BRFWVEUA","additional_properties":{"_id":1619814270487,"comments":[],"inline_comments":[]},"content":"After decades as a house of worship, the building at 168 W. 500 North has been home to Salt Lake Acting Company since 1982, housing two theaters, rehearsal space, dressing rooms, a box office and more. And now, a remodel is adding more perhaps unexpected features — like animal-print carpeting and over-the-top restrooms.","type":"text"},{"_id":"QH4BFIBI2FD7RL4METE3DVPCBQ","additional_properties":{"_id":1620397706731,"comments":[],"inline_comments":[]},"content":"When the meetinghouse and the old Relief Society Hall next door reopen, which is scheduled for late summer, patrons will notice a lot of changes. Including:","type":"text"},{"_id":"KQSUOCMKEVCH5M5PHR5HPXXJXQ","additional_properties":{"_id":"HCI7ADSFNREY7CYIXQVJHDD634","comments":[],"fullSizeResizeUrl":"/resizer/9fnvShOI1NHJWSpYF_6nkEM_Tu8=/arc-anglerfish-arc2-prod-sltrib/public/KQSUOCMKEVCH5M5PHR5HPXXJXQ.jpg","galleries":[],"ingestionMethod":"manual","keywords":[""],"mime_type":"image/jpeg","originalName":"SLAC leopard carpet.jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/KQSUOCMKEVCH5M5PHR5HPXXJXQ.jpg","owner":"spierce@sltrib.com","proxyUrl":"/resizer/9fnvShOI1NHJWSpYF_6nkEM_Tu8=/arc-anglerfish-arc2-prod-sltrib/public/KQSUOCMKEVCH5M5PHR5HPXXJXQ.jpg","published":true,"resizeUrl":"/resizer/9fnvShOI1NHJWSpYF_6nkEM_Tu8=/arc-anglerfish-arc2-prod-sltrib/public/KQSUOCMKEVCH5M5PHR5HPXXJXQ.jpg","restricted":false,"template_id":335,"thumbnailResizeUrl":"/resizer/lP26oPX5unr9INQR_PjP_6ynFrw=/300x0/arc-anglerfish-arc2-prod-sltrib/public/KQSUOCMKEVCH5M5PHR5HPXXJXQ.jpg","version":0},"address":{},"caption":"(Courtesy of cityhomeCollective/Salt Lake Acting Company) This rendering shows the leopard-print carpeting that's planned for the stairs and the green room.","created_date":"2021-04-29T19:59:45Z","credits":{"affiliation":[]},"height":712,"image_type":"photograph","last_updated_date":"2021-04-29T19:59:45Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/KQSUOCMKEVCH5M5PHR5HPXXJXQ","system":"photo center"},"status":"","syndication":{"external_distribution":false,"search":false},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/KQSUOCMKEVCH5M5PHR5HPXXJXQ.jpg","version":"0.10.3","width":1593},{"_id":"6E7KPUNZHVBLZIFRIRO4AM4FPQ","additional_properties":{"_id":1619727195866,"comments":[],"inline_comments":[]},"content":"<b>1.) Leopard-print carpeting on the stairs and in the green room • </b>Well, it’s something you wouldn’t have seen when the building was a church. “We really, really want it to be fun,” and a little bit “naughty … and playful,” said Lauren Bald, design director at cityhomeCollective.","type":"text"},{"_id":"A5RMWHUAXJD7PMD2CKSCFIKPZU","additional_properties":{"_id":1619727195867,"comments":[],"inline_comments":[]},"content":"<b>2.) A roof that won’t cave in and a floor that doesn’t bounce • </b>In the main building, multiple support beams have been added because parts of the roof were “being supported by we’re not quite sure what,” said architect Jason Wheeler. “We feel like this building is going to be much more secure in the future, particularly with earthquakes.”","type":"text"},{"_id":"KJR5ZD3V65EI5FLTU5LJDAXS2A","additional_properties":{"_id":"B24B5TYMCRAH7OGUSCEF7TDEC4","comments":[],"fullSizeResizeUrl":"/resizer/EV7kw90chCsD5DH-sdDE8PfhL2Y=/arc-anglerfish-arc2-prod-sltrib/public/KJR5ZD3V65EI5FLTU5LJDAXS2A.JPG","galleries":[],"ingestionMethod":"manual","mime_type":"image/jpeg","originalName":"SLAC Relief Society.JPG","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/KJR5ZD3V65EI5FLTU5LJDAXS2A.JPG","owner":"spierce@sltrib.com","proxyUrl":"/resizer/EV7kw90chCsD5DH-sdDE8PfhL2Y=/arc-anglerfish-arc2-prod-sltrib/public/KJR5ZD3V65EI5FLTU5LJDAXS2A.JPG","published":true,"resizeUrl":"/resizer/EV7kw90chCsD5DH-sdDE8PfhL2Y=/arc-anglerfish-arc2-prod-sltrib/public/KJR5ZD3V65EI5FLTU5LJDAXS2A.JPG","restricted":false,"template_id":335,"thumbnailResizeUrl":"/resizer/8rBQCGgF4ixRZFhbt8u1GHUITT0=/300x0/arc-anglerfish-arc2-prod-sltrib/public/KJR5ZD3V65EI5FLTU5LJDAXS2A.JPG","version":0},"address":{},"caption":"(Photo courtesy of Salt Lake Acting Company) Part of the floor in the old Relief Society structure wasn't resting on the foundation.","created_date":"2021-04-29T20:01:34Z","credits":{"affiliation":[]},"height":3024,"image_type":"photograph","last_updated_date":"2021-04-29T20:01:34Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/KJR5ZD3V65EI5FLTU5LJDAXS2A","system":"photo center"},"status":"","syndication":{"external_distribution":false,"search":false},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/KJR5ZD3V65EI5FLTU5LJDAXS2A.JPG","version":"0.10.3","width":4032},{"_id":"7UKUADMRZZDYBNB76WVOGBISXE","additional_properties":{"_id":1619727195869,"comments":[],"inline_comments":[]},"content":"In the Relief Society Hall, which houses dressing rooms, the floor in the southwest corner used to bounce. Because, as it turns out, floor joists were resting on … nothing. “It’s a miracle the floor hadn’t collapsed,” said architect Jason Wheeler.","type":"text"},{"_id":"RX5QQZUM2NE6VFSUOBFPP5CT6U","additional_properties":{"_id":1619727195870,"comments":[],"inline_comments":[]},"content":"A new beam runs the length of the building, and it rests on new footings and posts.","type":"text"},{"_id":"6GHAHYIXY5BQDMX6R6OUYTMYMA","additional_properties":{"_id":"OJJJRWMWA5GJVDXH2F777LWH3I","comments":[]},"content":"<div id=\"mc3aj2vg2xx5w0\"><a href=https://www.sltrib.com/"https://app.moonclerk.com/pay/3aj2vg2xx5w0/">Are you connecting with this story?</a></div><script type=\"text/javascript\">var mc3aj2vg2xx5w0;(function(d,t) {var s=d.createElement(t),opts={\"checkoutToken\":\"3aj2vg2xx5w0\",\"width\":\"100%\"};s.src='https://d2l7e0y6ygya2s.cloudfront.net/assets/embed.js';s.onload=s.onreadystatechange = function() {var rs=this.readyState;if(rs) if(rs!='complete') if(rs!='loaded') return;try {mc3aj2vg2xx5w0=new MoonclerkEmbed(opts);mc3aj2vg2xx5w0.display();} catch(e){}};var scr=d.getElementsByTagName(t)[0];scr.parentNode.insertBefore(s,scr);})(document,'script');</script>\n","type":"raw_html"},{"_id":"RHLDGEGWFFFLZJLLFXMRMU72TQ","additional_properties":{"_id":1619814270495,"comments":[],"inline_comments":[]},"content":"(The small Relief Society Hall, 14 feet by 26 feet, was actually built two blocks away in 1908 and later moved to its present site.)","type":"text"},{"_id":"HKYOWUNFLZB5HJGOTUC64Q27JU","additional_properties":{"_id":1619727195871,"comments":[],"inline_comments":[]},"content":"<b>3.) Theatrical restrooms •</b> The two lower level restrooms will be “almost like a theater set,” Bald said.","type":"text"},{"_id":"VQMQJRFX4BFBLOOZ5H3PBLXQSQ","additional_properties":{"_id":1619814270497,"comments":[],"inline_comments":[]},"content":"One will feature a green tile pattern, the other will be filled with mauve. And both will be “playful and fun.”","type":"text"},{"_id":"Q74NBUEZ6NCT7D3F7OTDRC5AAI","additional_properties":{"_id":"ZVQEAU23Y5EAXBJG7OBIO3QSHU","comments":[],"fullSizeResizeUrl":"/resizer/rMNF8tOuTrWrcReF8T3aKIAZvh8=/arc-anglerfish-arc2-prod-sltrib/public/Q74NBUEZ6NCT7D3F7OTDRC5AAI.jpg","galleries":[],"ingestionMethod":"manual","keywords":[""],"mime_type":"image/jpeg","originalName":"SLAC restroom.jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/Q74NBUEZ6NCT7D3F7OTDRC5AAI.jpg","owner":"spierce@sltrib.com","proxyUrl":"/resizer/rMNF8tOuTrWrcReF8T3aKIAZvh8=/arc-anglerfish-arc2-prod-sltrib/public/Q74NBUEZ6NCT7D3F7OTDRC5AAI.jpg","published":true,"resizeUrl":"/resizer/rMNF8tOuTrWrcReF8T3aKIAZvh8=/arc-anglerfish-arc2-prod-sltrib/public/Q74NBUEZ6NCT7D3F7OTDRC5AAI.jpg","restricted":false,"template_id":335,"thumbnailResizeUrl":"/resizer/bD_gWOcUUKL1dbs-W2fGVb4ZdgU=/300x0/arc-anglerfish-arc2-prod-sltrib/public/Q74NBUEZ6NCT7D3F7OTDRC5AAI.jpg","version":0},"address":{},"caption":"(Courtesy of cityhomeCollective/Salt Lake Acting Company) This rendering offers a glimpse of what the men's room will look like when the renovations are completed.","created_date":"2021-04-29T20:02:56Z","credits":{"affiliation":[]},"height":699,"image_type":"photograph","last_updated_date":"2021-04-29T20:02:56Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/Q74NBUEZ6NCT7D3F7OTDRC5AAI","system":"photo center"},"status":"","syndication":{"external_distribution":false,"search":false},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/Q74NBUEZ6NCT7D3F7OTDRC5AAI.jpg","version":"0.10.3","width":1264},{"_id":"HKYOWUNFLZB5HJGOTUC64Q27JU","additional_properties":{"_id":1619727195874,"comments":[],"inline_comments":[]},"content":"<b>4. Named toilets •</b> Donors can become part of the “lasting legacy” of the remodel by paying to have their names attached to all sorts of things. “We’ve got wall tiles, we’ve got a fireplace in the green room, we’ve got some urinals in the bathroom — lots of possibilities,” said SLAC’s director of development, Erika Ahlin.","type":"text"},{"_id":"5L4DXFNY4FFT3MNPWTXKZPNV2A","additional_properties":{"_id":1619727195875,"comments":[],"inline_comments":[]},"content":"Including those urinals in the men’s room and stalls in both the men’s and women’s rooms — which you can sponsor for $5,000 each.","type":"text"},{"_id":"DE5XMO6F6VH2JO7DXRKMFU34BM","additional_properties":{"_id":1619727195876,"comments":[],"inline_comments":[]},"content":"The available sponsorships range from $500 for an indoor wall tile to $100,000 for the lobby. A donor has already coughed up $500,000 for the main event in the remodel — the elevator.","type":"text"},{"_id":"YPNZAKTG2BEVZMPPVEDKVIQ7XM","additional_properties":{"_id":"2C5XU6NX3NHJHHZPXUAPQUZXXQ","comments":[],"fullSizeResizeUrl":"/resizer/7nylri9OkePCLGTXwFiDC6VQfoc=/arc-anglerfish-arc2-prod-sltrib/public/YPNZAKTG2BEVZMPPVEDKVIQ7XM.jpg","galleries":[],"ingestionMethod":"manual","mime_type":"image/jpeg","originalName":"SLAC Box Office Construction (Image_ John Downing)(1).jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/YPNZAKTG2BEVZMPPVEDKVIQ7XM.jpg","owner":"spierce@sltrib.com","proxyUrl":"/resizer/7nylri9OkePCLGTXwFiDC6VQfoc=/arc-anglerfish-arc2-prod-sltrib/public/YPNZAKTG2BEVZMPPVEDKVIQ7XM.jpg","published":true,"resizeUrl":"/resizer/7nylri9OkePCLGTXwFiDC6VQfoc=/arc-anglerfish-arc2-prod-sltrib/public/YPNZAKTG2BEVZMPPVEDKVIQ7XM.jpg","restricted":false,"template_id":335,"thumbnailResizeUrl":"/resizer/j251h2JnyNzhNT70RlZruVvxhC4=/300x0/arc-anglerfish-arc2-prod-sltrib/public/YPNZAKTG2BEVZMPPVEDKVIQ7XM.jpg","version":0},"address":{},"caption":"(Photo courtesy of Salt Lake Acting Company) The lobby is and box office are currently undergoing renovations. The new elevator will be installed where a men's room used to be — the opening behind the orange pylon on the left side of the photo.","created_date":"2021-04-29T20:05:51Z","credits":{"affiliation":[]},"height":2592,"image_type":"photograph","last_updated_date":"2021-04-29T20:05:51Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/YPNZAKTG2BEVZMPPVEDKVIQ7XM","system":"photo center"},"status":"","syndication":{"external_distribution":false,"search":false},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/YPNZAKTG2BEVZMPPVEDKVIQ7XM.jpg","version":"0.10.3","width":4608},{"_id":"AJAGPSIKVZAITF35PYPSNMIDPU","additional_properties":{"_id":1619727195878,"comments":[],"inline_comments":[]},"content":"<b>5. The elevator •</b> The old 19th Ward building has always been problematic for patrons and performers with mobility issues — you have to climb or descend stairs to get to the theater, the restrooms, the concessions, pretty much everything. There was a chair lift on a track on one side of the main staircase, but it was slow and slippery. (It’s been removed.) 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But recovery has been slower than he expected in the “higher arts” like opera and symphony, which typically attract older audiences."},{"_id":"RG6VN2Y2P5GTBB2EJT37VOJPUI","type":"text","additional_properties":{"_id":1683227768789,"comments":[],"inline_comments":[]},"content":"The pandemic disrupted habits like “getting all dolled up and going downtown,” Bestor said, but people have started to get back into some of their old routines."},{"_id":"ONLCY55J55HKBDSUG76M6EHBT4","type":"text","additional_properties":{"_id":1683222026549,"comments":[],"inline_comments":[]},"content":"Though some groups are still struggling, there are “lots of positive signs,” Castillo said. 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","copyright":"The Salt Lake Tribune","created_date":"2022-07-12T21:37:50Z","credits":{"affiliation":[],"by":[{"byline":"Chris Samuels","name":"Chris Samuels","type":"author"}]},"height":2089,"image_type":"photograph","last_updated_date":"2022-07-12T21:37:50Z","licensable":false,"owner":{"id":"sltrib"},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/CF7VJ6LYQVEPRPH5ITSSKB2PIQ","system":"photo center"},"status":"","taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/CF7VJ6LYQVEPRPH5ITSSKB2PIQ.JPG","version":"0.10.9","width":3000,"syndication":{"external_distribution":"","search":""},"subtitle":""},{"_id":"2AXKT4FQJFGE5BBXFA6624KMSE","type":"text","additional_properties":{"_id":1683222026551,"comments":[],"inline_comments":[]},"content":"Lots of things are bouncing back that don’t show in the data, Balderas said, but there is “a significant need and an urgency to support” sectors of the cultural industry still facing hardship."},{"_id":"ZMRUX2AIQBDXZFUBU5OONGN4CU","type":"text","additional_properties":{"_id":1683222026552,"comments":[],"inline_comments":[]},"content":"Balderas encouraged people to get to know their local cultural businesses and support them."},{"_id":"UQLDNG5HVNFLLCOPSY7AV4GS7Q","type":"text","additional_properties":{"_id":1683222026553,"comments":[],"inline_comments":[]},"content":"“There are so many throughout the state of Utah that people just don’t know about,” he said."},{"_id":"OE34V7NWUVEBZMRSZHLOWJL7VI","type":"text","additional_properties":{"_id":1683222026554,"comments":[],"inline_comments":[]},"content":"The organization maintains a map of cultural assets across the state at <a href=https://www.sltrib.com/"https://www.nowplayingutah.com/cultural-asset-map//" target=\"_blank\">nowplayingutah.com/cultural-asset-map/</a> as a starting point for finding businesses and organizations to support."},{"_id":"CD43BOCRHBDLFN6KI4A6XXV32A","type":"text","additional_properties":{"_id":1683238550654,"comments":[],"inline_comments":[]},"content":"<i>Megan Banta is The Salt Lake Tribune’s data enterprise reporter, </i><a href=https://www.sltrib.com/"https://www.sltrib.com/news/2023/04/02/introducing-our-new-tribune-data//">a philanthropically supported position</i></a><i>. 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Admittance is free with <a href=https://www.sltrib.com/"https://artstickets.utah.edu/uncategorized/tanner-humanities-center-presents-tanner-lecture-on-human-values//">registration."},{"_id":"CHMMDWGPMBGRRHUB645QDU4ITI","type":"text","additional_properties":{"_id":1678827566821,"comments":[],"inline_comments":[]},"content":"Robinson won the Hugo and Nebula awards for best novel, the highest awards in science fiction, for his series on colonizing Mars — a project he now says is “irrelevant to us now.”"},{"_id":"EXN3AAXEXVB3HIZDYWM4COOSOY","type":"text","additional_properties":{"_id":1678827566822,"comments":[],"inline_comments":[]},"content":"His recent fiction has been focused on climate change and adapting. For Robinson, that means both confronting the scale of the problem but not being frozen by the coming tumult."},{"_id":"UYIMDCY76NC4XEOIW4VV4TRO44","type":"text","additional_properties":{"_id":1678827566823,"comments":[],"inline_comments":[]},"content":"The novels “2312,” “New York 2140″ and “The Ministry for the Future” all feature humans coming up with massive engineering and ecological projects to save what they can of our planet as it gets hotter."},{"_id":"NW7GEFIUTNHCRMJWK3HKRYO2GE","type":"text","additional_properties":{"_id":1678827566824,"comments":[],"inline_comments":[]},"content":"He’s spoken about climate change at the U.N. Climate Change Conference. The New Yorker called him <a href=https://www.sltrib.com/"https://www.newyorker.com/books/page-turner/our-greatest-political-novelist/">“one of the most important political writers working in America today.”</a>"},{"_id":"FQYTCCQ2XFBIRHEZDZNQSGANGQ","type":"text","additional_properties":{"_id":1678827566826,"comments":[],"inline_comments":[]},"content":"Ahead of his visit to Utah this week, The Tribune asked Robinson about climate change, Utah and Great Salt Lake. (The interview has been edited for length.)"},{"_id":"MNHJHS5LARG7TETI54YTAWYQQQ","type":"text","additional_properties":{"_id":1678827566827,"comments":[],"inline_comments":[]},"content":"<i><b>Several of your books try to show the impacts of a changing climate and how humanity could blunt its effects. I wonder if you worry that dreaming of big engineering solutions to climate problems can go too far.</b></i>"},{"_id":"WXCBTXG6DJGJDH6BJW5BG62VY4","type":"text","additional_properties":{"_id":1678827566828,"comments":[],"inline_comments":[]},"content":"I’m not sure what “going too far” means in this context. Also “big engineering projects.” For the latter, consider these: humanity has occupied and radically transformed the surface of the Earth and altered the oceans too, removing wetlands, whales, most wildlife (now down to 3% of the meat on the planet, the rest being humans and our domestic beasts), changing the pH of the ocean (very hard to do!) and adding to the CO2 in the atmosphere faster than any event in geological history."},{"_id":"K34B3EGVOBDXVOMBF65RFW2QUQ","type":"text","additional_properties":{"_id":1678827566829,"comments":[],"inline_comments":[]},"content":"These were big projects that were engineered — just engineered to do other things. Now, if some people talk about trying various relatively teeny engineering projects to try to tweak the effects of our big uncoordinated engineering projects, I’m not really sure how worried I am, or why. Since we have begun a mass extinction event that will hammer civilization to the point of potential collapse, what’s “going too far?”"},{"_id":"63FPOI4P4RBUPJKL5RIY4UEDAI","type":"text","additional_properties":{"_id":1678827566830,"comments":[],"inline_comments":[]},"content":"<i><b>In Utah, our Legislature has spent time debating a pipeline to Great Salt Lake from the Pacific, an expensive project that would probably take years if not decades. There was another proposal to mine deep saltwater aquifers in Utah and desalinate the water using thorium reactors. These solutions are being presented at a time when scientists are telling us the fastest, cheapest way to keep the lake from becoming a catastrophe is to use less water as soon as possible.</b></i>"},{"_id":"HYR755LOIZFDND6XIIOMQK52N4","type":"text","additional_properties":{"_id":1678827566831,"comments":[],"inline_comments":[]},"content":"It’s another all-hands-on-deck situation. The Aral Sea is mostly gone, the Caspian Sea is in big trouble. Big inland seas can disappear under human impacts, we know that. So, keeping the Great Salt Lake around is a good idea and indeed very important. Dry lakebeds are quite poisonous, and the poisons carry on the wind — we’ve seen that in eastern California, where Owens Lake was drained dry and then the downwind air became the most poisonous in the USA. Mitigations (turning the lakebed to mud to fix the dust) are expensive and ugly. Much better to keep the lake a lake. I presume agreement on that is general. Lessons from the Mono Lake Committee, still alive but only by way of political and legislative action, would no doubt be useful here."},{"_id":"MG6ARVRD3RHAJLM4SDNFA2X6MU","type":"text","additional_properties":{"_id":1678827566832,"comments":[],"inline_comments":[]},"content":"And what the scientists say matters a lot. Water conservation should be legislated, mandatory, encouraged, financialized: all to create less use. I don’t know the situation in the Great Salt Lake’s watershed, but if there is agriculture there using water for water-intensive crops, that should be stopped, either by making the water appropriately expensive, or by simply cutting off the water by regulation. For sure water conservation is crucial."},{"_id":"HEHJDPKZSNFLJI4CWTEDZPVURA","type":"text","additional_properties":{"_id":1678827566833,"comments":[],"inline_comments":[]},"content":"Scientists are the ones studying the situation to find statements that anyone looking at the evidence would have to agree with — that’s what science is. People disagreeing with science have to ignore the evidence to be able to disagree, and also, they run to a scientist the moment they feel sick, and beg for help. So I call bull---- on them, as hypocrites."},{"_id":"Q5TW2B6TXBF7ZFD5SAMWIP2DL4","type":"text","additional_properties":{"_id":1678827566834,"comments":[],"inline_comments":[]},"content":"Then, after conservation, these projects proposed to bring in more water to the Great Salt Lake, from the Pacific or from deep underground: yes, study them, for sure! Why not? We are moving into climate change such that the American West may experience megadroughts, and yet we will still want to live here, so some big engineering projects may be in order."},{"_id":"DPLMRVKSZRFKFI4X2ZOU6UWDOA","type":"text","additional_properties":{"_id":1678827566835,"comments":[],"inline_comments":[]},"content":"Piping seawater to the Great Salt Lake seems like a good idea to me. It might even be the start of something more extensive, you never know. Sea level will be rising fast. Anything that lowers it would be appreciated. There are a lot of dry lake basins in this world (the <a href=https://www.sltrib.com/"https://www.britannica.com/place/Tarim-Basin/">Tarim, <a href=https://www.sltrib.com/"https://people.uwec.edu/jolhm/past_classes/1998/491class/nov7/history.htm/">Lahontan, etc.) Who knows?"},{"_id":"WUO3CTCLMJA6LNJFUNL7DIJN3A","type":"text","additional_properties":{"_id":1678827566836,"comments":[],"inline_comments":[]},"content":"I know these ideas are huge and half-baked, such that some are impossible, others very expensive, etc. But: welcome to the Anthropocene! We’ll be doing many experimental things to try to dodge the mass extinction event we’ve already begun. Some of them might be crucially helpful. The 21st and 22nd centuries are not going to resemble any of the previous centuries of human history, because we’re going to be trying to come into a healthy balance with the biosphere. After having damaged it quite badly."},{"_id":"S3YSDHS37BELRCXYDG3V752INM","type":"text","additional_properties":{"_id":1678827566837,"comments":[],"inline_comments":[]},"content":"<i><b>Is there a dark side to dreaming up a future where we can cope with global warming with big projects?</b></i>"},{"_id":"DLAVYTV3XFHT5NHCE6PVXMZXUE","type":"text","additional_properties":{"_id":1678827566838,"comments":[],"inline_comments":[]},"content":"This is sometimes called “the moral hazard” — that if you think there will be a “big fix” later on, you can ignore all the little fixes you should start on right now. That was a real hazard in 1990, maybe, but now we’re in that “all hands on deck” moment I described."},{"_id":"EA35HB2ILBFJVH6QQXIGREVTJY","type":"text","additional_properties":{"comments":[],"inline_comments":[]},"content":"So, the first thing to say is, we can’t fully cope with or dispense with global warming, no matter what we do. We’ve already started a catastrophe. Now the project is to minimize that catastrophe by every means we can think up, and also do, in the real world."},{"_id":"PWZIUKDITFDXXEJLHA2ZCKGSEE","type":"text","additional_properties":{"_id":1678827566840,"comments":[],"inline_comments":[]},"content":"The immediate danger here is pushing the biosphere over tipping points into a runaway greenhouse effect, which would run away to a “Hothouse Earth” in which there is no ice on the planet. There’s nothing we could do to claw back from that runaway if it gets going strongly. And we are very, very close to that point."},{"_id":"SIN5TZEMQFEPJF46H2CTMIU534","type":"text","additional_properties":{"_id":1678827566841,"comments":[],"inline_comments":[]},"content":"Look up the paper on <a href=https://www.sltrib.com/"https://pdxscholar.library.pdx.edu/cgi/viewcontent.cgi?article=1063&context=iss_pub\%22>%e2%80%9cPlanetary Boundaries” (Rockstrom and Steffen, Nature magazine 2009)</a> to see the parameters, or planetary boundaries, that we are breaking now. It is an eye-opener."},{"_id":"ZBXYUI63M5E3VJNXRNL7TBN3HA","type":"text","additional_properties":{"_id":1678827566842,"comments":[],"inline_comments":[]},"content":"<i><b>I read a quote from you recently where you said “</b></i><a href=https://www.sltrib.com/"https://farsight.cifs.dk/interview-kim-stanley-robinson//" target=\"_blank\"><i><b>Mars is irrelevant to us now</b></i></a><i><b>,” which seems like a substantial statement from the author of books on settling Mars. Is humanity’s space dream dead?</b></i>"},{"_id":"25JML73Q75AJZPXEFU5H22VKZE","type":"text","additional_properties":{"_id":1678827566843,"comments":[],"inline_comments":[]},"content":"Yes, as one of the great living Martians, I can say with full (fake) authority that Mars is irrelevant to us now. We have to get humanity into a good balance with Earth’s biosphere. That is so important it should take all our attention and efforts."},{"_id":"YGL6R7IN3VHP7JKHD2YG2SSK5I","type":"text","additional_properties":{"_id":1678827566844,"comments":[],"inline_comments":[]},"content":"The idea that Mars is somehow a bolt-hole for rich people to escape to, or a second basket to keep some eggs in just in case we kill ourselves here — these are bad science fiction stories, in that they are fantasies in disguise."},{"_id":"NLK7NAW7LBEVLD55N75X5SRDFE","type":"text","additional_properties":{"_id":1678827566845,"comments":[],"inline_comments":[]},"content":"If we create a civilization in good balance with Earth’s biosphere, with a roughly steady population, all living well, then thinking about Mars will become appropriate. It will be a kind of reward or prize for us doing well. As such, we could consider terraforming Mars as a great project for the 23rd century, undertaken by a healthy civilization here on Earth. That would be cool. But in 2023: irrelevant!"},{"_id":"5EMOFLNV7ZDURLE7X7DLNAN2E4","type":"raw_html","additional_properties":{"_id":"F4MEBD77MFETVJC4T7TRCLFR6I","comments":[]},"content":"<link\n rel=\"stylesheet\"\n href=\"https://local.sltrib.com/css/newsletter-form.css\"\n/>\n<section class=\"news-letter\" id=\"news-letter\">\n <div class=\"news-box\">\n   <div class=\"container\">\n     <img src=https://www.sltrib.com/"https://local.sltrib.com/css/tribunet.png/" width=\"153px\" height=\"153px\"/>\n     <h3 class=\"news-heading\" style=\"margin: 10px 0 0\">\n       Subscribe To <em>Open Lands</em> Newsletter<br />\n     </h3>\n     <p class=\"des how-de\" style=\"color: #312940; margin: 10px\">\n       Get the latest news by subscribing to our\n       <strong><em>Open Lands</em></strong> newsletter. 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Why not?”"},"description":{"basic":"Kim Stanley Robinson's recent fiction has been focused on climate change and adapting. He will be speaking Thursday, March 16, at Kingsbury Hall on the University of Utah campus."},"language":"en","label":{},"source":{"name":"sltrib","source_type":"staff","system":"composer"},"taxonomy":{"primary_section":{"_id":"/artsliving/arts","_website":"sltrib","type":"section","version":"0.6.0","name":"Arts","description":"Salt Lake Tribune arts coverage for Salt Lake City and the surrounding area.","path":"/artsliving/arts","parent_id":"/artsliving","parent":{"default":"/artsliving"},"additional_properties":{"original":{"_id":"/artsliving/arts","site":{"site_url":"https://www.sltrib.com/artsliving/arts/","site_title":"Arts","site_tagline":null,"site_about":null,"site_description":"Salt Lake Tribune arts coverage for Salt Lake City and the surrounding 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We met at the Purple Turtle, and he brought along Ian Webb, the actor who played Alden in the rock opera."},{"_id":"DUHPR52DVZASPOVEYCLIXYC65E","type":"text","additional_properties":{"_id":1663713676323,"comments":[],"inline_comments":[]},"content":"We ate at the classic haunt, chatting between bites. Then, Hall pointed out the window over my shoulder, at a street corner. It was the same intersection where one of Alden’s friends was killed, Hall said. That’s when the tour started."},{"_id":"FJCHIFVICNASLKHAV6A7G6UCLY","type":"text","additional_properties":{"_id":1663713676324,"comments":[],"inline_comments":[]},"content":"Piled into Hall’s Honda, we drove through Pleasant Grove, passing landmarks of Alden Barrett’s life: The office where his father practiced medicine, the pharmacy a couple of doors down where Alden bought his journal. A few turns away, the cemetery, where father and son are buried in adjacent plots."},{"_id":"5WLQO7FGWFALPMB4KTONCDL6WI","type":"text","additional_properties":{"_id":1663713676325,"comments":[],"inline_comments":[]},"content":"We spent most of our time at the grave, standing silently, making the occasional quiet remark. Even with the bright green grass, and the sprinklers furiously chugging away in the next lot over, it felt surreal. We spotted a chipped piece of blue stone on the corner of Alden’s grave, and we took turns trying to figure out if it was another forgotten fragment from his portrait. (We decided it was too blue to match.)"},{"_id":"63PEOZTFOBGZLDTNRYC4BWWIZE","type":"text","additional_properties":{"_id":1663713676326,"comments":[],"inline_comments":[]},"content":"Hall then drove us past two houses where Alden lived, past his high school, passed the now-defunct Army recruitment center — now fenced off, but still as menacing as it must have been in the ‘70s."},{"_id":"HOTM4V7QNBFNTGLOR7BGPDW3XI","type":"text","additional_properties":{"_id":1663713676327,"comments":[],"inline_comments":[]},"content":"The last stop on the tour was a long shot. There were rumors — some of the many rumors involving the Barretts in this eerily quiet small town — that there were tunnels under the high school where there was graffiti mentioning “Jay’s Journal.”"},{"_id":"6N5V5CBN4BDHHORLBE23CARIWM","type":"text","additional_properties":{"_id":1663713676328,"comments":[],"inline_comments":[]},"content":"We were led around by some sophomores who said they had “found” the tunnels earlier that day, but couldn’t find them now. The students had never heard of Alden Barrett or his infamous, fabricated journal."},{"_id":"HPYH2MFHKRG5ND47KNKN5SOEQA","type":"text","additional_properties":{"_id":1663713676329,"comments":[],"inline_comments":[]},"content":"In another hallway, I stopped short at a door with a gold plaque above that read “social worker.” On the door was an orange poster, showing a stick figure vomiting “words.” The caption: “Therapy: Weird, but good.”"},{"_id":"ODF73ISMOJD35JQ2Y4HRUPOYDA","type":"text","additional_properties":{"_id":1663713676330,"comments":[],"inline_comments":[]},"content":"More than 50 years after Alden Barrett attended this school, I thought, there was a social worker there to help students. There weren’t many mental health resources available back then; would this have helped him?"},{"_id":"LWDD7IWJUJGVDOIEJ7JYDA5MJM","type":"text","additional_properties":{"_id":1663713676331,"comments":[],"inline_comments":[]},"content":"I thought of several “what if?” questions while reporting this story. What if there had been more resources to help a troubled teen? What if Sparks had never gotten her hands on Alden’s original journal? What if inflated concerns like “the war on drugs” and “Satanic panic” weren’t spreading like wildfire when “Jay’s Journal” was published?"},{"_id":"ZKC4KYZOIZCKNPANDKWPRIUIX4","type":"text","additional_properties":{"_id":1663713676332,"comments":[],"inline_comments":[]},"content":"We couldn’t find the tunnels, or gain access to them if they existed. We did find a teacher, the only person we met at the school who had heard of Alden or “Jay’s Journal.” Her recollection, fittingly: He was the kid “controlled by Satan.”"},{"_id":"BJL4UGNSPVBCZJAXNFTEMWEAZU","additional_properties":{"countryId":227,"fullSizeResizeUrl":"/resizer/wuYIzvX2fh8uU5igDP8gN0jpL2k=/arc-anglerfish-arc2-prod-sltrib/public/BJL4UGNSPVBCZJAXNFTEMWEAZU.JPG","galleries":[{"headlines":{"basic":"Pleasant Grove Rock Opera"},"_id":"X6L6F5ZL2RGELN73SKUIP5ZFWU"}],"ingestionMethod":"manual","iptc_source":"The Salt Lake Tribune","iptc_title":"Staff Photographer","keywords":[""],"mime_type":"image/jpeg","originalName":"Pleasant Grove Opera 024.JPG","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/BJL4UGNSPVBCZJAXNFTEMWEAZU.JPG","owner":"regan@sltrib.com","proxyUrl":"/resizer/wuYIzvX2fh8uU5igDP8gN0jpL2k=/arc-anglerfish-arc2-prod-sltrib/public/BJL4UGNSPVBCZJAXNFTEMWEAZU.JPG","published":true,"resizeUrl":"/resizer/wuYIzvX2fh8uU5igDP8gN0jpL2k=/arc-anglerfish-arc2-prod-sltrib/public/BJL4UGNSPVBCZJAXNFTEMWEAZU.JPG","restricted":false,"takenOn":"2022-07-30T01:54:41Z","thumbnailResizeUrl":"/resizer/smAU5YDcEPJkSqTCnwkgsZFsQiw=/300x0/arc-anglerfish-arc2-prod-sltrib/public/BJL4UGNSPVBCZJAXNFTEMWEAZU.JPG","version":0,"template_id":335,"_id":"XTZ6FIANOBCXZNB7ZCCYBLK5Z4","comments":[]},"address":{"locality":"SALT LAKE CITY","region":"UT","country_name":"USA"},"caption":"(Rick Egan | The Salt Lake Tribune) Ian Webb as Alden Barrett, Laura Wright as Marcella Barrett, and Kyle Olsen as Doyle Barrett, in the a preview performance of \"Pleasant Grove Rock Opera,\" on Friday, July 29, 2022.\n","copyright":"Copyright 2022 The Salt Lake Tribune. All rights reserved.","created_date":"2022-09-02T16:57:50Z","credits":{"affiliation":[{"name":"Rick Egan","type":"author"}],"by":[{"byline":"Rick Egan","name":"Rick Egan","type":"author"}]},"height":1941,"image_type":"photograph","last_updated_date":"2022-09-02T16:57:50Z","licensable":false,"owner":{"id":"sltrib"},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/BJL4UGNSPVBCZJAXNFTEMWEAZU","system":"photo center"},"status":"","taxonomy":{},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/BJL4UGNSPVBCZJAXNFTEMWEAZU.JPG","version":"0.10.3","width":2500,"syndication":{"external_distribution":"","search":""},"subtitle":""},{"_id":"HV225HCP2NCRLJUKTOUFWFTEIY","type":"header","level":2,"additional_properties":{"_id":1663713676334,"comments":[],"inline_comments":[]},"content":"‘The burden of being myself’"},{"_id":"3I7ZGR523BEKHEUOW6D5ZQJ6VA","type":"text","additional_properties":{"_id":1663713676335,"comments":[],"inline_comments":[]},"content":"Days later, my curiosity would take me to Brigham Young University, where Sparks’ papers are kept. What I found were folders full of clippings, a meticulously crafted history of her deceit."},{"_id":"QZ3L4GXAPBBZNBINDW4HUVOGKU","type":"text","additional_properties":{"_id":1663713676336,"comments":[],"inline_comments":[]},"content":"Over email, Emerson, the author of “Unmask Alice,” mentioned a story in the alternative student newspaper Seventh East Press that posthumously outed Alden, and a series from Provo’s Daily Herald that contributed to the fear of “Satanic panic” in Utah."},{"_id":"U5UX6CRWPNFYNFKU5RZPAN45P4","type":"text","additional_properties":{"_id":1663713676337,"comments":[],"inline_comments":[]},"content":"As I started writing the story — trying to encompass Alden’s journey, the rock opera that introduced me to this saga, two books and two trips to Utah County — what stuck in my mind were the few original bits of Alden’s journal that, according to Emerson’s book, made it into “Jay’s Journal.”"},{"_id":"3PUUYF3KKJCXBMWFC66MVTJJ74","type":"text","additional_properties":{"_id":1663713676338,"comments":[],"inline_comments":[]},"content":"One phrase Alden wrote was particularly devastating: “I am very, very lonely. I’ve got myself and that’s all, besides the burden I’m carrying … the burden of change. The burden of being myself …”"},{"_id":"PPYDDG54GFDGZPPQZXLS2QIICE","type":"text","additional_properties":{"_id":1663713676339,"comments":[],"inline_comments":[]},"content":"The memory of the real Alden is slipping away from Pleasant Grove and it seems the memory of the legend, created by a falsified journal, is too. With the renewed interest, through Emerson’s book and Bay of Pigs’ rock opera, maybe Alden Barrett can be himself, not the kid from “Jay’s Journal” — someone who wanted to be heard and understood in his conventional small town."},{"_id":"QSZ655OBZVDS3CFIDZUBAU7EQE","type":"text","additional_properties":{"_id":1663713676340,"comments":[],"inline_comments":[]},"content":"It’s Emerson’s words, now, that ring the clearest, after the story has been published: “By turning the story into something demonic, Sparks did more than defile Alden’s memory — she squandered the chance to make a real difference.”"},{"_id":"4LUHGV7N55CYFLTVK6H4FALPWM","type":"text","additional_properties":{"_id":"TK5HDFOU75B5ZOEHZAQPNOMCA4","comments":[],"inline_comments":[]},"content":"<b>Editor’s note •</b> <i>This story is available to Salt Lake Tribune subscribers only. 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A young Chinese man, Lit, who works as a “fuse runner” — he lights the explosives and runs away before they explode — falls for a young Chinese woman, Mei, who has been forced into prostitution to support her family.","type":"text"},{"_id":"GIEFQMGL3JCAXIY3DURIAOYPPE","additional_properties":{"_id":1635296309975,"comments":[],"inline_comments":[]},"content":"It’s heartfelt, emotional, funny, dramatic and highly entertaining. Almost the entire cast is Asian American — and so is the backstage crew. The creative team — set designers, clothes designers — is made up entirely of women. And “Gold Mountain” is, arguably, more relevant today than it was when it was written.","type":"text"},{"_id":"M57QJKV2GFF5FEIVA7OEFTUMOI","additional_properties":{"_id":1635296310001,"comments":[],"inline_comments":[]},"content":"“It’s so important,” director Alan Muraoka said, “especially at this time, to tell an Asian American story, given some of the things that have happened in the last two years — anti-Asian American violence and racism.”","type":"text"},{"_id":"PY54VK66S5FELNNEMGQ5KMU2LI","additional_properties":{"_id":1635354176583,"comments":[],"inline_comments":[]},"content":"But when Ma, who wrote the book, music and lyrics, tried to interest producers in “Gold Mountain” back in 1997, he met with “extremely negative” reactions.","type":"text"},{"_id":"6LXFXDMS3NC5LE3XED4XGEREPA","additional_properties":{"_id":1635296309976,"comments":[],"inline_comments":[]},"content":"“We think of the theater as being so open and liberal in its viewpoints,” Ma said. “But I got rejection letters that said, ‘Why would you write something like this?’ Or ‘Don’t you think it would be better if you just concentrated on making Chinese opera more palatable instead of trying to write a big Broadway musical?’ ‘That doesn’t sound like something that you would write.’”","type":"text"},{"_id":"C23ZLTT35VBUXKHWT7K5UM2SSY","additional_properties":{"_id":1635296309977,"comments":[],"inline_comments":[]},"content":"He “didn’t have any sort of context” for the rejection then. “But in the present, we would know exactly what that meant — ‘You do not belong here as a person of color to write in our genre.’ Nobody would ever say those things to me now. But back then, it was perfectly acceptable.”","type":"text"},{"_id":"VK7FUP3NJVDXBDSBYEP32E3OVM","additional_properties":{"_id":1635296309978,"comments":[],"inline_comments":[]},"content":"So Ma, a native Californian then working in New York, tried to forget about the show he’d written. “I put it in a box and I put it under my bed and I let it go for a few years,” he said. He gave up writing and performing for a while. Went to grad school. But then he heard Ali Ewoldt sing when they were both invited to perform at a concert.","type":"text"},{"_id":"LUHGE56NT5FKZBI6PI6EQZHIVY","additional_properties":{"_id":1635296309979,"comments":[],"inline_comments":[]},"content":"“I remember thinking, ‘Oh my gosh, this is the perfect actor to play Mei in ‘Gold Mountain!’” Ma said. And that prompted him to start “pushing for the piece again.”","type":"text"},{"_id":"NAVVNA7Q7ZF4DA4VUSOWYGMXDY","additional_properties":{"_id":1635296309980,"comments":[],"inline_comments":[]},"content":"It came out from under his bed and — with Ewoldt, who’s now a Broadway star, on board — was staged as a concert performance in a few cities,<a href=https://www.sltrib.com/"https://www.sltrib.com/artsliving/2019/04/28/chinese-take-center-stage//" target=\"_blank\"> including both Salt Lake City and Ogden</a> during the Spike 150 celebration in 2019 that commemorated the 150th anniversary of the transcontinental railroad. Following those performances, the leaders of the Utah Shakespeare Festival were convinced to produce “Gold Mountain” as a fully staged musical. Plans were well underway when the COVID-19 pandemic hit.","type":"text"},{"_id":"SPYMWQGRDJAMTLZJOJD6L4UXMA","additional_properties":{"_id":1635296309981,"comments":[],"inline_comments":[]},"content":"Once again, Ma “kind of let go” of the project in his mind, unsure whether the Shakespeare Festival would remain interested. “But they picked it right back up,” he said. “It was amazing. I couldn’t believe my good fortune, actually.","type":"text"},{"_id":"ZQRTRWMOAJDTHJD7NJL67LDHCQ","additional_properties":{"_id":1635296309982,"comments":[],"inline_comments":[]},"content":"“I mean, I had given up hope,” Ma said with a laugh. And he didn’t really believe the production would happen this time “until we walked into the (rehearsal) room and started working. I’ve been so used to not having it be a full production that it’s been kind of mind blowing.”","type":"text"},{"_id":"ZJD5XX3FEFBTHPUIPAU763Y7PA","additional_properties":{"_id":1635296309983,"comments":[],"inline_comments":[]},"content":"A first for the Utah Shakespeare Festival","level":2,"type":"header"},{"_id":"VSKMUAFATJBXVGKR7BS73LJS4U","additional_properties":{"_id":1635296309984,"comments":[],"inline_comments":[]},"content":"Ma was invited to meet with Utah Shakespeare Festival leaders in Cedar City in 2019, and he arrived feeling “intimidated.” But festival founder Fred Adams, Ma said, “happened to be in the lobby when I arrived. And he was so warm and so welcoming.”","type":"text"},{"_id":"DEURD4AJGZDGZF5W4LFZ4AAAPI","additional_properties":{"_id":1635296309985,"comments":[],"inline_comments":[]},"content":"Ma said he was wondering, “What am I doing here with my Chinese railroad worker musical at the Utah Shakespeare Festival?” But Adams, who passed away a few months later, “immediately put me at ease. We talked about what it would take to put on a show of this size — something that they’re quite used to doing.”","type":"text"},{"_id":"T43WTSDOP5CQRDLX4JE6S6U35Q","additional_properties":{"_id":1635296309986,"comments":[],"inline_comments":[]},"content":"The first full production of “Gold Mountain” will be the first nontouring show the Utah Shakespeare Festival has produced outside Cedar City. “Much of our audience here at the festival is from the Wasatch Front, and this is a great chance for them to see a Festival production in their own neighborhood,” said festival executive producer Frank Mack.","type":"text"},{"_id":"4G7IT57DLRCT5ML2TF5MN7GKNU","additional_properties":{"_id":1635296309987,"comments":[],"inline_comments":[]},"content":"And festival executive director Brian Vaughn promised it will be “one of many future collaborations with the West Valley City Performing Arts Center.” (The 42,000-square-foot, city-owned theater at 3333 S. Decker Lake Drive is the former home of Hale Centre Theater.)","type":"text"},{"_id":"6R3AGBT6Y5GWHGTCPVI5GCJBSI","additional_properties":{"_id":"C2FSVL6LSZAUFH6IT5J6EZRZH4","comments":[],"fullSizeResizeUrl":"/resizer/koGTX1aTJFfbY5oK5o_IRtr0rhU=/arc-anglerfish-arc2-prod-sltrib/public/6R3AGBT6Y5GWHGTCPVI5GCJBSI.jpg","galleries":[{"_id":"TYMLPMRUVZBPFOYNRIJHTRFXJY","headlines":{"basic":"Spike 150 Theater"}}],"ingestionMethod":"manual","iptc_job_identifier":"fHOdzSrraYbb_b3ruUe5","keywords":[""],"mime_type":"image/jpeg","originalName":"Gold Mountain 3.jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/6R3AGBT6Y5GWHGTCPVI5GCJBSI.jpg","owner":"spierce@sltrib.com","proxyUrl":"/resizer/koGTX1aTJFfbY5oK5o_IRtr0rhU=/arc-anglerfish-arc2-prod-sltrib/public/6R3AGBT6Y5GWHGTCPVI5GCJBSI.jpg","published":true,"resizeUrl":"/resizer/koGTX1aTJFfbY5oK5o_IRtr0rhU=/arc-anglerfish-arc2-prod-sltrib/public/6R3AGBT6Y5GWHGTCPVI5GCJBSI.jpg","restricted":false,"thumbnailResizeUrl":"/resizer/xb7rka8wUoP6fecC9rGmy6dYs_M=/300x0/arc-anglerfish-arc2-prod-sltrib/public/6R3AGBT6Y5GWHGTCPVI5GCJBSI.jpg","usage_instructions":"FBMD01000a9c0d00007f2a0000a84d0000b65300006a58000021690000f39500002d9c000045a4000095ab000070f70000","version":0},"address":{},"caption":"(Photo courtesy National Asian Artists Project) A rehearsal of the musical “Gold Mountain.”","created_date":"2019-04-25T16:40:51Z","credits":{"affiliation":[]},"height":540,"image_type":"photograph","last_updated_date":"2019-04-25T16:40:51Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/6R3AGBT6Y5GWHGTCPVI5GCJBSI","system":"Anglerfish"},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/6R3AGBT6Y5GWHGTCPVI5GCJBSI.jpg","version":"0.10.3","width":960},{"_id":"ENQWRJPGEZAVNPGC4MDUGNUEOU","additional_properties":{"_id":1635296309989,"comments":[],"inline_comments":[]},"content":"A first for theater","level":2,"type":"header"},{"_id":"CSYY5BGY5RCS5ACKF5Y4BF7Y5M","additional_properties":{"_id":1635296309990,"comments":[],"inline_comments":[]},"content":"Ewoldt, who has starred on Broadway in “Phantom of the Opera,” “Les Misérables” and “The King and I,” stars in “Gold Mountain” as Mei. Jonny Lee Jr. stars as Lit.","type":"text"},{"_id":"FSAIE7GAAFEEBCZEQNBEBFB4UQ","additional_properties":{"_id":1635296309991,"comments":[],"inline_comments":[]},"content":"“The fact that we have 11 Asian American men on stage together at once,” Muraoka said, “is so rare …”","type":"text"},{"_id":"6V4FTEUO45CQXP5OLOZDTCWORE","additional_properties":{"_id":1635320098617,"comments":[],"inline_comments":[]},"content":"“Rare?” Ma interjected with a laugh. ”Let’s call it out,” Muraoka said. “It doesn’t happen.” Until now.","type":"text"},{"_id":"Q4AQAIYFL5DULG4RN5AII4YIBE","additional_properties":{"_id":1635296309995,"comments":[],"inline_comments":[]},"content":"Most of the cast members have been involved with “Gold Mountain” for years, singing and acting in the concert performances. “We got to sort of handpick the people that we wanted from around the country who we thought would be right for this show,” Muraoka said. “And not only cast, but we also got to pick our choreographers and our musical team. We are comprised of an all Asian American team. I don’t think that’s ever happened before at a regional theater anywhere.”","type":"text"},{"_id":"4IVYAWUQVJDETLG73H5FFUWNS4","additional_properties":{"_id":"5TEJGAB5ZNFCHMYK7AAYDL67LU","comments":[],"fullSizeResizeUrl":"/resizer/24zck3fWuwKkXbRqyH2kLHdzm0Y=/arc-anglerfish-arc2-prod-sltrib/public/4IVYAWUQVJDETLG73H5FFUWNS4.jpg","galleries":[{"_id":"TYMLPMRUVZBPFOYNRIJHTRFXJY","headlines":{"basic":"Spike 150 Theater"}}],"ingestionMethod":"manual","iptc_job_identifier":"qvx5-xsp7JfTMg_dgeux","keywords":[""],"mime_type":"image/jpeg","originalName":"Gold Mountain 2.jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/4IVYAWUQVJDETLG73H5FFUWNS4.jpg","owner":"spierce@sltrib.com","proxyUrl":"/resizer/24zck3fWuwKkXbRqyH2kLHdzm0Y=/arc-anglerfish-arc2-prod-sltrib/public/4IVYAWUQVJDETLG73H5FFUWNS4.jpg","published":true,"resizeUrl":"/resizer/24zck3fWuwKkXbRqyH2kLHdzm0Y=/arc-anglerfish-arc2-prod-sltrib/public/4IVYAWUQVJDETLG73H5FFUWNS4.jpg","restricted":false,"thumbnailResizeUrl":"/resizer/bZXPP8wuYsrrfOydtr0JO5vfsG8=/300x0/arc-anglerfish-arc2-prod-sltrib/public/4IVYAWUQVJDETLG73H5FFUWNS4.jpg","usage_instructions":"FBMD01000ade030000bc1f0000bc3b00002c410000e1480000405a0000f9810000388900001c910000709a0000d6e30000","version":0},"address":{},"caption":"(Photo courtesy National Asian Artists Project) A rehearsal of the musical “Gold Mountain.”","copyright":"Lia Chang","created_date":"2019-04-25T16:40:30Z","credits":{"affiliation":[],"by":[{"byline":"Lia Chang","name":"Lia Chang","type":"author"}]},"height":2250,"image_type":"photograph","last_updated_date":"2019-04-25T16:40:30Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/4IVYAWUQVJDETLG73H5FFUWNS4","system":"Anglerfish"},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/4IVYAWUQVJDETLG73H5FFUWNS4.jpg","version":"0.10.3","width":3562},{"_id":"ZKZS5F5BERFARI5CZ4Q63R7564","additional_properties":{"_id":1635296309997,"comments":[],"inline_comments":[]},"content":"Has the show evolved?","level":2,"type":"header"},{"_id":"SIQYZB25TJBLXIPPBPRLVH2SDI","additional_properties":{"_id":1635296309998,"comments":[],"inline_comments":[]},"content":"Since Ma finished writing “Gold Mountain” in 1997, the show hasn’t changed much.","type":"text"},{"_id":"R6AN5EOKLFCIFNOETDFAVUEJ7A","additional_properties":{"_id":1635296309999,"comments":[],"inline_comments":[]},"content":"“We have the same number of characters. They all do the same thing. The plot has not changed,” he said. There are some new lyrics and new lines of dialogue, “but our characters have retained most of their sort of essential selves. ... But as our world has changed, they have all sort of started to take in this experience of being in a foreign country, building this railroad and being mistreated. Or treated as less than.”","type":"text"},{"_id":"UWKMJM4MSRAUROKLAQH2WOCI3E","additional_properties":{"_id":1635296310002,"comments":[],"inline_comments":[]},"content":"It’s the kind or representation that Asian Americans have never seen on stage. And the first full production of “Gold Mountain” includes staging that its creator didn’t expect.","type":"text"},{"_id":"PFCDK3U67JCVBOMEOV7NZDFIUE","additional_properties":{"_id":1635296310003,"comments":[],"inline_comments":[]},"content":"“I think we have even surprised Jason with some of the stuff that we have created,” Muraoka said. “In the best way possible,” said Ma, who was Muraoka’s college roommate. “There is so much magic going on in that room. I mean, part of it is also that we’ve all known each other for a long time. Many of us have worked together for decades.”","type":"text"},{"_id":"FKASN7NRGZFZLIFATBICKWUNKU","additional_properties":{"_id":1635296310004,"comments":[],"inline_comments":[]},"content":"That’s entertainment","level":2,"type":"header"},{"_id":"GAHCJMUA6ZDE3P6FLBPXXRLTGI","additional_properties":{"_id":1635296310005,"comments":[],"inline_comments":[]},"content":"“Gold Mountain” tells a story of the Chinese workers who comprised 90% of the Central Pacific Railroad’s workforce. “And even in history, there was this idea of trying to — sort of for lack of a better word — whitewash the event,” Muraoka said. “The important part of this story is that we’re showing that the Chinese were actually a really integral part of the fabric of American history.”","type":"text"},{"_id":"4YERFQ2DNVDG5KRIVLA7CRKFLU","additional_properties":{"_id":1635296310006,"comments":[],"inline_comments":[]},"content":"It’s a part of <a href=https://www.sltrib.com/"https://www.sltrib.com/artsliving/2019/02/03/centennial//" target=\"_blank\">history that’s been largely forgotten.</a> Even Ma, who is the son of Chinese immigrants, didn’t know “until well after I graduated college. In my high school ... it wasn’t taught at all,” he said.","type":"text"},{"_id":"NLGOCYVLPRGYJC7MCNAGEFZRME","additional_properties":{"_id":1635296310007,"comments":[],"inline_comments":[]},"content":"And, while it’s set in the Sierras, “Gold Mountain” certainly has resonance in Utah, where the railroad was completed. Before rehearsals began in Cedar City, Ma and Muraoka visited Promontory Summit, where the last spike was driven to complete the transcontinental railroad.","type":"text"},{"_id":"EZ5I4JBHLJCUZCCC6ZEIHV56SA","additional_properties":{"_id":1635296310008,"comments":[],"inline_comments":[]},"content":"“It was so cold that Jason and I lasted maybe five minutes before we had to run back into the gift shop and get warm,” Muraoka said. “And so for me, that was in a moment of — ‘Oh my God! These people worked in these conditions and survived in these conditions.’”","type":"text"},{"_id":"47OAKII4VJHA3OWUKRLFREBMQ4","additional_properties":{"_id":1635296310009,"comments":[],"inline_comments":[]},"content":"But “Gold Mountain” is not a grim story. It’s filled with quirky characters who are often very funny, with laugh-out-loud moments. Audience members don’t feel like they’re sitting in a lecture.","type":"text"},{"_id":"MEHUE5NAKVAZ5ABJTBRHJI6AAQ","additional_properties":{"_id":1635296310010,"comments":[],"inline_comments":[]},"content":"The goal is to entertain audiences. And if they learn a few things along the way, so much the better.","type":"text"},{"_id":"5BCUMKMIYNBXRCWAO5XLWKVXSI","additional_properties":{"_id":"MRMVTL4J6ZBOZL36SUWG4XSNWI","comments":[],"fullSizeResizeUrl":"/resizer/4UOh81X_cyG5jJ9gj26FvS7Gr74=/arc-anglerfish-arc2-prod-sltrib/public/5BCUMKMIYNBXRCWAO5XLWKVXSI.jpg","galleries":[],"ingestionMethod":"manual","iptc_job_identifier":"JSAEbjmFA2B2FwVD19OD","keywords":[""],"mime_type":"image/jpeg","originalName":"30624446_10155630380853250_914491647914409984_n.jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/5BCUMKMIYNBXRCWAO5XLWKVXSI.jpg","owner":"spierce@sltrib.com","proxyUrl":"/resizer/4UOh81X_cyG5jJ9gj26FvS7Gr74=/arc-anglerfish-arc2-prod-sltrib/public/5BCUMKMIYNBXRCWAO5XLWKVXSI.jpg","published":true,"resizeUrl":"/resizer/4UOh81X_cyG5jJ9gj26FvS7Gr74=/arc-anglerfish-arc2-prod-sltrib/public/5BCUMKMIYNBXRCWAO5XLWKVXSI.jpg","restricted":false,"template_id":335,"thumbnailResizeUrl":"/resizer/sKupW3zlG-iopwJ8XXZwdhUg1Uo=/300x0/arc-anglerfish-arc2-prod-sltrib/public/5BCUMKMIYNBXRCWAO5XLWKVXSI.jpg","usage_instructions":"FBMD01000a9c0d00000a4c00004ba70000ecb40000e3c7000072fa0000f26e0100bc7b0100068f010055a5010095810200","version":0},"address":{},"caption":"(HBO) Alan Muraoko, who directs \"Gold Mountain,\" at his day job on the set of \"Sesame Street.\"","created_date":"2021-10-26T20:44:16Z","credits":{"affiliation":[]},"height":737,"image_type":"photograph","last_updated_date":"2021-10-26T20:44:16Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/5BCUMKMIYNBXRCWAO5XLWKVXSI","system":"photo center"},"status":"","syndication":{"external_distribution":false,"search":false},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/5BCUMKMIYNBXRCWAO5XLWKVXSI.jpg","version":"0.10.3","width":1190},{"_id":"NJHXHQWCGBF4JLEKXFHNGBEHQE","additional_properties":{"_id":1635296310012,"comments":[],"inline_comments":[]},"content":"“It’s kind of like my day job on ‘Sesame Street,’” said Muraoka — a theater actor/director who has played the role of the owner of Hooper’s Store on the children’s educational series since 1998. “You educate while you entertain. You sneak all those little educational things in there. ... One of the aims of this show is just to have people walk out and go, ‘OK, I didn’t know that.’”","type":"text"},{"_id":"R5VGOLM5YRBDZDQIA2AITGSWQM","additional_properties":{"_id":1635296310013,"comments":[],"inline_comments":[]},"content":"Even so, “Gold Mountain” is not intended to make audiences think, but to make them feel.","type":"text"},{"_id":"W3RUHT65XNH73K7YNWAXUQGXNQ","additional_properties":{"_id":1635296310014,"comments":[],"inline_comments":[]},"content":"“This is actually something that’s to be experienced with your heart,” Ma said. “This is a love story. We’re just storytelling here, like any play or musical.”","type":"text"},{"_id":"KFKH76EOVRFSXBZKHIYLGCT3SU","additional_properties":{"_id":1635296310015,"comments":[],"inline_comments":[]},"content":"Onward and upward?","level":2,"type":"header"},{"_id":"S6WGDIXV5NCZ7FS4XONIMFKTKY","additional_properties":{"_id":1635296310016,"comments":[],"inline_comments":[]},"content":"Is the premiere of “Gold Mountain” the first step on the road to bigger and better things for the musical? Well, Ma and Muraoka have their fingers crossed.","type":"text"},{"_id":"Y2D6SS4RHRAA5BI5474BLPJJ3Y","additional_properties":{"_id":1635296310017,"comments":[],"inline_comments":[]},"content":"“Sometimes the biggest obstacle for productions is actually getting to that world premiere,” Ma said. “And we’ve been given that. 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When a trumpeter blows into the mouthpiece, tiny respiratory droplets, known as aerosols, travel out of the musician’s mouth, whiz through the brass tubing and spray into the air.","type":"text"},{"_id":"NUEBLBELYRGGDPURADC7Z5ZKQA","additional_properties":{"_id":1624654332847,"comments":[],"inline_comments":[]},"content":"During a deadly pandemic, when a musician might unwittingly be exhaling an infectious virus, that poses a potential problem for orchestras. 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The Utah Symphony, like most modern orchestras, positioned its musicians in a standard pattern, with the string instruments at the front of the stage, followed by several rows of woodwinds and brass instruments — the flutes and oboes, then the bassoons and clarinets, and then the trumpets and French horns. The trombones and the percussion section were positioned at the very back of the stage.","type":"text"},{"_id":"ESOEZERMYVB5VGYSZSSTKL4LJU","additional_properties":{"_id":1624654332854,"comments":[],"inline_comments":[]},"content":"To model the spread of aerosols during a concert, they incorporated recent research led by Jiarong Hong, a mechanical engineer at the University of Minnesota. Working with the Minnesota Orchestra, Hong and his colleagues had measured the concentration and size of aerosol particles emitted by a variety of different wind instruments. 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But two distinct vortices, at the front and the back of the stage, also formed, they found. “You see these large regions that are recirculating like a big tornado,” Saad said.","type":"text"},{"_id":"VGPLWNAQ6NDKJMCC3ON55ZAXBM","additional_properties":{"_id":1624654332857,"comments":[],"inline_comments":[]},"content":"Aerosols can get caught in these vortices, swirling around and around the stage and building up over time.","type":"text"},{"_id":"HSJ6OB4YIREF7AEUSCJCS4RZWU","additional_properties":{"_id":1624654332858,"comments":[],"inline_comments":[]},"content":"The trumpets, which emitted large, concentrated aerosol clouds, posed a particular problem. As the instruments’ aerosol plumes traveled toward the air vents at the back of the stage, they passed directly through the percussionists’ breathing zone.","type":"text"},{"_id":"HFRSS4HOB5DXFCMA634FS4T6ZQ","additional_properties":{"_id":1624654332859,"comments":[],"inline_comments":[]},"content":"“We saw this and said, ‘OK, this is a big problem, we’ve got to solve this,’” Sutherland said. “And given the insight we had into how the flow was moving, we said, ‘Well, let’s move some of these instruments around.’”","type":"text"},{"_id":"3D7N3ZS27FB2ZP7LCZ7CU2XEX4","additional_properties":{"_id":1624654332860,"comments":[],"inline_comments":[]},"content":"They knew the idea might be controversial; orchestras have generally been arranged the same way for decades, for reasons that include both acoustics and tradition. “We asked them when we started the project, ‘What constraints do we have to work with? 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Then they shifted the other wind instruments from the middle of the stage, moving them either closer to the back air vents or to the stage doors, which they suggested opening.","type":"text"},{"_id":"JSTOZ6SGWRAUXHI6DGQ5GZAN6Y","additional_properties":{"_id":1624654332862,"comments":[],"inline_comments":[]},"content":"These moves, the team hoped, would allow the aerosols to flow directly out of the concert hall, without passing through the breathing zones of other musicians or getting caught in an onstage vortex. “You want the smoker to sit close to the window,” Saad said. “That’s exactly what we did here.”","type":"text"},{"_id":"ZWM77I5Q7VH3RL3EMRE3MSSVFY","additional_properties":{"_id":1624654332863,"comments":[],"inline_comments":[]},"content":"Finally, they moved the instruments that do not generate aerosols at all — the piano and the percussion section — to the center of the stage. Together, these tweaks reduced the average aerosol concentration in the musicians’ breathing zones a hundredfold, the researchers calculated.","type":"text"},{"_id":"GNAIPX5P3BDYDNDTAE47OHOJFE","additional_properties":{"_id":1624654332864,"comments":[],"inline_comments":[]},"content":"Although the precise air flow patterns will be different in every venue, the general principles should hold everywhere, the team said. Orchestras can reduce the risk of aerosol spread by positioning the highest risk instruments near open doors and air return vents. (Orchestras that cannot do their own computer modeling could put a fog machine onstage and track how the fog flows, the researchers suggested.)","type":"text"},{"_id":"5VA22XHYRVEWXC6CNVAO562OSI","additional_properties":{"_id":1624654332865,"comments":[],"inline_comments":[]},"content":"Hong, who was not involved in the Utah study, praised the modeling work. “Simulating the flow inside an orchestra hall is not easy,” he said. “They did beautiful work in terms of characterizing flow.”","type":"text"},{"_id":"FSIDNVIQFZBHNLAAGZDEJP2N6A","additional_properties":{"_id":1624654332866,"comments":[],"inline_comments":[]},"content":"But he questioned whether moving musicians was really a practical solution. “We work with musicians closely, and they don’t like to be rearranged,” he said. 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And when it took the stage last fall, it did so with the stage doors open and the wind instruments at the rear.","type":"text"},{"_id":"Y3ZNJ6CHBZGUZGX7YRUA7IXCYQ","additional_properties":{"_id":1624654332869,"comments":[],"inline_comments":[]},"content":"“That was a huge challenge for the musicians,” said Steven Brosvik, the president and chief executive of the Utah Symphony and Utah Opera. “But they all dove into it, and said, ‘Let’s go, let’s give it a try.’”","type":"text"},{"_id":"DLER7EYZUBFFRE7J6E4S7P6MCI","additional_properties":{"_id":1624654332870,"comments":[],"inline_comments":[]},"content":"It took a few weeks for the musicians to get comfortable with the new arrangement, and they plan to return to their traditional seating configuration this fall, Brosvik said. But the simulations gave the musicians peace of mind and allowed them to get back onstage, he said: “For us, it was life changing.”","type":"text"},{"_id":"FUIMUVHHRZA7HJMAIAYBUWFGOQ","additional_properties":{"_id":1624654332871,"comments":[],"inline_comments":[]},"content":"The researchers were pleased with how willing the musicians were to embrace an unusual solution, although their findings may have hit some instrumentalists harder than others. 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Karen Azenberg as “a creative business leader” with production credits on two Tony-winning Broadway productions under his belt.","type":"text"},{"_id":"MURI4EWJXFDGTHCS6MURU32STI","additional_properties":{"_id":1622767763561,"comments":[],"inline_comments":[]},"content":"A deeper dive into Massimine’s credentials, though, finds some of that creativity might have been expended on his resumé.","type":"text"},{"_id":"AHZQDRL445CU3KPDZWPERDOTEA","additional_properties":{"_id":1622786794691,"comments":[],"inline_comments":[]},"content":"The discrepancies first came to light in <a href=https://www.sltrib.com/"https://www.fox13now.com/news/fox-13-investigates/fox-13-investigates-high-paid-university-of-utah-executive-lied-on-resume-published-fake-articles/" target=\"_blank\">FOX 13 story that aired Thursday night</a>.","type":"text"},{"_id":"VMFN6R5D45GC3KN74DQDAIES6M","additional_properties":{"_id":1622767763562,"comments":[],"inline_comments":[]},"content":"On Oct. 22, 2019, the University of Utah’s College of Fine Arts — which oversees Pioneer Theatre, whose home stage is on the U.’s campus — issued <a href=https://www.sltrib.com/"https://finearts.utah.edu/news/the-finer-points-blog/item/616-pioneer-theatre-company-s-christopher-massimine-receives-2019-humanitarian-of-the-year-award/" target=\"_blank\">a news release</a> congratulating Massimine for winning the “humanitarian of the year” award from a group called the National Performing Arts Action Association. Other versions of the release online remove the word “Action” from the group’s name.","type":"text"},{"_id":"J42QYQUSLFHG3C3NDUV3LTHUUI","additional_properties":{"_id":1622767763563,"comments":[],"inline_comments":[]},"content":"The problem is that there doesn’t seem to be such an organization, with the extra word in its name or not.","type":"text"},{"_id":"XLDLUKVTQFDQLE72EPY4KCIFLI","additional_properties":{"_id":1622767763564,"comments":[],"inline_comments":[]},"content":"A Google search for the National Performing Arts Association finds <a href=https://www.sltrib.com/"http://www.npaa.us//" target=\"_blank\">an under-construction website</a>, <a href=https://www.sltrib.com/"https://twitter.com/NPAA_US/" target=\"_blank\">a Twitter account</a> and <a href=https://www.sltrib.com/"https://www.facebook.com/NationalPerformingArts/" target=\"_blank\">a Facebook page</a>. Both social media accounts were created last November, a year after the award was supposedly given out, and refer back to the under-construction website. Neither account has any posts attached to them.","type":"text"},{"_id":"SJTC4DKJVBCYFMDKRVRZMG6M5U","additional_properties":{"_id":1622767763565,"comments":[],"inline_comments":[]},"content":"Dozens of sites are generated by a search for the National Performing Arts Action Association but all of them refer to Massimine’s award, in language similar to the College of Fine Arts’ release.","type":"text"},{"_id":"XF4G4XQU55HC7ENTIQZW5VWLNU","additional_properties":{"_id":1622767763566,"comments":[],"inline_comments":[]},"content":"There is nothing online indicating anyone else has ever won this humanitarian award, before or since.","type":"text"},{"_id":"OZSDN6SLPRGFXA2744UWEIM6BA","additional_properties":{"_id":1622785746985,"comments":[],"inline_comments":[]},"content":"Christopher Nelson, a spokesman for the university, said Thursday evening that Massimine was on “approved personal leave.”","type":"text"},{"_id":"RI5GU66HYFHCHOGYEGJLN7XCRA","additional_properties":{"_id":1622767763567,"comments":[],"inline_comments":[]},"content":"A spokeswoman for Pioneer Theatre Company said Thursday that Massimine was unavailable for interviews. She directed other inquiries to the College of Fine Arts, which in turn directed questions to the university’s administration.","type":"text"},{"_id":"CSF4HQ4IRNALTJGPRITVHDUWJI","additional_properties":{"_id":1622785746987,"comments":[],"inline_comments":[]},"content":"Nelson said that all applicants for university jobs “attest during the application process that the information they’re submitting about their background is accurate” — including information on their resumé or curriculum vitae (CV). If information is found to be inaccurate, Nelson said, the university will give the employee a chance to make corrections and explain why it was wrong.","type":"text"},{"_id":"JEST2L7MTNBW7AYDBOBYTYJXVQ","additional_properties":{"_id":1622785746988,"comments":[],"inline_comments":[]},"content":"Employees caught lying can be disciplined, Nelson said, which “can range from corrective disciplinary action up to termination of employment.”","type":"text"},{"_id":"BFGT4ZT5NNBH7CR5S6P6WLIEYQ","additional_properties":{"_id":1622785746989,"comments":[],"inline_comments":[]},"content":"When the university hires an outside recruiting firm, as happened with the Pioneer Theatre job, it’s expected that “finalists sent to the university for review have been properly screened and the information about their backgrounds confirmed.”","type":"text"},{"_id":"D4G76QBOOJAILMDRDY742XB6FQ","additional_properties":{"_id":1622767763568,"comments":[],"inline_comments":[]},"content":"As managing director, Massimine is responsible for the business side of Pioneer Theatre, from ticket sales and attracting donors to keeping the lights on. He <a href=https://www.sltrib.com/"https://www.sltrib.com/artsliving/2019/02/25/tony-nominated-producer//" target=\"_blank\">was named in February 2019</a> to succeed Chris Lino, who ran the company’s operations for 28 years, and started in the job on July 1, 2019.","type":"text"},{"_id":"O7BHKR7FSFBLDF3GZOXMDMGQYM","additional_properties":{"_id":1622767763569,"comments":[],"inline_comments":[]},"content":"Because Pioneer Theatre is an entity of the University of Utah, Massimine is a state employee — and his salary is posted on <a href=https://www.sltrib.com/"https://transparent.utah.gov//" target=\"_blank\">the state’s transparency website</a>. According to that site, Massimine draws an annual salary of $167,500, plus another $48,108 in benefits, for a total compensation of $215,608.","type":"text"},{"_id":"RV6O4EYBSBBK7EEVEOJWVOIUJA","additional_properties":{"_id":1622767763570,"comments":[],"inline_comments":[]},"content":"The company has not staged a performance since March 2020, because of the COVID-19 pandemic. The 2021-22 season is scheduled to start Sept. 10, with a two-week run of the musical “Ain’t Misbehavin’.”","type":"text"},{"_id":"ND7Q5BG2DNF3TJ54Z3JRZGYM2E","additional_properties":{"_id":1622767763571,"comments":[],"inline_comments":[]},"content":"In <a href=https://www.sltrib.com/"https://imaginetomorrowllc.com//" target=\"_blank\">Massimine’s bio</a> on the website of <a href=https://www.sltrib.com/"https://imaginetomorrowllc.com//" target=\"_blank\">Imagine Tomorrow LLC</a>, a creative consulting company he founded, he boasts not only of the NPAA humanitarian award, but of receiving “an honorary key to the city” from the city of Washington, D.C. No independent news source mentions this award; a Google search finds the last person to receive a key to the city in Washington was comedian Dave Chappelle in 2017.","type":"text"},{"_id":"56Y7XZ7FMBBOHEPBYAKLHJEPPE","additional_properties":{"_id":1622767763572,"comments":[],"inline_comments":[]},"content":"A spokesperson for <a href=https://www.sltrib.com/"https://mayor.dc.gov//" target=\"_blank\">the office of Washington Mayor Muriel Bowser</a> did not answer a request for comment Thursday afternoon.","type":"text"},{"_id":"XBS7EGMS3ZC7HBMA6WOZDWNAIQ","additional_properties":{"_id":1622767763573,"comments":[],"inline_comments":[]},"content":"The Internet Movie Database — a favorite website of movie fans, who click through its lists of people who have worked on tens of thousands of titles in all filmed media — <a href=https://www.sltrib.com/"https://www.imdb.com/name/nm11556631/?ref_=nv_sr_srsg_0\%22 target=\"_blank\">credits Massimine</a> with work on nearly 100 movies, TV shows and video games. A spot check of three Oscar-winning movies revealed that, despite what the IMDb said, Massimine’s name was missing from the credits of all three: the climbing documentary “Free Solo” (where the IMDb listed him as a co-producer), the animated “Spider-Man: Into the Spider-Verse” (listed by IMDb as a script consultant) and DC Comics’ “Suicide Squad” (where, the IMDb said, he got a “special thanks” credit).","type":"text"},{"_id":"AHZQDRL445CU3KPDZWPERDOTEA","additional_properties":{"_id":1622786794691,"comments":[],"inline_comments":[]},"content":"FOX 13 noted that Massimine’s IMDb page also lists producing credits for major video games, including Capcom’s “Resident Evil Village” and Square Enix’s “Final Fantasy VII Remake.” Representatives for those companies told FOX 13 that Massimine had never been a producer on either game.","type":"text"},{"_id":"HFYW2NRBOBCDDCLUJ3HB4BBECU","additional_properties":{"_id":1622786794692,"comments":[],"inline_comments":[]},"content":"Massimine also has claimed credit, the FOX 13 report said, for familiar ad campaigns, including spots for Old Spice grooming products and Dos Equis beer’s “Most Interesting Man in the World” commercials. The ad agencies responsible for those campaigns told FOX 13 they had never heard of Massimine.","type":"text"},{"_id":"IROXNSHVOFBX5PVIAQCQZKSPT4","additional_properties":{"_id":1622767763574,"comments":[],"inline_comments":[]},"content":"Then there are those Tony-winning plays. Massimine said in 2019 that he was among the producers nominated for Broadway’s most prestigious award for two productions: the 2010 musical “American Idiot” and the 2017 play <a href=https://www.sltrib.com/"https://indecent-broadway.com//" target=\"_blank\">“Indecent.”</a> Massimine’s claims of credit are somewhat exaggerated: He was an associate producer on both plays, a lower-rung position — and his name was not included in the Tony nominations for either of them, according to <a href=https://www.sltrib.com/"https://www.tonyawards.com//" target=\"_blank\">the awards’ website</a>.","type":"text"},{"_id":"H55ZKMYFJFFLTBUWF7E54RSKZ4","additional_properties":{"_id":1622767763575,"comments":[],"inline_comments":[]},"content":"Some of Massimine’s CV does hold up. There is ample evidence in news reports of Massimine’s years as CEO of <a href=https://www.sltrib.com/"https://nytf.org//" target=\"_blank\">National Yiddish Theatre Folksbiene</a>, which produced an acclaimed production of “Fiddler on the Roof,” translated into Yiddish, during his tenure. And Massimine’s claims of being a playwright are valid; <a href=https://www.sltrib.com/"https://www.broadwayworld.com/off-broadway/article/Will-Taylor-Stars-In-LOVERS-On-Theatre-Row-Opens-715-20100715/" target=\"_blank\">the website Broadway World</a> reported that a production of the musical “Lovers,” which he wrote, was produced off-Broadway in 2010.","type":"text"},{"_id":"BLSRY4NUS5BYFONL5PU6XBQR6A","additional_properties":{"_id":1622786794695,"comments":[],"inline_comments":[]},"content":"<i><b>Editor’s note:</b></i><i> FOX 13 and The Salt Lake Tribune are partners in a content-sharing agreement.</i>","type":"text"}],"created_date":"2021-06-03T23:59:51.421Z","credits":{"by":[{"_id":"spmeans","additional_properties":{"original":{"_id":"spmeans","awards":[],"bio":"Sean P. Means has been reporting and editing for The Salt Lake Tribune since 1991 — including 25 years as movie critic. 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A landmark in the Marmalade District since it was completed in 1892, it’s believed to be the only Latter-day Saint meetinghouse with an onion dome.","type":"text"},{"_id":"PWZD5RCKWBBFFIFAZ4BRFWVEUA","additional_properties":{"_id":1619814270487,"comments":[],"inline_comments":[]},"content":"After decades as a house of worship, the building at 168 W. 500 North has been home to Salt Lake Acting Company since 1982, housing two theaters, rehearsal space, dressing rooms, a box office and more. And now, a remodel is adding more perhaps unexpected features — like animal-print carpeting and over-the-top restrooms.","type":"text"},{"_id":"QH4BFIBI2FD7RL4METE3DVPCBQ","additional_properties":{"_id":1620397706731,"comments":[],"inline_comments":[]},"content":"When the meetinghouse and the old Relief Society Hall next door reopen, which is scheduled for late summer, patrons will notice a lot of changes. Including:","type":"text"},{"_id":"KQSUOCMKEVCH5M5PHR5HPXXJXQ","additional_properties":{"_id":"HCI7ADSFNREY7CYIXQVJHDD634","comments":[],"fullSizeResizeUrl":"/resizer/9fnvShOI1NHJWSpYF_6nkEM_Tu8=/arc-anglerfish-arc2-prod-sltrib/public/KQSUOCMKEVCH5M5PHR5HPXXJXQ.jpg","galleries":[],"ingestionMethod":"manual","keywords":[""],"mime_type":"image/jpeg","originalName":"SLAC leopard carpet.jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/KQSUOCMKEVCH5M5PHR5HPXXJXQ.jpg","owner":"spierce@sltrib.com","proxyUrl":"/resizer/9fnvShOI1NHJWSpYF_6nkEM_Tu8=/arc-anglerfish-arc2-prod-sltrib/public/KQSUOCMKEVCH5M5PHR5HPXXJXQ.jpg","published":true,"resizeUrl":"/resizer/9fnvShOI1NHJWSpYF_6nkEM_Tu8=/arc-anglerfish-arc2-prod-sltrib/public/KQSUOCMKEVCH5M5PHR5HPXXJXQ.jpg","restricted":false,"template_id":335,"thumbnailResizeUrl":"/resizer/lP26oPX5unr9INQR_PjP_6ynFrw=/300x0/arc-anglerfish-arc2-prod-sltrib/public/KQSUOCMKEVCH5M5PHR5HPXXJXQ.jpg","version":0},"address":{},"caption":"(Courtesy of cityhomeCollective/Salt Lake Acting Company) This rendering shows the leopard-print carpeting that's planned for the stairs and the green room.","created_date":"2021-04-29T19:59:45Z","credits":{"affiliation":[]},"height":712,"image_type":"photograph","last_updated_date":"2021-04-29T19:59:45Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/KQSUOCMKEVCH5M5PHR5HPXXJXQ","system":"photo center"},"status":"","syndication":{"external_distribution":false,"search":false},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/KQSUOCMKEVCH5M5PHR5HPXXJXQ.jpg","version":"0.10.3","width":1593},{"_id":"6E7KPUNZHVBLZIFRIRO4AM4FPQ","additional_properties":{"_id":1619727195866,"comments":[],"inline_comments":[]},"content":"<b>1.) Leopard-print carpeting on the stairs and in the green room • </b>Well, it’s something you wouldn’t have seen when the building was a church. “We really, really want it to be fun,” and a little bit “naughty … and playful,” said Lauren Bald, design director at cityhomeCollective.","type":"text"},{"_id":"A5RMWHUAXJD7PMD2CKSCFIKPZU","additional_properties":{"_id":1619727195867,"comments":[],"inline_comments":[]},"content":"<b>2.) A roof that won’t cave in and a floor that doesn’t bounce • </b>In the main building, multiple support beams have been added because parts of the roof were “being supported by we’re not quite sure what,” said architect Jason Wheeler. “We feel like this building is going to be much more secure in the future, particularly with earthquakes.”","type":"text"},{"_id":"KJR5ZD3V65EI5FLTU5LJDAXS2A","additional_properties":{"_id":"B24B5TYMCRAH7OGUSCEF7TDEC4","comments":[],"fullSizeResizeUrl":"/resizer/EV7kw90chCsD5DH-sdDE8PfhL2Y=/arc-anglerfish-arc2-prod-sltrib/public/KJR5ZD3V65EI5FLTU5LJDAXS2A.JPG","galleries":[],"ingestionMethod":"manual","mime_type":"image/jpeg","originalName":"SLAC Relief Society.JPG","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/KJR5ZD3V65EI5FLTU5LJDAXS2A.JPG","owner":"spierce@sltrib.com","proxyUrl":"/resizer/EV7kw90chCsD5DH-sdDE8PfhL2Y=/arc-anglerfish-arc2-prod-sltrib/public/KJR5ZD3V65EI5FLTU5LJDAXS2A.JPG","published":true,"resizeUrl":"/resizer/EV7kw90chCsD5DH-sdDE8PfhL2Y=/arc-anglerfish-arc2-prod-sltrib/public/KJR5ZD3V65EI5FLTU5LJDAXS2A.JPG","restricted":false,"template_id":335,"thumbnailResizeUrl":"/resizer/8rBQCGgF4ixRZFhbt8u1GHUITT0=/300x0/arc-anglerfish-arc2-prod-sltrib/public/KJR5ZD3V65EI5FLTU5LJDAXS2A.JPG","version":0},"address":{},"caption":"(Photo courtesy of Salt Lake Acting Company) Part of the floor in the old Relief Society structure wasn't resting on the foundation.","created_date":"2021-04-29T20:01:34Z","credits":{"affiliation":[]},"height":3024,"image_type":"photograph","last_updated_date":"2021-04-29T20:01:34Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/KJR5ZD3V65EI5FLTU5LJDAXS2A","system":"photo center"},"status":"","syndication":{"external_distribution":false,"search":false},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/KJR5ZD3V65EI5FLTU5LJDAXS2A.JPG","version":"0.10.3","width":4032},{"_id":"7UKUADMRZZDYBNB76WVOGBISXE","additional_properties":{"_id":1619727195869,"comments":[],"inline_comments":[]},"content":"In the Relief Society Hall, which houses dressing rooms, the floor in the southwest corner used to bounce. Because, as it turns out, floor joists were resting on … nothing. “It’s a miracle the floor hadn’t collapsed,” said architect Jason Wheeler.","type":"text"},{"_id":"RX5QQZUM2NE6VFSUOBFPP5CT6U","additional_properties":{"_id":1619727195870,"comments":[],"inline_comments":[]},"content":"A new beam runs the length of the building, and it rests on new footings and posts.","type":"text"},{"_id":"6GHAHYIXY5BQDMX6R6OUYTMYMA","additional_properties":{"_id":"OJJJRWMWA5GJVDXH2F777LWH3I","comments":[]},"content":"<div id=\"mc3aj2vg2xx5w0\"><a href=https://www.sltrib.com/"https://app.moonclerk.com/pay/3aj2vg2xx5w0/">Are you connecting with this story?</a></div><script type=\"text/javascript\">var mc3aj2vg2xx5w0;(function(d,t) {var s=d.createElement(t),opts={\"checkoutToken\":\"3aj2vg2xx5w0\",\"width\":\"100%\"};s.src='https://d2l7e0y6ygya2s.cloudfront.net/assets/embed.js';s.onload=s.onreadystatechange = function() {var rs=this.readyState;if(rs) if(rs!='complete') if(rs!='loaded') return;try {mc3aj2vg2xx5w0=new MoonclerkEmbed(opts);mc3aj2vg2xx5w0.display();} catch(e){}};var scr=d.getElementsByTagName(t)[0];scr.parentNode.insertBefore(s,scr);})(document,'script');</script>\n","type":"raw_html"},{"_id":"RHLDGEGWFFFLZJLLFXMRMU72TQ","additional_properties":{"_id":1619814270495,"comments":[],"inline_comments":[]},"content":"(The small Relief Society Hall, 14 feet by 26 feet, was actually built two blocks away in 1908 and later moved to its present site.)","type":"text"},{"_id":"HKYOWUNFLZB5HJGOTUC64Q27JU","additional_properties":{"_id":1619727195871,"comments":[],"inline_comments":[]},"content":"<b>3.) Theatrical restrooms •</b> The two lower level restrooms will be “almost like a theater set,” Bald said.","type":"text"},{"_id":"VQMQJRFX4BFBLOOZ5H3PBLXQSQ","additional_properties":{"_id":1619814270497,"comments":[],"inline_comments":[]},"content":"One will feature a green tile pattern, the other will be filled with mauve. And both will be “playful and fun.”","type":"text"},{"_id":"Q74NBUEZ6NCT7D3F7OTDRC5AAI","additional_properties":{"_id":"ZVQEAU23Y5EAXBJG7OBIO3QSHU","comments":[],"fullSizeResizeUrl":"/resizer/rMNF8tOuTrWrcReF8T3aKIAZvh8=/arc-anglerfish-arc2-prod-sltrib/public/Q74NBUEZ6NCT7D3F7OTDRC5AAI.jpg","galleries":[],"ingestionMethod":"manual","keywords":[""],"mime_type":"image/jpeg","originalName":"SLAC restroom.jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/Q74NBUEZ6NCT7D3F7OTDRC5AAI.jpg","owner":"spierce@sltrib.com","proxyUrl":"/resizer/rMNF8tOuTrWrcReF8T3aKIAZvh8=/arc-anglerfish-arc2-prod-sltrib/public/Q74NBUEZ6NCT7D3F7OTDRC5AAI.jpg","published":true,"resizeUrl":"/resizer/rMNF8tOuTrWrcReF8T3aKIAZvh8=/arc-anglerfish-arc2-prod-sltrib/public/Q74NBUEZ6NCT7D3F7OTDRC5AAI.jpg","restricted":false,"template_id":335,"thumbnailResizeUrl":"/resizer/bD_gWOcUUKL1dbs-W2fGVb4ZdgU=/300x0/arc-anglerfish-arc2-prod-sltrib/public/Q74NBUEZ6NCT7D3F7OTDRC5AAI.jpg","version":0},"address":{},"caption":"(Courtesy of cityhomeCollective/Salt Lake Acting Company) This rendering offers a glimpse of what the men's room will look like when the renovations are completed.","created_date":"2021-04-29T20:02:56Z","credits":{"affiliation":[]},"height":699,"image_type":"photograph","last_updated_date":"2021-04-29T20:02:56Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/Q74NBUEZ6NCT7D3F7OTDRC5AAI","system":"photo center"},"status":"","syndication":{"external_distribution":false,"search":false},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/Q74NBUEZ6NCT7D3F7OTDRC5AAI.jpg","version":"0.10.3","width":1264},{"_id":"HKYOWUNFLZB5HJGOTUC64Q27JU","additional_properties":{"_id":1619727195874,"comments":[],"inline_comments":[]},"content":"<b>4. Named toilets •</b> Donors can become part of the “lasting legacy” of the remodel by paying to have their names attached to all sorts of things. “We’ve got wall tiles, we’ve got a fireplace in the green room, we’ve got some urinals in the bathroom — lots of possibilities,” said SLAC’s director of development, Erika Ahlin.","type":"text"},{"_id":"5L4DXFNY4FFT3MNPWTXKZPNV2A","additional_properties":{"_id":1619727195875,"comments":[],"inline_comments":[]},"content":"Including those urinals in the men’s room and stalls in both the men’s and women’s rooms — which you can sponsor for $5,000 each.","type":"text"},{"_id":"DE5XMO6F6VH2JO7DXRKMFU34BM","additional_properties":{"_id":1619727195876,"comments":[],"inline_comments":[]},"content":"The available sponsorships range from $500 for an indoor wall tile to $100,000 for the lobby. A donor has already coughed up $500,000 for the main event in the remodel — the elevator.","type":"text"},{"_id":"YPNZAKTG2BEVZMPPVEDKVIQ7XM","additional_properties":{"_id":"2C5XU6NX3NHJHHZPXUAPQUZXXQ","comments":[],"fullSizeResizeUrl":"/resizer/7nylri9OkePCLGTXwFiDC6VQfoc=/arc-anglerfish-arc2-prod-sltrib/public/YPNZAKTG2BEVZMPPVEDKVIQ7XM.jpg","galleries":[],"ingestionMethod":"manual","mime_type":"image/jpeg","originalName":"SLAC Box Office Construction (Image_ John Downing)(1).jpg","originalUrl":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/YPNZAKTG2BEVZMPPVEDKVIQ7XM.jpg","owner":"spierce@sltrib.com","proxyUrl":"/resizer/7nylri9OkePCLGTXwFiDC6VQfoc=/arc-anglerfish-arc2-prod-sltrib/public/YPNZAKTG2BEVZMPPVEDKVIQ7XM.jpg","published":true,"resizeUrl":"/resizer/7nylri9OkePCLGTXwFiDC6VQfoc=/arc-anglerfish-arc2-prod-sltrib/public/YPNZAKTG2BEVZMPPVEDKVIQ7XM.jpg","restricted":false,"template_id":335,"thumbnailResizeUrl":"/resizer/j251h2JnyNzhNT70RlZruVvxhC4=/300x0/arc-anglerfish-arc2-prod-sltrib/public/YPNZAKTG2BEVZMPPVEDKVIQ7XM.jpg","version":0},"address":{},"caption":"(Photo courtesy of Salt Lake Acting Company) The lobby is and box office are currently undergoing renovations. The new elevator will be installed where a men's room used to be — the opening behind the orange pylon on the left side of the photo.","created_date":"2021-04-29T20:05:51Z","credits":{"affiliation":[]},"height":2592,"image_type":"photograph","last_updated_date":"2021-04-29T20:05:51Z","licensable":false,"owner":{"id":"sltrib","sponsored":false},"source":{"additional_properties":{"editor":"photo center"},"edit_url":"https://sltrib.arcpublishing.com/photo/YPNZAKTG2BEVZMPPVEDKVIQ7XM","system":"photo center"},"status":"","syndication":{"external_distribution":false,"search":false},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://cloudfront-us-east-1.images.arcpublishing.com/sltrib/YPNZAKTG2BEVZMPPVEDKVIQ7XM.jpg","version":"0.10.3","width":4608},{"_id":"AJAGPSIKVZAITF35PYPSNMIDPU","additional_properties":{"_id":1619727195878,"comments":[],"inline_comments":[]},"content":"<b>5. The elevator •</b> The old 19th Ward building has always been problematic for patrons and performers with mobility issues — you have to climb or descend stairs to get to the theater, the restrooms, the concessions, pretty much everything. There was a chair lift on a track on one side of the main staircase, but it was slow and slippery. (It’s been removed.) 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